awmokEWF-Part-1

It was the 21st night of September, the opening line of my very first hit song as well as the date of the grand opening party celebrating the launch of awmok.com, my mini social network and ongoing museum exhibit of all things Kitsch. I am SO NOT the songwriter type to get up at a party and perform but this was the night that tradition broke. As it was a special night in my musical history as well as a night to celebrate kitsch I decided to let anyone who wanted to sing sing bad karaoke versions of September.I also brought a bunch of cheap, thrift shop instruments with me – a knockoff Beatles Apollo bass with three strings, a 1981 Casio keyboard with 2 1/2 octaves and a missing middle C. key – just in case any of the famous musicians in attendance might want to play along my style.
As any of you familiar with me know, I’m a massive fan of smooshing together very high and very low elements of art that most people would create, perform or perpetuate in very different spaces and times. I live for moments where the incredible thinking, technology and execution at the top collide with the passion and dedication (and not necessarily talent) at the bottom. 
Moments like these have allowed me to see some of my Greatest Hits performed by the best and the worst at once. Like when my discoveries, the Del Rubio Triplets, octogenarian identical triplets in miniskirts and go-go boots and of questionable musical prowess, performed “Neutron Dance” with The Pointer Sisters the very week the record was in the Top 10. I’m elated to report that the 21st night of September a couple of weeks ago was an opportunity for another such performance. 
In walks Larry Dunn, original Earth Wind & Fire keyboard player extraordinaire who played on every single significant EWF hit, and Verdine White, cofounding member who’s still in EWF, greatest bass player who ever lived and the man who discovered me and brought me to the group back in 1978. And there’s Luenell, hysterical off-color comedienne who is literally the number one Earth Wind & Fire fan in the world. She carries their Greatest Hits CD with her wherever she goes and watches aEWF Collection DVD every day, swear to God. She’s been in love with Larry Dunn since she first caught sight of his perfectly carved Afro in the early 1970s. 
Here are three 6 minute videos documenting one of the best times I’ve ever had in my life at a party. Part 1 is a set up, where Luenell meets her idols NI announced that anyone who has the balls to sing September with Earth Wind & Fire in the house is welcome to him. Part two is September and part 3 is Boogie Wonderland. I have video cameras going almost every minute of the day. It’s moments like they that would never translate unless you were there to see it that make me thankful I spend every dime I earn on tape, cameras and people to point them.
Last thing I’ll say here is to make sure and go to AWMoK.com, the reason everyone was here to celebrate and where so many people have gone to keep the party going

It was the 21st night of September, the opening line of my very first hit song as well as the date of the grand opening party at LA’s Ghettogloss celebrating the launch of AWMoK.com, The Allee Willis Museum Of Kitsch, my mini social network and ongoing exhibit of all things Kitsch. I am SO NOT the type to get up at a party and perform my own songs but this was the night that tradition broke.

As it was a special night in my musical history being “the 21st night of September” as well as a night to celebrate Kitsch with a kapitol K, I decided to let anyone who wanted to sing do bad karaoke versions of “September”. I also brought a bunch of rickety, thrift-shop-bought instruments with me – a knockoff Beatles Apollo bass with three strings, a 1981 Casio keyboard with 2 1/2 octaves and a missing middle C. key – just in case any of the famous musicians in attendance might want to play along, my style.

As any of you familiar with me know, I’m a massive fan of smooshing together very high and very low elements of art that most people would create, perform or perpetuate in very different spaces and times. But I live for those moments where the incredible thinking, technology and execution at the top collide with the passion, dedication and mixed results talent at the bottom. 

Moments like these have allowed me to see some of my Greatest Hits performed by the best and the worst at once. Like when my discoveries, The Del Rubio Triplets, octogenarian identical triplets in miniskirts and go-go boots and of questionable musical prowess, performed “Neutron Dance” with The Pointer Sisters the very week the record entered the Top 10. I’m elated to report that the 21st night of September a couple of weeks ago was an opportunity for another such hi/lo performance. 

In walks Larry Dunn, original Earth Wind & Fire keyboard player extraordinaire who played on every significant EWF hit, and Verdine White, cofounding member who’s still in EWF, greatest bass player who ever lived and the man who discovered me and brought me to the group back in 1978. And there’s Luenell, hysterical off-color comedienne who is literally the #1 Earth Wind & Fire fan in the world. She carries their Greatest Hits CD with her wherever she goes and watches the EWF Collection DVD every day, swear to God. She’s been in love with Larry Dunn since she first caught sight of his perfectly carved Afro in the early 1970s. 

Here are three 6 minute videos documenting one of the best times I’ve ever had in my life at a party. Part 1 is the set up, where Luenell meets her idols and I announced that anyone who has the balls to sing “September” with Earth Wind & Fire in the house is welcome to do so. Part 2 is us doing “September” and Part 3 is “Boogie Wonderland”.

I have video cameras going almost every minute of the day. It’s moments like these that would never translate unless you were there to see them that make me thankful I spend every dime I earn on tape, cameras and people to point them.

Last thing I’ll say here is to make sure and go to AWMoK.com, the reason everyone came to celebrate and where so many people have gone to keep the party going ever since.


Part 1 – Getting ready to sing:

awmokEWF-Part-1

Part 2 – “September”:

awmokEWF Part-2

Part 3 – “Boogie Wonderland”:

awmokEWF Part-3

 

awmok-logo

Running around all day today on about a second of sleep doing final tweaks on the first party celebrating the Grand Opening of The Allee Willis Museum of Kitsch tonight as well as coding my tootsies off on the virtual Museum, the heart of the experience, at AWMoK.com. I hope to open the floodgates online at noon LA time. (Until then, the ‘Coming September 14th’ page with the trailer, press and a few other goodies is still there.) Not sure I’ll make the noon door opening but once it flies open there’s some magnificently supreme kitsch to browse through in The Museum itself and in the Kitschenette wing there are incredibly easy instructions, customized for dummies and people like me who get confused reading directions of any sort, for how to submit your own prize Kitsch. 

AWMoK.com is a mini social network, built to scale up and incorporate more interactivity as more Kitsch is injected into it. Please visit later today or tomorrow and register to become an aKitscionado, another process that I’ve slaved over so it’s pathetically quick and easy. You can browse both The Museum and The Kitschenette but you need to register in order to submit anything or make comments.

Party photos will go up sometime tomorrow and video will follow though not sure when. The parties, tonight and next Monday night, were supposed to be webcast but the DSL at the gallery can’t handle the upload speeds so now it means digitizing six hours of footage from each of the three cameras and editing everything, a far more gruesome process than just letting it stream as it happens. But photos will be up as soon as I wake up tomorrow, which could be God knows what time as I haven’t slept in a week and have to do a lot of press tomorrow. 

Today is also the beginning of a weeklong “What Is Kitsch?” Film Festival on YouTube, eight short films I made on the subject of Kitsch. I’ll be posting the links to these when I upload them. There are two going up today, the introductory film, “What Is Kitsch?”, as well as one that’s about submitting items to The Museum. (When I say submitting items I mean images and descriptions. As much as I’d love to own all the stuff you guys tell me about, The Museum is virtual so photos and not the actual item is what you’ll be contributing.)

I’ve worked on putting The Allee Willis Museum Of Kitsch together online ever since I started my Kitsch O’ The Day blog seven months ago. Integrating virtual and physical spaces is what I’ve dreamed about doing since I stumbled on the Internet in 1991. I hope you enjoy The Allee Willis Museum of Kitsch, The Kitschenette and the eight short films as much as I’ve enjoyed – though sometimes been tortured by! – making them.

Nice story in the LA Times today too.

Running around all day today on about a second of sleep doing final tweaks on the first party celebrating the Grand Opening of The Allee Willis Museum of Kitsch tonight as well as coding my tootsies off on the virtual Museum, the heart of the experience, at AWMoK.com. I hope to open the floodgates online at noon LA time. (Until then, the ‘Coming September 14th’ page with the trailer, press and a few other goodies is still there.) Not sure I’ll make the noon door opening but once it flies open there’s some magnificently supreme kitsch to browse through in The Museum itself and in the Kitschenette wing there are incredibly easy instructions, customized for dummies and people like me who get confused reading directions of any sort, for how to submit your own prize Kitsch. 
AWMoK.com is a mini social network, built to scale up and incorporate more interactivity as more Kitsch is injected into it. Please visit later today or tomorrow and register to become an aKitscionado, another process that I’ve slaved over so it’s pathetically quick and easy. You can browse both The Museum and The Kitschenette but you need to register in order to submit anything or make comments.
Party photos will go up sometime tomorrow and video will follow though not sure when. The parties, tonight and next Monday night, were supposed to be webcast but the DSL at the gallery can’t handle the upload speeds so now it means digitizing six hours of footage from each of the three cameras and editing everything, a far more gruesome process than just letting it stream as it happens. But photos will be up as soon as I wake up tomorrow, which could be God knows what time as I haven’t slept in a week and have to do a lot of press tomorrow. a
Today is also the beginning of a weeklong “What Is Kitsch?” Film Festival on YouTube, eight short films I made on the subject of Kitsch. I’ll be posting the links to these when I upload them. There are two going up today, the introductory film, “What Is Kitsch?”, as well as one that’s about submitting items to The Museum. (When I say submitting items I mean images and descriptions. As much as I’d love to own all the stuff you guys tell me about, The Museum is virtual so photos and not the actual item is what you’ll be contributing.)
I’ve worked on putting The Allee Willis Museum Of Kitsch together online ever since I started my Kitsch O’ The Day blog seven months ago. Integrating virtual and physical spaces is what I’ve dreamed about doing since I stumbled on the Internet in 1991. I hope you enjoy The Allee Willis Museum of Kitsch, The Kitschenette and the eight short films as much as I’ve enjoyed – though sometimes been tortured by! – making them.

aw-is-kitsch

I had always thought that the day before the Grand opening of the virtual Allee Willis Museum of Kitsch I would have one of the most spectacular pieces of kKitsch in my collection to feature on Kitsch O’ The Day. But I’m going completely insane on massive overload trying to get the online interface/mini social network at awmok.com scotch-taped together enough to open tomorrow – sometime between noon and 5 PM West Coast time – not to mention building physical displays, handmaking souvenirs and getting auction items ready for the first of two grand opening parties tomorrow night at Ghettogloss on Melrose. 
I have no hands left, my brain has been reduced to the size of a pea and the thought of photographing one more piece of my Kitsch and writing a description is enough to throw me into a deep coma after mounting an exhibition of every object featured in Kitsch O’ The Day since I began the blog in early March, building customized bubble display cases for everything, tweaking the descriptions, filling four foot wide bowls almost big enough to take baths in with junk food, and doing the 175 other things on my list for what I’m sure will be another 20 hour day of tweaks. So no Beatles sneakers, bedazzled Snuggies or motorized go-go boots that move on their own to “These Boots Were Made For Walking” today and, instead, an amazing 4′ x 4′ three-dimensional-made-from-all-my-junk “Allee Is Kitsch” portrait of me done by my very talented friend, Jason Mecier. The portrait is featured at the opening parties along with the other 150 aforementioned Kitschifyingly spectacular objects.
If you haven’t seen the trailer yet or don’t know much about The Allee Willis Museum of Kitsch please proceed to awmok.com. Otherwise, see ya tomorrow!
http://www.usatoday.com/travel/destinations/2009-09-10-kitsch-museum_N.htm
http://www.examiner.com/x-8310-Trendy-Living-Examiner~y2009m9d7-Allee-Willis-Museum-of-Kitsch-opening
http://flavorpill.com/losangeles/events/2009/9/14/allee-willis-museum-of-kitsch
http://eccentricroadside.blogspot.com/2009/09/whole-kitsch-and-caboodle-allee-willis.html
http://bitchmagazine.org/post/bitch-popaganda-superwomen-or-lack-thereof-edition

I had always thought that the day before the Grand opening of the virtual Allee Willis Museum of Kitsch I would have one of the most spectacular pieces of Kitsch in my collection to feature on Kitsch O’ The Day. But I’m going completely insane on massive overload trying to get the online interface/mini social network at awmok.com scotch-taped together enough to open tomorrow – sometime between noon and 5 PM West Coast time – not to mention building physical displays, handmaking souvenirs and getting auction items ready for the first of two grand opening parties tomorrow night at Ghettogloss on Melrose. 

I have no hands left, my brain has been reduced to the size of a pea and the thought of photographing one more piece of my Kitsch and writing a description is enough to throw me into a deep coma after mounting an exhibition of every object featured in Kitsch O’ The Day since I began the blog in early March, building customized bubble display cases for everything, tweaking the descriptions, filling four foot wide bowls almost big enough to take baths in with junk food, and doing the 175 other things on my list for what I’m sure will be another 20 hour day of tweaks. So no Beatles sneakers, bedazzled Snuggies or motorized go-go boots that move on their own to “These Boots Were Made For Walking” today and, instead, an amazing 4′ x 4′ three-dimensional-made-from-all-my-junk “Allee Is Kitsch” portrait of me done by my very talented friend, Jason Mecier. The portrait is featured at the opening parties along with the other 150 aforementioned Kitschifyingly spectacular objects.

If you haven’t seen the trailer yet or don’t know much about The Allee Willis Museum of Kitsch please proceed to awmok.com. Otherwise, see ya there tomorrow!

http://www.usatoday.com/travel/destinations/2009-09-10-kitsch-museum_N.htm

http://www.examiner.com/x-8310-Trendy-Living-Examiner~y2009m9d7-Allee-Willis-Museum-of-Kitsch-opening

http://flavorpill.com/losangeles/events/2009/9/14/allee-willis-museum-of-kitsch

http://eccentricroadside.blogspot.com/2009/09/whole-kitsch-and-caboodle-allee-willis.html

http://bitchmagazine.org/post/bitch-popaganda-superwomen-or-lack-thereof-edition

PW-vid-play-foto

Here’s how I spend my spare time, making this highly sophisticated -NOT- animation with Prudence Fenton, of Pee Wee’s Playhouse and Peter Gabriel videos fame. After being a private joke for 15 years, we’ve finally committed (in all senses of the word) the Pigmy to film. If anybody deserves a place on the mantle of Kitsch Klassicism, it’s Pigmy Will. 

We’ll be churning out two to four of these weekly, all under 30 seconds, as fast as our minds can de-numb and fingers can move. 

Today’s offerings include “Pie Day”, “The Counter”, “The Boat Ride” and “Take 20”. At the end of each masterpiece you can click through to the next one. So just click here or on one of the videos below to get started.

Follow pigmywill on Twitter! And join his fan page on Facebook if you’re there too. 

See all 4 Pigmy Wills (by the time you read this there may be more):

“Pie Day”

PW-pie-day-YT

“The Counter”

PW-counter-YT

“The Boat Ride”

PW-Boat-YT

“Take 20”

PW-20-YT

Deet deet deet deet!!

Anywhere from 2-4 of these coming out weekly, all under 30 seconds, as fast as our minds can de-numb and fingers can move. Today’s offerings include “Pie Day”, “The Counter”, “The Boat Ride” and “Take 20”. At the end of each masteriece you can click through to the next one. So just click here to get started.
See all 4 Pigmy Wills:
“Pie Day” – http://www.youtube.com/watch?v=CRS7D6mSoHs
“The Counter” – http://www.youtube.com/watch?v=LFKQ3iCcS3Q
“The Boat Ride” – http://www.youtube.com/watch?v=psJQPtbY1h4
“Take 20” – http://www.youtube.com/watch?v=buNtwIwlcE0

PLAY THIS VIDEO!:

neutron-Dancer

I’ve seen many improvised dances to my Pointer Sisters song “Neutron Dance” but this girl has a better time kutting loose inside the klutches of Kitch than anyone I’ve ever seen. Describing her style as “Improvisational freestyle spontaneous informal interpretive dancing” Aremisbell, real name Diana Campanella, dances to more high energy songs on YouTube than Madonna. With mouth and finger action for days and pixie-like prancing in overdrive she is, in fact, SO HAPPY doin’ the Neutron Dance. And that makes me SO HAPPY for having written it.

Neutron-Dancer-comp2

car-jesus

A friend sent this lookin-good-on-Sunday-for-church car to me so I have no details as to the who/what/where or when of it. But the how is that many folks, driven to the extreme, use their cars as a canvas upon which to paint their personalities for the world to see. I have shot photos of these vehicles for years and the confidence and power of self expressed in the drivers/creators is of such heavenly Kitsch proportions as to amaze me. I always consider myself blessed when I’m lucky enough to stop at a light behind them. 

car-jesus-cu

michael-jackson-game_9191

I only met Michael Jackson once. It was 1980 and I was at Hollywood Sound recording with Earth Wind & Fire and he was working in the room next door. This was before Billy Jean shot him into the stratosphere but Michael Jackson was still a music God. He walked over to me but as he gave me a big grin and very gentle almost-handshake someone burst into the studio and said Richard Pryor had set himself on fire. Everyone just froze and I quietly slipped out of the room. Those old school recording studios are as soundproof as tombs but I could hear all the commotion in the lobby as he ran out.

Though many of my friends co-wrote many of his classic songs I never wrote for Michael until a few months ago when Steve Porcaro, of Toto and ‘Human Nature’ fame, called and said Michael had called him looking for hit singles. We worked on and off over the next few months and finished a fantastic lush and layered Human Nature type song called “The Little Things”. Though Michael never got to hear it, the Man In The Mirror type chant that opens it will forever remind me of him.

This 1984 Limited Edition Michael Jackson “Superstar of the 80’s” Doll features the King in his Beat It outfit. He came with ‘glittering “Magic” Glove and microphone’ but I’ve lost those over the years. Thriller, Billy Jean, American Music Awards and Grammy outfits were also available. He twists at the waist and bends with moveable arms so you can “recreate his famous dance steps”. 

I’ll break open the 1984 box of Michael Jackson Dress-Up Set Colorforms on another Kitsch O’ The Day within the next few days. R.I. P. M.J.

michael-jackson-doll__9198 michael-jackson-doll_9195

rheingold-shakers

How I’ve sold 50,000,000 records and still don’t know how to read, notate or play music is in part because of these beer can shakers. I can always rattle them into some groove that I can hum a melody or write a lyric to. See, all it takes is some uncooked beans and rice knocking around inside some vintage tin. I’ll have some Rheingold with that beat please! Works everytime.

del-rub-millie-aw-img_23471

After seeing the incredibly warm and enthusiastic response to my post a couple of weeks ago of me with my proudest musical discovery, the incomparable mini-skirted/ go-go booted Del Rubio Triplets, I am happy to announce that I’m working with Millie, the surviving triplet, on a possible comeback. Great progress was made this weekend in reuniting her with her guitar for the first time since Eadie, the oldest triplet (by 15 and 30 minutes respectively) left us in 1996. Still too early to tell if a concert is in the making as it’s clear it will be a long road back, but the mere fact that the guitar case was cranked open and the first dreadfully out of tune chords were struck is reason enough to keep hope alive! Will keep y’all posted.

del-rubs-aw-city-restaurant-lot

coldstone-butterscotchvelvet_cone-thumb-lgSwear to God, this week Coldstone introduced some of the cold stuff that turns into pudding and never melts. Only available through July 28th, this joint venture with the King of Kitsch foodstuffs, JELL-O, has the texture of pudding but is cold like ice cream and stuffed into cones or cups. Jello Pudding Ice Cream, as this test monkey is known, comes in Chocolate-y Goodness™ with peanut butter, caramel and fudge and Butterscotch Velvet™ with Butterfingers, Reeses Peanut Butter Cups and caramel. I’ll miss the drips but look forward to even more chemicals lighting my system up. I’ll have some red balls Orbitz to wash that down with, please!

For recipes using the new chemical treat go here. Really.