Rehearsing is, indeed, a novel concept for me. I like to plan, plan, plan but then just let things happen as they may and field the few things that may go awry. This is part of my daredevil style being a completely unschooled artist. But when I tried that in my last show, supposedly my big  comeback after a 37 year bout with stage fright, the tech guy screwed up so severely that I realized that could never happen again. So I spent the last week in the rehearsal studio with a lot of amazing folks getting ready to hit the floor boards again.

These were all taken last week at rehearsals for my Allee Willis’ Super Ball Bounce Back Review live show in mere moments, tomorrow and Wednesday nights, the 8th and 9th, at King King in Hollywood. These are in no particular order, just a few of my favorites.

Many mouths to feed as my live Allee Willis’ Super Ball Bounce Back Review is only two days away and we be deep into rehearsals. So this 36 incher from Big Mamas and Papas was the only way to go.  Actually it wasn’t… There’s also a 54 incher. And it’s mmmmmmmmmmm good too!

My esteemed bandleader, Andrae Alexander, takes the first bite:

I wish I had time to write at length this morning because I can’t even tell you what a SPECTACULAR evening I had last night at my high school in Detroit, the greatest one of all, Mumford, about to be destroyed by the wrecking ball but still the most spirit-filled place in the city. Kids from the  choir, dance company and band performed some of my greatest hits while I told stories about how they were written. So many of my classmates showed up, some of whom I hadn’t seen since I graduated, some of my family, the ones who weren’t afraid to show some soul, leave the burbs and come into the real city, friends I’ve made on my last couple visits here and, of course, the wonderful and dedicated Mumford teachers, principal and former principal, and staff who helped so much to make this one of the favorite nights of my life.

I have to race out of the hotel seriously fast and check out a recording studio because I’m hell-bent and determined to collaborate with the entire city, at least any of those who want to be on a record, on a Detroit song that I’ve been working on back in LA with my upcoming live show bandleader, Andrae Alexander. Then race back to the hotel to change and get over to Cass Technical High School where the City Council will be presenting me with the Spirit of Detroit Award, and where I’ll also be attending another performance my musical, The Color Purple, all the while trying to edit the close to 600 photos taken last night, not to mention at least 10 hours of film from cameras we placed all over  the auditorium.

I hope to be blogging a lot about this next week once I’m back in LA so please check back then. Until then, I’m cheering for you, Mumford High! And Onward, Detroit!

All the hits you can stand to hear!!! And the last time in an architectural treasure.

https://www.alleewillis.com/detroit/mumford-last-call.html

You all know of my love for the physical structure of my classic Deco baby blue high school in Detroit, Mumford, as well as my dismay that the wrecking ball is hitting it mere months after the concert I’m doing/hosting there THIS Thursday night. One of the MANY reasons the school is near and dear to my heart is also because it was made famous in the film I won a GRAMMY for, Beverly Hills Cop, when Eddie Murphy wore a t-shirt bearing its name throughout the movie.

So it upsets me even more that features like this, all over the school, are about to be nothing more than a pile of crumbled limestone:

One place inside Mumford I loved like no other was the auditorium.  Here’s a photo of when I was there last year watching rehearsals for when I conducted the marching band playing a medley of my greatest hits. I was sitting in my favorite seat, Row A, first seat on the middle aisle.

Here was Row A, seat 1 yesterday as wrecking ball syndroome has already hit the school:

Here I am leaving the school:

At least there’s some small concilation for the crime of classic architecture demolition. Now if I could only get that clock!

Yesterday was a lonnnng day.  Detroit is only 4 hours away but it took 12+ to get there.  Thank you, American Airlines! I bitched about AA from 8 am. to midnight. The terminal at LAX SUCKS. Flights were delayed. That part was the weather’s fault, but everything else was on American Airlines.  Here are my tweets and facebook posts throughout the tortuous yet fun day as I was traveling with fellow aKitschionados Mark Blackwell and Laura Grover.  That’s Laura’s daughter, Esther Rose, who came to see us off.:

8 AM. Being driven to LAX by debonaire bulldog:

9:15 AM.: Heading east total pain in butt today, especially of you’re heading thru Dallas. Biggg delays.

9:50 AM.: How much do I HATE American Airlines?! 4 plugs today for 6 gates + 1 bar wifi. Idiots. Please go bankrupt.

9:59 AM: Why hasn’t someone made some $ putting plugs in at airports? Four plugs per 2000 peeps ain’t cuttin it, idiotic American Airlines.

10:15 AM.:Thanks for the sucky seating in your terminal American Airlines. No wifi, 4 plugs for 6 gates and a dirty floor to boot.

10:50 AM.: I gave American Airlines too much credit. One bar now gone. No service at gates. AA, it ain’t 1960. Get your tech & hospitality together!

12:40 PM.: How much do I hate American Airlines?? 4 plugs for SIX gates and no wiki, unless you call 1 bar and “searching” a network. And then there was NO air on the plane. Not until at least 50 passengers were on did it start spitting thru those little nozels. Out of most snacks. I’m on the plane as we speak and connecting in Dallas where all flights are delayed. Next time just strap wings on me.

1:37 PM.: Men, in what universe is it ok to travel in shorts and impose those pale hairy legs on your seatmate? Tommy Bahama shirt is bad enough.

2:45 PM.: What’s with pilots who can’t stop chatting? Pilot on American should do dinner theater and not ‘entertain’ passengers. Thank God we just landed.

3:10 PM.: FINNNNALLLY arrived in Dallas. All flights delayed. Have commandeered all available charging stations and all devices are getting nourished. Dallas American Airlines terminal nowhere near as Neanderthal as at LAX.

3:30 PM: Taking a little snooze between flights:

5:45 PM.: Sloppiest Big Mac maker is at Dallas Ft Worth McDonalds. She needs to staple those burgers together. Plus lettuce overload and no pickles.

7:50 PM.: Back on plane. Nothing like a good fitting jetway. Thanks American. I’d feel better taking a skateboard (The cement inbetween my foot and the metal is the ground 15 feet below):

9:30 PM.: Still 2 hours to go to Detroit. Now the problem isnt American- unless you count the fact that no stewardess has been around to pick up garbage for over an hour – It’s the person in back of me whose phone keys have those hideous sounds attached to them. He sounds like a bad video game from 1995 and is driving me NUTS. Headphones still dead.

11:13 PM: Finally arrived close to midnight.  All the red bags, five of em, are mine. Plus one my jacket’s hiding.

12:02 PM. Picked up the rental car.  It was the kind of blue that makes me vomit.  Literally.  I’m clinically allergic to bluescreen blue. Makes me ill as soon as I look at it.  Now we’re in a white van and I’m happy.

12:45 AM: Finally arrived at The Doubletree.

Very happy now.  I have a corner suite that’s bigger than my house!  Off we go to get BBQ at Slow’s…

 

 

 

Off to host a greatest hits concert at my high school, Mumford, before the wrecking ball knocks down one of the most gorgeous Deco buildings ever ….

(Don’t start me on THAT!)…and the teachers, staff and principal are all let go so kids can walk into the cement block replacement and a wall of new faces over the summer.  So this is going to be a big, fat blowout-sendoff-of-an-affair if I have anything to say about it.  Which I do!

So 6PM. Thurs. night at Mumford. If you live in Detroit, get yourself to the funkiest couple of hours in the city.  You do NOT need to have gone to Mumford to enjoy this. Really, if I do say so myself, there isn’t a corner or mousehole in the world where they don’t know “September”.  It’s a fundraiser for the choir and tickets are only $5!!!

I’ll also be heading over to my father’s high school, Cass, which becomes only the second high school in the country to perform my musical, The Color Purple. Performances are Wed. – Sat.  Ive been waiting for the high school part of TCP since I wrote it so I can’t wait!

The rest of the week is filled with an endless slew of meetings with movers and shakers, large and small, as I feel out a couple of long term projects I want to do in Detroit. There will also be a lot of barbecue and soul food. In anticipation and though it’s not from Detroit, this was lunch from Uncle Andre’s in Studio City, Ca. yesterday:

 

Usually, I blog endlessly about my exploits in Detroit, but this time I come back to LA just in time to jump into rehearsals for my Allee Willis’ Super Ball Bounce Back Review live show at King King on May 8 & 9.  Im going to try and use this trip to become an interested and dedicated Tweeter, which has felt more like an invasion of my mental state since I signed up soon after the bird launched.  But I’ll be in trouble if I concentrate on blogging and not beefing up for my live show, using my hotel bedroom as a pretend stage and finishing the seemingly endless amounts of special visuals and animations I started getting ready with Alfonso Estrada for the show.

So Bon Voyage as I head for LAX. Listen for the tweety bird (which I’ll probably post the best of here too).  Back in a week. And back with AWMOK.com postings tomorrow when I awake in the Motor City.

Rehearsals for my May 8 & 9 return to the stage in my Super Ball Bounce Back Review have begun. Given what happened at my last show in October this is very significant!

I also leave for Detroit on Sunday where I’ll be hosting a benefit greatest hits concert at my high school and telling stories of how some of my biggest hits were written while students perform the songs. This includes kids from the dance and drama classes, concert choir, marching band and ROTC drill team.

Don’t even ask me how excited I am about that! Plus it gives me a chance to rehearse some of the stories I’ll be telling at my live show in LA in May. I’ll also be speaking to students at my father’s high school as Cass becomes only the second high school ever to perform my musical, The Color Purple. And all this is stuffed in between 8 trillion meetings with movers and shakers, big and small, to feel out a couple of long term projects that I want to do in my beloved home town.

All of which means I’m going to be completely insane over the next 30 days, which will inevitably cut down on my blogging activities as time I may have spent writing is now going toward prep and rehearsal of those ever-important two days in May, not to mention my week in Detroit.

As a result, I’m going to try and become an interested little tweeter. I don’t know if this will work as I’ve resisted regular tweeting ever since the bird first launched. As an avid natural writer, I’ve always viewed the constant barrage of 140 characters as an invasion to my headspace. I’m also someone who likes to think about what I do, so longer than 140 has always suited me best. But, at least from where my head is right now, tweeting may save me as I try to report in tiny chunks as opposed to longer daily excursions. Here are my tweets from yesterday documenting my first steps toward the stage again:

Rehearsals for my Super Ball Bounce Back Review at King King May 8 & 9 have begun! http://kingkinghollywood.com/


(BTW,What are the chances of there being another A. Willis gracing the stage with me? Well, that’s exactly the case here. That’s A. (Akua) Willis in the hat.)

Perhaps one day I’ll learn the lyrics to my own songs… Creeping slowly through Boogie Wonderland.

Slashing the script right outta da gate with Richard Dorton, my SKILLED and WELL REHEARSED tech director.

I know these are nothing dramatic and so far the only way I’m interested in tweeting is if I can have a photo as a punchline. I put this one up this morning, though the photo’s just a photo and not a punchline:

We’racing 2 finish horror film that opens my new show @ KingKing May 8&9. Best of horrific tech failures frm last show.

I hate typos like ‘We’racing’. That happened in efforts to cut down to less than 140 characters so a photo could accompany the tweet.  In the old world I also wouldn’t have wanted to give away the fact that I was making a horror film of the most Titanic moments from the last show, but in a tweet-filled world there’s no room for secrets.

Today’s a free day at home, marking the start of the three day/three suitcase packing process. Hopefully the bug hasn’t hit me full strength just yet and I won’t become one of those tweeting fools who shows you every single thing I’m putting into those suitcases.

Of course, I couldn’t resist and just tweeted that. Now I just need to knock this down to 140 charcters:

My nimble assistants, Dina and Suellen, cut face masks and assemble souvenir multipurpose “Unisex Pendants and Keychains” made out of bubblegum charms that will be for sale at Allee Willis’ Super Ball Bounce Back Review May 8&9 at King King in Hollywood.

 

 

Before I co-wrote The Color Purple musical I had little interest in theatre. I had no desire to see people break out into song, oftentimes seemingly for no reason, and sing in that shrill kind of Broadway singing way, and leave not understanding or enjoying what I saw anyway. But I jumped at the chance to collaborate on TCP because it was such an incredible piece of literature, the most soulful on the planet.

After depriving myself of the genre for a lifetime, once I got the gig I spent a year in every regional theater, dinner theater, high school auditorium, every and any place I could bone up on musicals. Writing The Color Purple, though easily one of the hardest and most intense things I’ve ever undertaken, was also most pleasurable. And in the mere act of writing it I really understood that the theatre was not the stagnant-leftover-from-the-old-century medium I thought it was but, rather, a daredevil medium where you never know what’s going to happen as one actor coughs and it can turn the whole show.

Another thing I learned, as evidenced by the show as it’s currently being performed  at The Celebration Theatre in LA, is that this is a medium in which work can change drastically depending on who stages it. And I saw just exactly why I put up with five years of tears, laughter, compromise, bending so far over backwards I thought my body would split, epiphanies, road blocks and more, I.E. a microcosm of life stuffed into five years of  round-the-clock days, rewrites, and did I mention rewrites?

When the show opened in New York in 2005, we had a cast of 31 actors in the second largest theater on Broadway. On tour, the cast shrunk by a few actors but the stages were/are just as big, the auditoriums even bigger, and the staging was just a slightly skimmed down version from what it was on Broadway. But at the Celebration Theatre I got to see 19 actors stuffed into a 99 seat house, something I couldn’t have imagined working, but it was MINDBLOWING! Not only did everyone do their thing and then some, the intimacy of seeing the show staged for a tiny room with audiences on three sides of the stage worked so well for the piece I can’t tell you!

If you’ve never seen the musical you might think that this is a heavy, depressing couple of hours but ha ha, it’s a comedy, and an incredibly inspiring and uplifting adventure of someone who goes from less than nothing to the other end of the rainbow. If you live in LA I encourage you to see it. It’s here until the end of May.

Here are some photos from opening night at The Celebration Theatre a few weeks ago:

With my TCP collaborator, Stephen Bray:

With LaToya London, Shug Avery in the current production and Nettie in the second National Tour:

With Stephen and Michael A. Shepperd, a fiiiiine Mister indeed!

With Niketa Calame, an hysterical Squeak.

With Kelly Jenrette, a fantastic Nettie:

With Sixx Leah-Patrice Carter, Church soloist, and Lorie Moore, one of the hysterical Church Ladies:

With Harpo a.k.a. Terrance Spencer, and ensemble players Jonathan JT Thompkins and Akula Lyman.

With TCP director Michael Matthews, mo Church Ladies, and Kat Kramer.

With Na’Kia Bell Smith and Janet Washington, excellent young Nettie and Celie.

The opening was star-studded.  Here I am with my ol’ pal, Dana Delany.

I love Wendy Malick!

So excited that Robert Forster was there:

And Sharon Lawrence too!:

With Dana Delany and her Body Of Proof co-star, Nicholas Bishop

Director Michael Matthews, Artistic Director of the Celebration Theatre, JohnMichael Beck and the cast:

Go see The Color Purple and make Allee very happy!

Yes, though one might find it hard to believe after my last foray into reclaiming the stage, I’m hitting it again in my new, improved and sans-the-idiot-tech-guy show, Allee Willis’ Super Ball Bounce Back Review!  Two nights only, Tuesday and Wednesday, May 8 & 9 at King King in Hollywood. Lots of music, visual treats, stories, dance, games, all the hi-art-meets-kitsch mayhem you know me for PLUS MORE!!  And many things I’ve never attempted before. And did I mention prizes? So I hope I see you at Allee Willis’ Super Ball Bounce Back Review May 8 or 9 at King King!

BUY TICKETS NOW!

Tickets also available at kingkinghollywood.com.