Allee Willis Blog » Memorabilia

02Mar 2010

Allee Willis’ Kitsch O’ The Day – 1959 “Name That Tune” Game

02Mar 2010

Allee Willis’ Kitsch O’ The Day – 1959 “Name That Tune” Game

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Well, the obvious tunes I would name are “September”, “Boogie Wonderland”, “Neutron Dance”, “What Have I Done to Deserve To This?” and I guess “I’ll Be There for You”. The rest of my favorite tunes are here. But if I have to credit an early source of inspiration for being in the music business and then becoming a songwriter it would have to be the TV show, “Name That Tune”, upon which this game is based and which I watched religiously as a wee nip.

There’s nothing more I like in a game from a Kitsch perspective then if it’s convoluted to play. On the other hand, I love the early attempt at injecting multimedia interactivity into it. Made in 1959 by Milton Bradley, you play “Name That Tune” by the player elected to be “Disk Jockey” spinning the dial three times, calling out the numbers on which the arrows stops each time and then spinning the enclosed 78 on which actual TV host, George De Witt, introduces himself, calls out a number and “plays” a tune.

From here on in I don’t understand the instructions. But maybe you do as there’s still a foot of them to go through:

“Name That Tune” ran from 1953 to 1959 on CBS with De Witt as the most popular host until it came back from 1974-’81 with Tom Kennedy and later with Jim Lange. The game show became the template for a continuing slate of copycat shows as well as ones that borrow from it heavily including current fare like “Don’t Forget the Lyrics” and “The Singing Bee”.

28Feb 2010

Allee Willis’ Kitsch O’ The Day – Vintage Church Fans

28Feb 2010

Allee Willis’ Kitsch O’ The Day – Vintage Church Fans

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I’ll be waving one of these all day and night today as these are the final two performances of the First National Tour of my musical, The Color Purple. The whole 4-1/2 years I was writing this with Brenda Russell and Stephen Bray we waved these church fans and others from my collection of 60 from the 1950’s and ’60’s daily. I’ve been stuck on songs before but being stuck on a song for a musical when one has to consider way more then the singer or the content of the song like the plot, which we were writing at the same time as the songs, the dialogue, whether something should be musicalized or spoken, is there dancing to it or not, does the wig guy have enough time to make the wig changes, on and ever-increasingly on…, let me tell you the sweat pours down and these church fans, totally organic to what we were writing other than a couple decades too late, came in mighty handy.

As a passionate collector, I love things to be very organic. In its simplest form, if you find a poster for an album you need to collect the album and anything else related to that group of recording sessions. I had collected my church fans for years but I never had more organic moments then when Alice Walker, the Pulitzer prize-winning author of The Color Purple novel, would fly into LA every few months to listen to our progress and curl up in a fetal position in my Chromcraft purple lounger, close her eyes and listen to the new songs, smiling as wide as a mile while waving one of the fans, a different one each time, of course.

Today I wave my final two fans, one at the matinee and one at the evening performance. I’ll say goodbye to Fantasia who made an absolutely and insanely stellar Celie (along with LaChanze, Jeanette Bayardelle and our other wonderful Celies along the way since we opened on Broadway in 2005). I’ll say goodbye to the rest of our glorious cast, many of whom are from the original Broadway cast, not the least of which is Felicia P. Fields aka Sofia, the first actor we cast in 2003. Rumor has it that tons of actors from the original cast are showing up tonight and will be in the final show along with the tour cast. If both of my hands aren’t gripping Kleenex this is the fan I’ll be waving. One last time…

… until the second national tour begins in two weeks. That will be a total surprise as I’ve never seen the production or met any of the cast. But I’ll be sure to have my fans in tow when I do.

25Feb 2010

A Kitsch Sign Of The (Los Angeles) Times

25Feb 2010

A Kitsch Sign Of The (Los Angeles) Times

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There it is this morning, right there on the homepage of the LA Times – the Sound Of Soul celebration at Willis Wonderland, the physical extension of The Allee Willis Museum Of Kitsch, to honor all things Soul – historic audiotapes and my collection of whacked out Kitschified Soul artifacts: http://www.latimes.com/theguide/events-and-festivals/lat-et-soundofsoul-pg,0,2371356.photogallery Movin’ on up!

18Feb 2010

Allee Willis’ Kitsch O’ The Day -1961 “The Many Loves of Dobie Gillis” Comic Book

18Feb 2010

Allee Willis’ Kitsch O’ The Day -1961 “The Many Loves of Dobie Gillis” Comic Book

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There’s no question that Dobie Gillis, which ran from 1959-’63, was just about my favorite TV show ever! I was coming of age, wanted to be Thalia Menninger and date Dobie just like every other young nubian my age. I loved how preppy Dobbie was in his starched khakis but had the good sense to have Beatnik friends like Maynard G. Krebs. I didn’t catch Warren Beatty as the rich kid, Milton Armitage, so much but after he left the show I was heavily into his cousin, the ultra-snot, Chatsworth Osborne, Jr. And, of course, all hail Zelda Gilroy aka Shelia Kuehl, whose nerdiness paid off when she became a US senator in real life in 2000.

This comic book was put out every other month by National Comics Publications, Inc.. This one is No. 6 from 1961. The pages were filled with teenage angst…:

And there were ALWAYS ads in 50’s and 60’s comic books to build whimpy muscles up, in this case by emulating Joe Weider, who went on to mentor such muscle maniacs as Arnold Schwarzenegger and also to get sued for a variety of weight loss and bulk up products that didn’t quite live up to their claims.

There were also ALWAYS ads to earn money. A very popular one is this one where you banked coins by selling popular patriotic and religious mottos, just what every kid wanted to do. But, most importantly, there were ALWAYS prizes to win…

Comic books offered lots of ways for an industrious kid to make money. I myself did the one showed below several times. I loved the little packets of seeds and I was obsessed with getting the prizes. For sure I got the pocket radio but you had to sell about 4 tons of seeds to get the three speed bicycle, the full string guitar (did they also have prizes of guitars with no strings?!), the typewriter, the movie projector or anything else that was of real value. Although I had big entrepreneurial plans most of the seeds ended up getting planted in my backyard. I think an onion grew once but that was about it.

22Jan 2010

Allee Willis’ Kitsch O’ The Day – Vintage Fold-Up Rain Hat

22Jan 2010

Allee Willis’ Kitsch O’ The Day – Vintage Fold-Up Rain Hat

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I keep this vintage 1950’s rain hat tucked in my purse regardless of whether it’s raining like in the days of Noah’s Ark as it has been in LA for the past week. Hi fashion for water emergencies, this quintessentially color schemed packet is always there to cover my head and stretch a smile across my face because it’s so cute I don’t mind that the skies are breaking over my head.

My favorite thing about the hat is that it says the style is “Polka Dot Design”.

I don’t see any polka dots. Do you?

This is actually a salesmens sample, evident from the “Your Copy Here” text on the back. The Amsterdam Company that makes them better keep a closer eye on quality control before they turn out that many non-polkadotted Polka Dot Style 412-P’s.

30Nov 2009

Allee Willis’ Kitsch O’ The Day – Ultra Cheap Donny and Marie Microphone And Song Sheets Set

30Nov 2009

Allee Willis’ Kitsch O’ The Day – Ultra Cheap Donny and Marie Microphone And Song Sheets Set

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Donny Osmond may have won Dancing With The Stars and a whole lotta money for his favorite charity but a whole lotta money was the last thing that was spent on manufacturing this toy microphone and song sheets set at the height of the Donny & Marie Show frenzy in 1976. Despite the claim on the package that you too can “CREATE YOUR OWN SONGS • MAKE YOUE OWN MUSIC” the non-working plastic mic attaches to nothing and won’t get you much farther than singing into a candle or a shoe or anything else remotely microphone shaped.

The “song sheets” are literally blank sheets of paper that you write the notes to your own song on should you have enough songwriting chops to pull one out of the blue and be blessed with the knowledge of how to notate music, the latter of which I don’t even know how to do.

To make matters worse and even lower-rent, the song sheets are stapled together at the top and the bottom and it’s next to impossible without surgical instruments to remove the staples without ripping the one-ply-thick-thinner-than-toilet-paper paper it’s printed on.

Made in Hong Kong during the heyday of the bro/sis acts’ ABC variety show by the family’s own Osbro Productions and distributed by Gordy International (how did Motown get into the act?) it also appears that Donnie got the shaft on the shaft of the microphone as Marie’s name got bumped up to all caps and Donny’s remains crushed into diminutive lower case letters.

All around, this belongs in an express elevator up to the Penthouse of Kitsch because it is sooooo totally and completely cheaply made, meant to be dumped into bargain bins at all of the dollar discount stores that were just starting to get a smelly toehold on the American merchandising scene.

11Nov 2009

Allee Willis’ Kitsch O’ The Day – Fuller Brush Songfest Bath Powder Mitt

11Nov 2009

Allee Willis’ Kitsch O’ The Day – Fuller Brush Songfest Bath Powder Mitt

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This thing kills me. Not only does it still reek of the scent of the powder that was pumped into it five decades ago but it exemplifies a common marketing tactic taken by some of the most brilliantly kitschy products when a staunchly middle of the road company attempts to be hip and takes on a pop culture trend. In this case, it’s The Fuller Brush Company attempting to cash in on the folk singing craze of the early 1960s by covering a bath mit in fabric that looks like something that would have been stretched over the armrest of an Ethan Allan Early Americana couch.

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I don’t even know what half of the instruments are let alone what a Declaration of Independence type scroll, leaves or half of the other icons on this have to do with Bob Dylan, Peter, Paul & Mary or anyone else who inspired teenagers and young adults to buy acoustic guitars, don turtlenecks and rip into a chorus of “If I Had A Hammer”.

The box is as brilliant as the mitt. I love the backdrop of musical notes, although I have no idea what the melody is as despite the copious number of hit songs I’ve written I don’t know how to read music. But that story’s for another time. What’s important here is the illustration of a pert and sunny sorority looking girl who’s more apt to be dancing in front of her TV with American Bandstand on than attending a Hootenanny while she’s being serenaded by the Ray-Ban man and someone else whose pants are way too short.

09Nov 2009

Allee Willis’ Kitsch O’ The Day – Play Style Disco Rock Radio

09Nov 2009

Allee Willis’ Kitsch O’ The Day – Play Style Disco Rock Radio

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Anything that has Disco in the title is assured of shelf space at my place but the fact that the Pegtoy Corp. of Westport Connecticut calls this a “play style” means it gets a nice warm spot up front. With tiny little earplugs that might fit into the ears of an ant and a play cassette as thin as a communion wafer, this Disco Rock Radio has as much chance of actually emitting sound as a Pet Rock.

I especially love that the Disco Rock dancers look more like they’re doing the Riverdance than anything that might’ve gone on at Studio 54. I’m especially fond of the male dancers jumpsuit and high heel cowboy boots.

06Nov 2009

Allee Willis’ Kitsch O’ The Day – Black Power Statuette Do-It-Yourself Coloring Kit

06Nov 2009

Allee Willis’ Kitsch O’ The Day – Black Power Statuette Do-It-Yourself Coloring Kit

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A black power statuette raising his fist in pride but when you pull him outta the box he’s a white man…! This is one of the greatest examples of Soul Kitsch in my collection. So perfect a product in the late 60’s for a market that had long been under-served in terms of ubiquitous pop culture memorabilia. But like The Supremes White Bread and Touch O’ Soul “Off-Black” pantyhose featured earlier in this blog, and boasting on the box that it’s a “Equality- Justice statuette”, couldn’t the product manager have spent a few more minutes thinking about his target audience and poured a little tan tint into the resin before locking down the molds?

Made of “sturdy plastic with base tab” (whatever a base tab is), The Black Power Statuette was manufactured by Zap-Co of Roseville, Michigan.

02Nov 2009

Allee Willis’ Kitsch O’ The Day – Lawrence Welk Musical Spoons

02Nov 2009

Allee Willis’ Kitsch O’ The Day – Lawrence Welk Musical Spoons

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Lawrence Welk was always too square for me except that that’s where I could continue to get my Mickey Mouse Club fix when in 1961 Mouseketeer Bobby Burgess won a dance contest to Welk’s hit, “Calcutta” (an LW record I LOVED) and became a regular on the show two years after the mouse ears left the air. Though Bobby went from being a hip kid to an excessively corny adult as soon as he hitched to Mr. Wunnerful Wunnerful wagon, I still appreciated his move as otherwise I may have missed Lawrence Welk and his jaw droppingly cheesy production numbers that became a primer in my never ending education in Kitsch. Combine that with the fact that I never learned how to play an instrument and you end up with my excitement about these musical spoons which became one of the first instruments I “played” when I started to write songs.

Forget the spoons, the packaging on this is fantastic. With not an inch left uncovered, it boasts “Get on the beat!”, “Be a champion!”and “The international pastime – spooning!” Perhaps so, but not that kind of spooning.

Lawrence Welk was always too square for me except that that’s where I could continue to get my Mickey Mouse Club fix when, in 1961, Mouseketeer Bobby Burgess won a dance contest to Welk’s hit, “Calcutta” and became a regular on the show two years after the mouse ears left the air. Though Bobby went from being a hip kid to an excessively corny adult as soon as he hitched to Mr. Wunnerful Wunnerful’s wonderful wagon, I still appreciated his move as otherwise I may have missed Lawrence Welk and his jaw droppingly cheesy production numbers that became a primer in my neverending education in Kitsch. Combine that with the fact that I never learned how to play an instrument and you end up with my excitement about these musical spoons which became one of the first instruments I “played” when I started to write songs.

Forget the spoons, the packaging on this is fantastic. With not an inch left uncovered, it boasts “Get on the beat!”, “Be a champion!”and “The international pastime – spooning!” Perhaps so, but not that kind of spooning.

Bobby Burgess went on to become Welk’s longtime accordionist, Myron Floren’s, son-in law. Here they are doing The Chicken Dance, which, according to them, is “one of the most popular dances in America” and which, according to me, “wasn’t”.

Here’s Welk’s biggest and only Top 10 hit, “Calcutta”: