Allee Willis Blog

10May 2010

Allee Willis’ Kitsch O’ The Day – 3D, Miami Beach & Charles Phoenix

10May 2010

Allee Willis’ Kitsch O’ The Day – 3D, Miami Beach & Charles Phoenix

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With 3D all the rage today many people forget that the first ubiquitous mass consumer experience with the technology was with View-Masters. Introduced in 1962, one could view seven 3D images as they spun around on a paper disc creating lifelike reality inside the mouse hole of two eyepieces. The earliest View-Masters featured popular tourist attractions like this one of Miami Beach, where I first started buying these.

When I was young my parents drove to Miami Beach from Detroit twice a year.

We stayed at the Carlyle Hotel.

I bought every Viewmaster reel of Miami Beach I could find because the Deco architecture drove me so batty. When I had my first hit record I immediately bought a house that reminded me of Miami Beach.

A frequent visitor to my house is Charles Phoenix, one of my best friends and Kitschmaster General of vintage slide shows and books featuring insanely on-the-nose location and human examples of living wheels of brie. The last time he came over, Charles gave me a lesson in how to bake one of his signature Cherpumples, a cake with three pies stuffed inside of it. As soon as I get done editing the footage we shot I will post our instructional film.

Something like the Cherpumple with M&Ms bubbling out of the pepto -bismolian-pink frosting and utensils at rest would make an excellent 3D photo if only we had the right camera.

Yesterday, I went downtown with Prudence Fenton, Nancye Ferguson and Jim Burns and saw Charles’ first ever all 3D retro slide show.

We learned a lot about how 3-D photography and View-Masters came into being.

We saw a lot of families in the 50’s learning how to not only use their View-Masters but make their own 3D reels.

Of course, you won’t be able to see anything clearly because you don’t have your 3-D glasses on. As opposed to this slide from Charles’ show featuring an attractive threesome with a very clear view of the LA freeway when it was built in 1960 standing less than 10 feet away next to oncoming traffic.

I hope to have a clear view of the week ahead of me although it could go either way. I could feel like an outsider…

… or I could choose to see the world in super enhanced, bigger than life 3D.

Thank you, Charles for an excellent afternoon and thank you View-Master for putting 3-D in the palm of our hands.

30Apr 2010

Allee Willis’ Kitsch O’ The Day – Snack Master Tube and Real Tube

30Apr 2010

Allee Willis’ Kitsch O’ The Day – Snack Master Tube and Real Tube

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The Snack Master, a 1-1/2″ long aluminum tube with a wooden plunger, is the vintage quintessential kitsch kitchen accessory that cuts holes in food, making teeny round, bite-size appetizers. Which means that you can turn a slice of American cheese into a slice of Swiss cheese with one simple plunge not to mention whipping up little toothpick skewers of bologna, liverwurst and other festive lunch meats to impress your friends!

This particular tube is featured today not only because of its unique function as a standout 1950’s convenience kitchen tool but because I had dinner with a real Tube last night, Michele Rundgren, wife of Todd and member of the historic Tubes (“She’s A Beauty”). Michele and I met in 1986 when Cassandra Peterson a.k.a. Elvira brought her to my Tourist Trap party here at Willis Wonderland.

Though we hit it off we didn’t see each other again until we met at Street last night, 24 years later, during a trip back to LA from Hawaii where Michele and Todd now live.

Michele had never been to Street before and was very pleased with the menu.

We ordered enough food to feed all of The Tubes with Earth Wind & Fire thrown in on on my end. We started off with Albacore Sashimi,

followed by Toasted Amaranth with slivered almonds, cuzco corn and roasted yam in almond milk.

Then Malaysian Black Pepper Clams, simmered in oyster sauce with cracked black pepper, palm sugar, soy and lime,

and Thai Rice Noodles with Chinese broccoli, seasoned pork, tomato, mint, Thai basil and chiles.

Even though we were only half way through the meal when we snapped this photo with Chef Susan Feniger we were so stuffed it felt like we were hugging balloons.

Our food fest continued with Tatsutage Fried Chicken marinated with soy, mirin and sake, crispy fried rice batter topped with spicy kewpie mayonnaise sauce, with pickled vegetable slaw and chilled soba noodles.

Then we tried two new as-yet-unnamed dishes that were sent out from the kitchen with pasta, pork, chickpeas, feta, parsley, lemon and shredded crispy pasta sprinkles…

… and albacore with mushroom aioli on top of arugula and corn salad with honey truffle vinaigrette.

This was all topped off with Espresso, Chocolate and Halva – espresso jelly, chocolate ganache and sesame halva cream; served with sesame-matzo candies. I forgot to take a shot of it until we picked off all of the candies.

I’m sure that Susan and co-chef Kajsa didn’t need the aid of the Snackmaster to assemble our mindboggingly Around-The-World-In-8-Dishes meal but imagine what they could have thrown together had such a handy tool been at their side.

28Apr 2010

Allee Willis’ Kitsch’ O The Day – Vintage Shrimpmaster and Dinner at Street

28Apr 2010

Allee Willis’ Kitsch’ O The Day – Vintage Shrimpmaster and Dinner at Street

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I am so absolutely not a cook so the fact this 1950’s kitchen tool de-veins and peels a shrimp in one fell swoop isn’t what I cherish most about it but, rather, the gorgeous aesthetics that grace the box. From the pre-psychedelic background pattern on the lid…

… to the gorgeous color palette inside, the bizarre lower arm graphic with little devils popping out of it as they rise in steam from the non-boiling-over pot below, the meaning of which completely escapes me,…

… to the shiny ribbon and Shrimpmaster tag laden layer of brittle plastic that still ripples over the pristine utensil – all of this is mastery in 1950’s package design.

I bring up the Shrimpmaster today because I dined at Street last night with three as artfully designed friends, two of which were vegans and one who was vegetarian. So as not to send them screaming from the table when my usual steaming platters of Tatsutage Fried Chicken and Lamb Kakta Meatballs arrived, I ordered Andouille Sausage And Shrimp Gumbo. Yeah, it was pumped full of delicious smoked hot link sausage but all evidence of that was hidden under the okra, corn and red beans and rice while massive shrimp played lookout on top.

The monster Crustaceans were beautiful and clean, as if someone in the kitchen took to them with a Shrimpmaster, though I know the chefs are skilled enough to accomplish this without the handy vintage tool.

My dinner companions were Tiffany Daniels, Mito Aviles and ChadMichael Morrisette.

Tiffany played Squeak in the first National Tour of my musical, The Color Purple. Squeak’s crowing scene in the show occurs in a bar brawl with the much beefier Sofia. Compared to Sofia, Squeak is a SHRIMP.

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Just last week, Mito and Chadmichael led an ‘art attack’ on the West Hollywood City Council and not so long ago hung a Sarah Palin mannequin in efigy from their roof, an act that was plastered throughout the press. These boys are certainly NOT SHRIMPS when it comes to self expression.

As far as the SHRIMP-worthiness of our meal, there were no such critters in the vegan dishes like Indonesian Peanut Noodles:

And none in the Stir Fried Chinese Brocolli:

The Toasted Amaranth with slivered almonds, cuzco corn and roasted yam in almond milk was a no shrimp zone as well:

Crossing into vegetarian territory there was positively no shrimp in the Ono Sashimi. Our waiter pointed out that this particular serving resembled an actual fish.

The rest of the meal was filled in with Burmese Lettuce Wraps, Fried Plantains, some kind of specially made vegan desert with too much fruit for this candy worshipper to want to try and a big ball of smooth chocolate something sprinkled with powdered sugar. No shrimp were harmed in the making of any of these dishes. But had there been a need, I know the Shrimpmaster was primed and ready for service.

20Apr 2010

Allee Willis’ Kitsch O’ The Day – Julie Brown, the Astroturf Golf Couch, Food and more…

20Apr 2010

Allee Willis’ Kitsch O’ The Day – Julie Brown, the Astroturf Golf Couch, Food and more…

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From 1989 through 1991 I art directed and hand built the set and props for “Just Say Julie”, MTV’s first ever clip show starring (Uptown) Julie Brown. Julie was one of my best friends and we had a ball, especially as it was so early in MTV’s scripted show evolution that no one from the network paid much attention to what we were doing so we just went nuts. We shot 10 shows in three days each of the three years. The art direction budget was insanely small, something like $500. It made no sense financially to do it so my deal was that I could keep everything once the shoot was over. This is when my collection of Kitsch went into serious overdrive. I still have just about everything but none of it so close to my heart as the 14 foot long astroturf couch with sandtrap ashtray and golf club feet that sat in the middle of Julie’s living room.

Many illustrious guests sat on the couch.

Even Elvis showed up one day.

Yesterday, Julie and I both showed up at Street.

We talked about how much freedom we had doing “Just Say Julie” versus what usually goes on in Hollywood where you’re stripped senseless of any brain material once you sign a contract and are beholden to create by committee. But with the (thank God) rise of the Internet, power has been turned back over to the artist if they have the brains and balls to use it, a topic I’ve been obsessed with for almost 20 years.

We did a lot of eating while we talked. We had Moroccan Spiced Winter Squash with popcorn,

Tatsutage Fried Chicken,

Mini Kobe Beef Chili Dogs…

… and Spinach Varenyky, which I forgot to photograph until I finished.

Julie was more diet conscious than I and only ate the insides.

Julie and I have a longstanding history with food. In 1989, she won the Best Food award at my Night of the Living Négligée all girl pajama party with her spectacular “Cabbage In Rollers” appetizer featuring cocktail weenies stuck into a cabbage face with a jar of barbecue sauce sunk into the head.

I know the beautiful cabbage head is hard to see in the photo. You can see it a little better in this one where I’m demonstrating that the rollers are actually edible as Cyndi Lauper turns away in disgust.

Always a reliable party guest for showing up with festive pot luck food, Julie brought some delicious mouthwash to my Smock It To Me (Art Can Taste Bad In Any medium) party in 1991.

All in all, I don’t think Julie or I have lost much of our spunk or drive over the years. I look forward to decades more of friendship, food AND fantastic couches!

31Mar 2010

Allee Willis’ Kitsch O’ The Day – The Only Thing Better Than a Keane Painting Is to Be With KEANE!

31Mar 2010

Allee Willis’ Kitsch O’ The Day – The Only Thing Better Than a Keane Painting Is to Be With KEANE!

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Margaret Keane is the High Priestess of Pop Art, painting those huge waif eyed paintings that stared out at everyone throughout the 60’s and 70’s and are still copied and emulated to this day.

Last Thursday night I got to see not only so many of the original historic paintings but new works by Keane as well who hasn’t lost a gnat’s hair of technique.

This happened inside one of the greatest places in LA, the Phyllis Morris Showroom. Although Phyllis herself, creator of the original poodle lamp and unquestionably one of the greatest designers who ever lived at the high and artful end of Kitsch, isn’t still with us her creations very much are. Being in the actual presence of Keane and surrounded by both women’s work which not only dominated the eras they came from but still impact Pop Culture today was about as uplifting and exciting an art moment as this Pop artist could have. (I guess I’d have to throw in the time I walked past LA Eyeworks and through the window saw Andy Warhol staring at a motorized piece of art of mine for over five minutes. Him calling me a genius when I walked in was a watershed moment.)

There’s a movie in the works about Margaret Keane with Kate Hudson signed on to play Margaret. Her story is fantastic. Her husband, Walter, was a crafty businessmen and convinced his wife to basically paint and shut up. It was his name that was on all of her paintings and it was he who made multiple appearances on Johnny Carson, did all the interviews and got all the glory. Margaret is still very soft-spoken but came to her senses in an infamous 1965 court case during their divorce when she rightfully and finally claimed that the paintings that made Keane a household word were actually hers. When her husband called her a liar the judge set two easels up and asked them both to paint. Margaret got up and knocked out one of her famous big sad eyed paintings while Walter complained of a sore shoulder and sat there like a lump. Feminism was at its height and Margaret instantly became an Olympian sized champ.

I only own some Keane prints from back in the day. I would have loved to have bought one of her paintings last Thursday but as opposed to the few dollars they cost in the 60’s they now average between $75,000 and $225,000.

As far as Phyllis goes, I hope to go back to the showroom to shoot a video with Jamie Adler, Phyllis’ daughter who runs it now and is a fantastic designer in her own right. Her mom set the bar for merging Art and Kitsch, magnificently over-the-top Baroque creations that remained totally tasteful and full of importance and humor. Throughout the four decades she was designing, Phyllis’ oversized beds, chairs, wall units and accessories filled the homes of folks unafraid to embrace their own uniqueness and style like Liberace and Elvis Presley. Here’s Phyllis and her dyed pink poodles in 1953 with some of the first poodle lamps that rolled off the assembly line:

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Now back to the showroom Thursday night:

Thank you, Margaret and Phyllis, for the never-ending inspiration, talent and fun!

Main Photo: Katy Winn

01Mar 2010

Allee Willis’ Soul O’ The Day – I Love You, Color Purple People… final cast photo

01Mar 2010

Allee Willis’ Soul O’ The Day – I Love You, Color Purple People… final cast photo

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Last night was the closing of The First National Tour of my musical, The Color Purple. I had never written a musical before, hardly ever went to see them. I’m an all-the-way Pop Culture gal and for me this was a medium from ancient times with way too histrionic sounding songs and singers frozen in time. I was the least likely person in the world to write a musical but write one I did, with Brenda Russell, Stephen Bray and Marsha Norman. We were nominated for 11 Tony’s. How we even won one, the brilliant LaChanze for Best Actress, was a miracle in the climate on Broadway. (Don’t get me started on that one…). Beyond being eternally proud of the work, especially the uplifting and joyous effect it had on audiences night after night, the most stunning part of the journey was the family of friends I made through the Broadway run and the ensuing national tour. Right from the beginning when we started writing Purple in 2001 I always heard that there’s constant bickering among everyone but we were all really friends. And I mean everyone, from Alice Walker, the Pulitzer prize winning author of the novel, down through us authors, the cast, director, producers, hair, makeup, wigs, production managers, everyone. I was always being told by other friends who had written for Broadway that by the end no one would ever talk to each other and that so many writers of so many shows, because the experience takes years and is so intense, never end up speaking unless they write another show and then it’s just about work. Our case always was and remains different. This is a family that will be together forever, bound by an experience where the piece itself was bigger than any one part. Everyone felt chosen and blessed to be a part of The Color Purple. Fantasia WAS Celie. Watching that journey of her finding herself through this character was a joy and a privilege. Every cast member, starting with the staggering Felicia P. Fields, Tony nominated for Sofia and the first actor we ever cast in 2003, was not only a triple threat – brilliant singers, actors AND dancers, a rare enough find in one person let alone an entire cast – they were a gift for any artist to have interpret their work.

One of the key lines of the show is when Shug Avery says to Celie, “I think it piss God off if anyone walk past the color purple in a field and not notice it. He say look what I made for you!” Life is all around us. The blessed ones among us understand that the real gift is fantastic friends, a glorious sky over our heads, birds singin and the fact that we’re here at all. I thank every single person in this photo for a fantastic five years. I look forward to more in another space and time. We all know we’re together always.

With Gary Griffin, our director, Fantasia and the Celie doll with cornrows and real wardrobe that Hair and Makeup made me after my Sound Of Soul party last week.

With my co-composers and lyricists, Stephen Bray, Brenda Russell, and Wayne Linsey, who played keyboards on all our original demos for The Color Purple.

24Feb 2010

Allee Willis’ Kitsch O’ Soul O’ The Day – My Color Purple Sound Of Soul party!

24Feb 2010

Allee Willis’ Kitsch O’ Soul O’ The Day – My Color Purple Sound Of Soul party!

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. Me and RuPaul

I go through this after every party I throw. I work for weeks and sometimes months doing everything from fixing my house up to handmaking invitations, building displays, making mix tapes, signs, planning theme food and drinks, games, lighting the place like it’s Disneyland, basically doing anything I can to make this the most amped up party atmosphere on Earth.

I’ve long viewed my parties as my ultimate art form so I put every ounce of strength and sweat I have into it. I want to have the greatest time of my life and unless my guests feel the same way it doesn’t work for me. I not only host these things but emcee, produce and direct them as they evolve throughout the evening. All of this means I end up being a verrrrrrrrrrry tired little girl once they’re over. So as much as a great hostess should be conscious of posting photos in a time sensitive fashion befitting of the web, the only thing I saw yesterday, the day after the party, was my bed and the tail end of the evening’s performance of The Color Purple at The Pantages. So I apologize for the now 36 hour delay…

The Sound of Soul party this last Monday night, February 22, 2010, was one of my favorite AW extravaganzas ever. In commemoration of Black History Month and the fact that my baby, The Color Purple musical I spent five years co-creating, is in town for the very last performances of the First National Tour, it seemed ripe to tie the occasions into the bi-annual fundraiser I do with Pacifica Radio Archives to raise money to digitize never-before-heard, historic 24 track African-American audiotapes and get them into schools. This stuff is heavy duty like Rosa Parks’ first interview after getting out of jail, Alice Walker’s first ever reading of The Color Purple and Coretta Scott King reading the speech Martin Luther King was to deliver the day he was assassinated to 30 of their closest friends in Central Park 3 weeks after the assasination. The only other time that was heard was when Pacifica digitized the tape and sent it to Mrs. King’s funeral. This stash includes incredible speeches, casual conversations and performances by every major Black figure of the 20th century including Martin Luther King, W.E. B. DuBois, Ruby Dee, Ossie Davis, Malcolm X, Rev. Ralph Abernathy, Marcus Garvey, Mohammed Ali, Angela Davis, James Baldwin, Miles Davis, Dorothy Dandridge, Fannie Lou Hamer and hundreds more… An apt cause to celebrate, which we did… heavily.

I’m just beginning to feel my legs attached to my body again. I wanted to throw some captions on the photos but I don’t want it to be 2011 by the time I finally post them. Just know that I enjoyed having all these beautiful, handsome, happy, uplifted, talented and generous folks here at Willis Wonderland and we did, in fact, raise lots o’ cash to get these tapes into many of the schools that my guests went to. And as if that wasn’t enough, thank you, Colt 45, for those 15 cases.

Here’s the whole party!

12Feb 2010

Allee Willis’ Kitsch O’ The Day – The Day After… The Color Purple Opens In LA

12Feb 2010

Allee Willis’ Kitsch O’ The Day – The Day After… The Color Purple Opens In LA

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Can’t even move I’m so stiff and a little pissed as well as me who usually travels around with four cameras, different resolutions for different occasions, only had one on me last night at the opening of my musical, The Color Purple, back in LA for the third time, and after many years of faithful service this camera just handed in its resignation and quit. I suppose that could be considered Kitsch, the co-author of the show’s camera rebelling at the opening no less, leaving a master archivist, me, with little other than words to describe the UNBELIEVABLE NIGHT it was.

Alas, I’m at the mercy of friends sending me photos, all of which I hope will arrive sometime within the next 48 hours but not in enough time to have THE killer shot to head this blog post as I suspect my buds feel like me this morning after haaaard whooping and partying til 4 am. last night resulting in numb brain, feet, hands and anything else I can remotely feel still thumping. So pretend you see me in beautiful photos with some of last night’s guests including Quincy Jones, Chaka Kahn, Aaron Sorkin, Tisha Campbell, Loni Love, Sheryl Lee Ralph, Della Reese, Michael Colyar, Monique Coleman and my little party of Jai Rodriguez, John Lloyd Young and Luenell. I know I’m missing tons of folks but aforesaid brain is still soaked and without photos for reference I can’t make the ids.

Happy Purple. Please see the show if you’re in LA. Mommy’s very proud of the baby.

With some of the cast:

With Quincy Jones, Luenell and Constance Tillotson:

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With John Lloyd Young, who was brilliant as Frankie Valli in Jersey Boys which opened a couple weeks before us on Broadway:

With my TCP collaborator, Brenda Russell and Luenell, and a fabulous singer whose info I sadly lost as soon as she gave it to me, lead singer of Honeycomb, one of my favorite 70’s Soul groups (While You’re Out looking For Sugar”, “Want Ads”):

With Michael Colyar and Luenell:

With Charles Phoenix:

With my TCP collaborator, the Pulitzer prize winning Marsha Norman:

Three of my dates last night : Jai Rodriguez, Brian DeShazor, Charles Phoenix:

Me and Luenell on the red (should have been purple) carpet:

With Prudence Fenton and Luenell:

11Feb 2010

“Shug Avery (and The Color Purple) Comin To Town”

11Feb 2010

“Shug Avery (and The Color Purple) Comin To Town”

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No official Kitsch O’ The Day entry today as I’m getting ready for the opening tonight of the last stop on the first national tour of my musical, The Color Purple. The second tour begins in March but it’s a whole new production and whole new cast. I will miss my amazing Color Purple family of the last five years BEYOND IMMENSELY!

Here’s me and my two music/lyric collaborators, Stephen Bray and Brenda Russell with Stephen’s daughter Milena and our fantasically amazing Celie, Fantasia, last night after previews.

The show runs from now through the 28th at the Pantages in LA.

01Feb 2010

Allee Willis’ Kitsch O’ The Day – Vanessa Williams Kellogg’s Corn Flakes Box

01Feb 2010

Allee Willis’ Kitsch O’ The Day – Vanessa Williams Kellogg’s Corn Flakes Box

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When Vanessa Williams snagged the Miss America crown in 1984 one of her first honors was to grace this box of Kellogg’s Corn Flakes. But the box was banished as quickly as her title when sexy photos emerged. Ironic when the text includes lines like “It is with this intent that Kellogg Company provides this limited edition Commemorative Package as a lasting reminder that…we must continue to promote the American dream and encourage all Americans to freely pursue life, liberty, and happiness.”. vaness-a-williams-cornflakes-box_2353

Very few of the boxes survived as the inventory that was left in Battle Creek, Michigan where the flakes were made was destroyed in the midst of the scandal. I was friendly with Vanessa at the time and so felt she didn’t deserve to lose the title let alone the cereal box. But she certainly pursued life, liberty and happiness and lost no time crying over spilt cornflakes.