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Kitsch konnoisseurs live for artwork like this, especially when on a garbage can. Companies too cheap to pay for the real thing but desperate to cash in on trends with generic look-a-likes, in this case David Cassidy meets Andy Gibb with a splash of Davy Jones type guys with superwiiiide bellbottoms, Victorian shirts and Beatles meet John Kennedy hair helmets grown moppier for the 70’s, all pasted on top of psychedelic oil blobby color stripes that represented a totally different kind of music than these kind of guys sang. Add to that numbers printed on the can that make no sense – 68, 44, 99, what?! – as if the art director was trying to add some pop and didn’t know where else to go. All the more perfect to throw your garbage in!

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There’s nothing more I like to do on Sundays than take rides. I stock the car like it’s a motel, all amenities neatly arranged within arms reach, and tool through LA and vicinity photographing and making strategic pit stops at my favorite soul food restaurants. I’ve always dreamed of having a tricked out camper to make my rendezvous even more comfortable and have a selection of front mirror danglers, mud flaps and chasing lights license plate frames already purchased should the happy day ever arrive. In the meantime, I content myself with camper memorabilia, of which this quaint porcelain plate is requisite.

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I love USPO Priority Mail envelopes because they’re made of that non rip, indestructible material that you could lose your teeth trying to open. So it only makes sense that this practical and functional envelope be used as fabric for a hat or any other garment for that matter. Made entirely of one envelope with a black mesh top it’s light, keeps the one side of my hair in check and looks sharp on top of it!  

I’m always a fan of things being used for purposes other than for which they were created.  It’s the ultimate recycling.

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Looking like he was baked by a south of the border blazing sun, this almost African American Elvis on velvet also has a semi-Oriental thing going on in one of his eyes. I never saw Elvis in a white shirt and denim jacket either so perhaps the artist’s concept was presenting the day worker King. It certainly is the equal opportunity Elvis of all Elvises on velvet. Green velvet no less to show off that gorgeous tone.

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In 1978, I sat next to the Candy Man on his 30′ monogrammed Gucci couch. It was the first huge movie star’s home I’d ever been in and there we were eating ribs together, Sammy dabbing sauce off the locking G’s and my chin. He was wild about my song that had just come out, EWF’s “September”, but I was still penniless as my royalties were so delayed. Every time I look at this dollar bill I remember the thrill of the ribs/Gucci/ Sammy moment and how excited I was that life was looking up. 

This is a REAL mint one dollar bill, legal and negotiable tender, made via a process permitted by the Treasury Department since 1967. I would never spend it as it’s worth a zillion to me.

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After seeing the incredibly warm and enthusiastic response to my post a couple of weeks ago of me with my proudest musical discovery, the incomparable mini-skirted/ go-go booted Del Rubio Triplets, I am happy to announce that I’m working with Millie, the surviving triplet, on a possible comeback. Great progress was made this weekend in reuniting her with her guitar for the first time since Eadie, the oldest triplet (by 15 and 30 minutes respectively) left us in 1996. Still too early to tell if a concert is in the making as it’s clear it will be a long road back, but the mere fact that the guitar case was cranked open and the first dreadfully out of tune chords were struck is reason enough to keep hope alive! Will keep y’all posted.

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Not sure what kills me most about this Christian Crusaders LP cover: The guys’ matching shirts, ties and Good Humor pants, how the spaghetti-thin flip-adorned female’s 70’s rug-like skirt misses the color scheme completely, the arrangement of flesh under the large guy’s pants, the twists and turns of his greased hair helmet and pork chop sideburns, the mystery of the exact size of the scrunched up guy on the ledge or that this religious LP features “The Monkey Song”. If the Christian Crusaders and Al Davis sound anywhere as good as they look we’re all in for a joyful noise!

coldstone-butterscotchvelvet_cone-thumb-lgSwear to God, this week Coldstone introduced some of the cold stuff that turns into pudding and never melts. Only available through July 28th, this joint venture with the King of Kitsch foodstuffs, JELL-O, has the texture of pudding but is cold like ice cream and stuffed into cones or cups. Jello Pudding Ice Cream, as this test monkey is known, comes in Chocolate-y Goodness™ with peanut butter, caramel and fudge and Butterscotch Velvet™ with Butterfingers, Reeses Peanut Butter Cups and caramel. I’ll miss the drips but look forward to even more chemicals lighting my system up. I’ll have some red balls Orbitz to wash that down with, please!

For recipes using the new chemical treat go here. Really.

lawrence-welk-vase_9014One of the most spectacular examples of television Kitsch are reruns of The Lawrence Welk Show, 1955 to ’82, on PBS. My favorites are late 60’s/ early 70’s with their over-saturated technicolorish hues, cheesy sets and costumes, massive bouffants and Disco tweaked JFK hair helmets, bouncy musicians, extreme middle of the road interpretations of old and new pop songs, insert shots of the dancing octogenarian audience, not to mention the thicker than wiener schnitzel German accent of the wunnerful, wunnerful host himself, Mr. Champagne Music, Lawrence Welk.

His dedicated group of sidekicks included accordionist Myron Floren, his son-in-law, ex Mouseketeer Bobby Burgess, and platinum follicled pianist, JoAnn Castle, of whom TV Guide said, “Castle doesn’t tickle the Ivories, she hammers them—as if she is building the piano instead of playing it.” Appropriately sponsored by Geritol, a health tonic that zoomed to popularity in the post Atomic Age, The Lawrence Welk Show is a Kitsch lover’s Woodstock.

Mr. Welk embraced merchandising, including his ever popular ashtrays, bubbles and musical spoons but the accordion vase is among the most collectible of his stable.

                                                                                                             Welk’s Big Hit:

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                                                                                                            JoAnn’s big hair:

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Really really nasty cheap packaging on this pack of gum and 6 “full color” movie cards put out by Paramount Pictures Corp in 1977. Six dark photos printed on incredibly flimsy barely card stock, the back of which looks to be a cut up overstock movie poster with nary a fact about John Travolta or the film printed anywhere. Boasting that the Super Bubble gum inside blows larger bubbles I doubt it very much as there’s only half a stick of gum included – not a even a full pancake of dextrose and corn syrup. Such a classic film is worthy of a finer chewing experience, altho the packaging catapults this to high Kitsch status.

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