27Mar 2011

Allee Willis’ Kitsch O’ The Day – 007 Rubber Bands

27Mar 2011

Allee Willis’ Kitsch O’ The Day – 007 Rubber Bands

No mention of James Bond, no mention of Sean Connery, no mention of anything other than the fact that these are 007 Superior Quality Rubber Bands. All of which means the only thing secret agent about this is the bootleg nature of the product.

If I were a big James Bond collector I might feel ripped off, but being a kitsch collector I’m completely ecstatic! The more bastard the product, the more magnificent the kitsch pedigree.

The rubber bands themselves are pretty special. They’re listed as multicolored but I think that’s stretching it a bit given the paucity of color allotted to each.

The manufacturer didn’t even get it together to give themselves credit on the box. Perhaps so Agent 007 can’t track them down for copyright infringement. The only information at all on this 3″ x 3″ cube is that it’s “Packed by Tin Tin Bizarre, Inc.” Tin Tin Bizarre sounds like a great name for a Bond girl. Aside from that,everything about this product’s identity and MO is strictly top secret x 007.

23Mar 2011

Allee Willis’ Kitsch O’ The Day – 1960’s Pretty Girl Gravel Art

23Mar 2011

Allee Willis’ Kitsch O’ The Day – 1960’s Pretty Girl Gravel Art

Nothing makes a face look more beautiful than when it’s portrayed in gravel. Gravel art, or more professionally known as Crushed Marble Mosaic art, was massive in the 1950’s and 60’s. A cousin of the most popular DIY artform, paint-by-number paintings, hand-glued crushed marble mosaic art covered post Atomic Age walls as thick as shag carpeting smothered the floors. The most ubiquitous gravel paintings were made by the big dog of DIY kits, Craftmaster.

I have Jamaica Girl, 995-4-L, whose face looks suspiciously identical to Jamaica Boy, 995-4-L.

I don’t know who made my pretty girls but each of them stand 13″ x 7″ tall. The girls are much more colorful than the earth-toned Jamaica Girl.

Flowers were very popular to incorporate into gravel art as many they allowed for an unexpected splash of color:

Attempting to create shadows was also very popular in gravel hair sculpting:

It seems to me that gravel on one’s face is the perfect solution to perfect skin as blemishes are hardly noticeable amidst such a bumpy texture.

But as much as I love gravel art, when it comes to actual human faces they look much better on top of the gravel than under it.

22Mar 2011

Allee Willis’ Kitsch O’ The Day – Watch my new song: “Scared About Life Without Oprah”

22Mar 2011

Allee Willis’ Kitsch O’ The Day – Watch my new song: “Scared About Life Without Oprah”

My friend and hysterical TV comedy writer, Maxine Lapiduss, has done a brill job on the just-released-and-going-exceptionally-strong video for a song I co-wrote with her, Mark Waldrop, with whom Maxx started the lyric, and Michael Orland, musical director and accompanist for American Idol, good friend, and neighbor of mine who came over with Maxx and with whom we banged out the music in a few hours.

I’m not traditionally big on parody songs but this is the cherry of the bunch. Maxx called a bunch of her friends to help and, if I do say so myself, we all performed masterfully. Wendy and Lisa, yes Prince Wendy and Lisa, produced the song and Jane Lynch, my favorite comedy actress and Sue Sylvester on Glee, does an hysterical cameo.

The melody of “Scared About Life Without Oprah” reminds me a lot of of my earliest songs,…

…totally Pop and slightly theatrically inspired, with bouncy Carole King/ Laura Nyro-ish inspired background vocals.

Maxx has true love for Oprah.

I, too, have true love for Oprah.

We met when she and her TV crew surprised the cast of my musical, The Color Purple, about a month before we opened on Broadway and told us she was joining the show as above title producer. Far from “Scared About Life Without Oprah” I was “Elated about Life WITH Oprah”! Although you never could tell that from this photo where, when most people wait their whole life to be spoken to by her, I wasn’t even aware she was standing next to me attempting to make conversation:

If you live in LA, Maxx is doing one last performance of her hysterical comedy act, “Mackie’s Back In Town” at Sterling’s Upstairs at Vitello’s in Studio City this Sunday night, featuring a live performance of “Scared About Life Without Oprah”. And if you’re on Facebook, join the fan page,  http://www.facebook.com/pages/Maxine-Lapiduss/186264481403869. And here it is on itunes: http://itunes.apple.com/us/album/scared-about-life-without/id427623190?uo=4. I swear you will love this, so hit Maxx’s nose now!

 

21Mar 2011

From Allee on the road…

21Mar 2011

From Allee on the road…

As much as I look forward to rolling out of bed every morning and choosing a fresh, new and wonderful artifact of kitsch to present, today is an absolutely torturous day in terms of what I have to accomplish. First of all, I’m driving back to LA from Monterey. It’s supposed to rain like cats and very large dogs most of the way back so I have to get an early start. Also, I have to write tons of the kind of stuff I hate to write because I’ve got to unleash a whole Facebook campaign on a death-defying event I’m attempting to pull off in 2 1/2 weeks in Detroit when I conduct my high school band in the theater I grew up in playing a medley of my greatest hits before a performance of my musical, The Color Purple, with the cast singing along. This should sound like a manageable event, but just imagine the sound of a marching band playing in the four-story high/almost block long lobby of a theater built in 1930 of solid concrete and marble, the acoustical nightmare of which has just dawned on me: What’s the point of having a sing-along if all you can hear is a bevy of brass drilling through your your eardrums?

And how do I conduct an orchestra facing one direction at the same time as a sing-along, which demands me turning the other way to conduct the crowd? These are the kind of mindnumbing challenges that someone like me, who gets an idea and charges ahead, forgets to deal with until it’s too late to examine the sanity of attempting to do such a thing in the first place. So I rely upon my ability to create good enough art and somehow combine it with everything else that inevitably reels off the railroad tracks, tipping over and spilling down the hillside into a vat of how-the-hell-am-I-going-to-pull-this-off-let-alone-raise-the-money-I-need-to-raise-to buy-the-marching-band-new-uniforms to understand that all of this makes for fantastic kitsch and I just have to roll with it.

Also today, my good friend and hysterical comedy person, Maxine Lapiduss, releases a song/video of a song I co-wrote called “Scared About Life without Oprah”, produced by Wendy and Lisa and featuring Jane Lynch. Of course, Maxine expects me, as any artist or co-writer would, to promote it on Facebook. So not only do I have one most important event to promote I have a song to push as well. So the immediate task is to to sit here on the 101 when it’s not my turn to drive and figure out some way I don’t nauseate myself by unleashing a couple weeks of vigorous begging and pleading to take note of all that is wonderful in Allee world without pissing people off I’m hawking so much. To some folks the shameless task of self-promotion comes naturally. To me, it’s razor blades in my eyeballs unless I can think of an entertaining way to do it.

All this to say I apologize for not posting fresh kitsch today but I will be back tomorrow with bran’ spanking new wonderfulness from the shelves at The Allee Willis Of Kitsch at AWMOK.com (shamelss plug #3). Please send all creative vibes my way today! And pretty please go here and support the cause: https://www.alleewillis.com/mumfordinvite. And if on Facebook please join here to follow the precarious journey to new band uniforms for the funkiest high school band on the planet: https://www.facebook.com/AlleeWillisMarchesOnDetroit

14Mar 2011

Allee Willis’ Kitsch O’ The Day – “Why Yes Fly Me”… On My Way To SXSW!

14Mar 2011

Allee Willis’ Kitsch O’ The Day – “Why Yes Fly Me”… On My Way To SXSW!

This 18 inch tall plaster stewardess is a stone cold vestige of the late 1960’s spirit of flying, when both planes and the people that manned them became more then silver tubes and dark blue head-to-toe wardrobe, finally giving passengers something to look at both inside and out of the plane.

Complete with hot pants and go-go boots, this buxom stewardess sculpture is one of my favorite artifacts of that era.

I love that her little liquor cart also includes a vest should she get a little chilly.

I featured the lovely and demure “Why Yes, Fly Me” today because as we speak I’m boarding a plane to Austin, Texas to speak on a panel at SXSW.

If by any chance you’re going to be at SXSW, here’s where I’ll be:

“Indie Success: Caching in on Collaboration”
Tuesday March 15, 11:00AM
Hilton, Salon C, 500 East 4th Street

Here’s the official description of the panel: Since the web began we’ve been talking about artists having a career without a label and going directly to fans. We finally have examples of this working, so what does it look like? SXSW Veteran Heather Gold sits down with successful collaborating indie artists including: Allee Willis (September, Boogie Wonderland, The Color Purple, Theme from Friends, over 50 million albums sold), Mary Jo Pehl (Mystery Science Theatre 3000, RIfftrax, NPR) and Kenyatta Cheese (Know Your Meme, Rocketboom). The Net links almost every form of artistic making, so it makes sense that we’re in an era of increasing collaboration and creation in many forms. We’ll find out how limitations and openness serve them in an era of “personal brands”. We’ll find out how they deal with rights, friendship and creating the best space in which to collaborate. We’ll also dig into their collaborative process in making social experiences, music, video and comedy and find out how they’ve succeeded creatively and in every other way.

Things have changed a lot for artists since 1976 when “Why Yes, Fly Me” was flying.

Though not much has changed for me when it comes to traveling. I’m not a big one for air travel – not because I’m scared of flying but because it kills the whole day. I’m not one for big conferences or a lot of walking either. SXSW should be interesting…

I’ll be posting my adventures on all these things I’m not so big on over the next few days so stay tuned. In the meantime, pretend this lovely stewardess is serving you a nice little cup of  steaming nuts and pouring you a fresh glass of champagne.

That’s where I’m hoping my state of mind will be in my thankfully-aisle seat as I, who also am not one for sweating, head to ultra-humid Austin to blab on about interactivity, social media and thriving in an open, independent cyber world. That ‘s something I AM big on. In fact, as big as “Why Yes, Fly Me’s” biggest assets:

13Mar 2011

Allee Willis’ Kitsch O’ The Day – If You’re Heading To SXSW….

13Mar 2011

Allee Willis’ Kitsch O’ The Day – If You’re Heading To SXSW….

…come see me and my latest piece of technology, this 1960’s wrist transisitor radio, on the “Indie Success: Caching in on Collaboration” panel, Tuesday March 15, 11:00AM at the Hilton, Salon C, 500 East 4th Street. Here’s what me and my wrist accessory will be talking about:

“Since the web began we’ve been talking about artists having a career without a label and going directly to fans. We finally have examples of this working, so what does it look like?

SXSW Veteran Heather Gold sits down with successful collaborating indie artists including: Allee Willis (September, Boogie Wonderland, The Color Purple, Theme from Friends, over 50 million albums sold), Mary Jo Pehl (Mystery Science Theatre 3000, RIfftrax, NPR) and Kenyatta Cheese (Know Your Meme, Rocketboom). The Net links almost every form of artistic making, so it makes sense that we’re in an era of increasing collaboration and creation in many forms. We’ll find out how limitations and openness serve them in an era of “personal brands” We’ll find out how they deal with rights, friendship and creating the best space in which to collaborate. We’ll also dig into their collaborative process in making social experiences, music, video and comedy and find out how they’ve succeeded creatively and in every other way.”

Arriving in Austin tomorrow night.  See you there on Tuesday. My biggest message: As much as it’s about technology, it’s about a charming personality…

.

(Photo with my Royal typewriter, bought with my allowance money when I was 13, by Jennie Warren)

09Mar 2011

Allee Willis’ Kitsch O’ The Day – Japanese Apple Comb

09Mar 2011

Allee Willis’ Kitsch O’ The Day – Japanese Apple Comb

In terms of junking up ordinary items in extraordinary ways I can usually depend on products that come in packaging with horrendously poor translations, as is often the case with my favorite foreign company of insane accessories, Daiso Japan. Among other things, I would say that this is clearly a comb despite labeling that claims otherwise.

And despite it being an Apple Comb or even an Apple Hair Brush, a couple of cherries have snuck in. So wouldn’t it have been more appropriate to call it a Fruit Comb or Fruit Hair Brush?

There are several wonderful things about the warning on the back of the Fruit I mean Apple Comb:

It’s pretty clear to me that a comb is meant to be used on hair and only an idiot, perhaps someone who thought this was a hair brush, would be in need of an instruction like “do not use if any symptoms such as scratch, boil, eczema and swolleness occur.” I don’t like to think of such extrusions when I’m stroking my locks. As for “Do not directly apply wax and essence on the brush”, I have no idea what essence is and, as I said, I don’t see a brush anywhere in this package. And, regardless of whether this is a brush or comb, I would not want it to cause “damages on my skin”, especially “when got dirty”. The text on the front must have been written by the same translator:

“We are going to return our customers favor with better products.Intelligent choice! Practical choice! We believe your best choice.”I think the best choice would have been to also put the design on the back of the comb as you never know which way a person is going to hold their comb and/or hairbrush.

But no matter how you hold your comb, choose your fruit, part your hair, or struggle to make sense of the packaging, the Apple Fruit Comb Hair Brush is one pretty l’il thing!

07Mar 2011

Allee Willis’ Kitsch O’ The Day – Huge Vintage Mosaic Poodle

07Mar 2011

Allee Willis’ Kitsch O’ The Day – Huge Vintage Mosaic Poodle

I have quite a collection of large framed vintage mosaic pieces and this massive 19″ x 33″ poodle is unquestionably one of the best in breed. First of all, with all of his gaps and glue blobs he’s obviously someone’s crafts project:

I also like all his bulbous tufts of fur:

I do wish he had little pink or red fingernails on his paws though. One splash of accent color always helps a visual.

I have a lot of other large framed mosaics, among them this homage to the World Of The Future that’s mounted on one side of my bedroom dresser:

Then there’s this homemade homage to orange tones that I use as a table top:

I used to use this hulking 20″ x 60″ blue and gold tile piece as a table top but I like it better sunken into the face of the counter that’s built over the foundation of my house downstairs in the rec room:

There’s also this fantastic bar tableau:

It’s the front of a homemade (not by me) bar I found for $5 at a thrift shop about 10 years ago.

There’s also this 9″ x 24″ musical instruments mosaic that hangs in my recording studio:

All beautiful, though it’s hard to compete with the personality of a well groomed poodle.

Especially this one that greets anyone who walks into my kitchen:

06Mar 2011

Allee Willis’ Kitsch O’ The Day – Avon Miss Lollypop Cologne Mist

06Mar 2011

Allee Willis’ Kitsch O’ The Day – Avon Miss Lollypop Cologne Mist

Though she’s a little smudged, this early 70’s bottle of Avon Miss Lollypop Cologne Mist still smells as good as she did back in the day. Which wasn’t very good but very unmistakably Avon. Which, if you’re a collector, is very good.

Though she’s missing her little plastic spritzer thing, I did douse myself with Miss Lollypop once using the spritzer thing from a can of spray paint. Although I might have gotten a little Krylon Totally Tangerine in the mix, that was enough to let me know that the rest of Miss Lollypop will remain forever in the bottle as I don’t want to walk around attracting raccoons or smelling like a just sprayed piece of furniture.

I do love her her stylish hat…

… and pert little expression.

Avon used the same face for their Cherry Lip Pop.

FYI, I grabbed that last photo off Ebay so I’m not responsible for the grunge-that-should-go-where-no-lip-has-gone around the bottom of the tube.

Miss Lollypop might have originally come with a little rick rack choker judging from another photo of her I found online. Then again, some Avon smelling person may have loved her so much that they just made some jewelry for her.

Miss Lollypop is loaded with 3 Fl.oz of pink, pretty fun. If I knew I would feel as happy and confidant as she looks I would spray some on right now.