eva-gabor-chin-strap_0559

If it’s Eva Gabor it’s got to be good and this certainly lives up to all expectations! This incredibly cheaply made – one piece of elastic, two alligator clips and one plastic “decorative ring” – fashion strap “keeps your wig securely in place while your wig is being combed, brush or styled.” It looks like all you do is attach a clip to either side of your fake hair and tighten the noose around your neck by sliding the “decorative ring”. The final instruction, as if written for an idiot, is “comb or brush your wig into desired style.”

eva-gabor-chin-strap_0558

This product was made in 1972 for Eva Gabor International in Hong Kong and was sold at the May Company for $4. I’ve never worn a wig but I would’ve bought a case of these had I seen them at the time.

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roberta-flack-puzzle_0574

Nothing wrong with Roberta Flack (other than so many of her songs were so slooooooooow) and nothing wrong with puzzles. But Roberta Flack so doesn’t seem like the type of celebrity who a puzzle seems the right match for. J.J. Walker maybe, The Partridge Family or Fat Albert, but Roberta Flack?!
Made in 1972 by Let’s Save The Children, Inc., USA, this is one product I’m happy they made so the shape of Roberta’s afro could be preserved forever. I love afros that are round and massive but then the back is sheared as flat as a wall. I also love how the afro on the standup bass player’s head fuses into Roberta’s giving hers that extra oomph at the top.

Nothing wrong with Roberta Flack (other than so many of her songs were so slooooooooow) and nothing wrong with puzzles. But Roberta Flack so doesn’t seem like the type of celebrity who a puzzle seems the right match for. J.J. Walker maybe, The Partridge Family or Fat Albert, but Roberta Flack?!

Made in 1972 by Let’s Save The Children, Inc., USA, this is one product I’m happy they made so the shape of Roberta’s afro could be preserved forever. I love afros that are round and massive but then the back is sheared as flat as a wall. I also love how the afro on the standup bass player’s head fuses into Roberta’s giving hers that extra oomph at the top.

roberta-flack-puzzle-cu_0574 roberta-flack-puzzle_0571

lawrence-welk-musical-spoons_1026

Lawrence Welk was always too square for me except that that’s where I could continue to get my Mickey Mouse Club fix when in 1961 Mouseketeer Bobby Burgess won a dance contest to Welk’s hit, “Calcutta” (an LW record I LOVED) and became a regular on the show two years after the mouse ears left the air. Though Bobby went from being a hip kid to an excessively corny adult as soon as he hitched to Mr. Wunnerful Wunnerful wagon, I still appreciated his move as otherwise I may have missed Lawrence Welk and his jaw droppingly cheesy production numbers that became a primer in my never ending education in Kitsch. Combine that with the fact that I never learned how to play an instrument and you end up with my excitement about these musical spoons which became one of the first instruments I “played” when I started to write songs.
Forget the spoons, the packaging on this is fantastic. With not an inch left uncovered, it boasts “Get on the beat!”, “Be a champion!”and “The international pastime – spooning!” Perhaps so, but not that kind of spooning.

Lawrence Welk was always too square for me except that that’s where I could continue to get my Mickey Mouse Club fix when, in 1961, Mouseketeer Bobby Burgess won a dance contest to Welk’s hit, “Calcutta” and became a regular on the show two years after the mouse ears left the air. Though Bobby went from being a hip kid to an excessively corny adult as soon as he hitched to Mr. Wunnerful Wunnerful’s wonderful wagon, I still appreciated his move as otherwise I may have missed Lawrence Welk and his jaw droppingly cheesy production numbers that became a primer in my neverending education in Kitsch. Combine that with the fact that I never learned how to play an instrument and you end up with my excitement about these musical spoons which became one of the first instruments I “played” when I started to write songs.

lawrence-welk-musical-spoons_1025

Forget the spoons, the packaging on this is fantastic. With not an inch left uncovered, it boasts “Get on the beat!”, “Be a champion!”and “The international pastime – spooning!” Perhaps so, but not that kind of spooning.

lawrence-welk-musical-spoons_1019 lawrence-welk-musical-spoons lawrence-welk-musical-spoons_1022 lawrence-welk-musical-spoons_1023

Bobby Burgess went on to become Welk’s longtime accordionist, Myron Floren’s, son-in law. Here they are doing The Chicken Dance, which, according to them, is “one of the most popular dances in America” and which, according to me, “wasn’t”.

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Here’s Welk’s biggest and only Top 10 hit, “Calcutta”:

Lawrence-Welk--calcutta

betty-furness-thermometer_0965

At one point in the 1950s Betty Furness was as ubiquitous on TV as Lucy. Known for her signature hype line, “You can be sure… if it’s Westinghouse.” Furness opened more refrigerator doors then the chef at the Waldorf. Taking advantage of how the former movie actress’s easy-going manner connected with the burgeoning flock of middle-class housewives owning modern appliances for the first time, Westinghouse rushed out this signature thermometer set consisting of a combo candy, icing and deep fat thermometer as well as a roast meat thermometer and skewer. 
Although she hawked all kinds of Westinghouse appliances, the commercial Furness is best known for she didn’t even do. In one of TVs earliest and most infamous bloopers, the lovely model went to open the frig door but it was locked shut. Although legend has this etched in stone as Betty’s finest moment, she was actually out that day and it was little-known actress June Graham who couldn’t muster up the strength to pop the door.
Made by The Chaney Maufacturing Co., Inc of Springfield, Ohio, the box is faded and stained but the thermometers have never been used. There were so many of these BF Westinghouse Thermometer Sets made that when I first started hitting thrift shops in the 1970s I could count on seeing one in almost every store.

At one point in the 1950s Betty Furness was as ubiquitous on TV as Lucy. Known for her signature hype line, “You can be sure… if it’s Westinghouse.” Furness opened more refrigerator doors then the chef at the Waldorf. Taking advantage of how the former movie actress’s easy-going manner connected with the burgeoning flock of middle-class housewives owning modern appliances for the first time, Westinghouse rushed out this signature thermometer set consisting of a combo candy, icing and deep fat thermometer as well as a roast meat thermometer and skewer. 

Although she hawked all kinds of Westinghouse appliances, the commercial Furness is best known for she didn’t even do. In one of TVs earliest and most infamous bloopers, the lovely model went to open the frig door but it was locked shut. Although legend has this etched in stone as Betty’s finest moment, she was actually out that day and it was little-known actress June Graham who couldn’t muster up the strength to pop the door.

Made by The Chaney Maufacturing Co., Inc of Springfield, Ohio, the box is faded and stained but the thermometers have never been used. There were so many of these BF Westinghouse Thermometer Sets made that when I first started hitting thrift shops in the 1970s I could count on seeing one in almost every store.

betty-furness-thermometer_0964 betty-furness-thermometer_0966 betty-furness-thermometer_0969

Here’s Betty demonstrating the new Westinghouse Washer/ Dryer combo:

betty-furness-thermometer-vid

Soupy-Sales-hat-aw

One of the first rituals I ever remember doing with total religious fervor was eating my lunch every day with Soupy Sales. “Lunch with Soupy Sales”, his landmark kids show that launched in my hometown, Detroit, in 1953 and ran there exclusively until 1957 when it went nationwide on ABC, was mandatory noon viewing accompanied by my staple of one half peanut butter and jelly and one half tuna sandwich with a large glass of Sealtest milk spiked with several hits of Bosco.

Like the other zillions of kids watching I was into Pookie, Black Tooth and especially White Fang. But what I really dug, which I can’t believe I sensed at such an early age, was how free-form and irreverent Soupy was as a host, seemingly performing for his friends in the studio, lots of adlibs, in-jokes and laughing at himself. I remember thinking this guy knows how to throw a great party. All the other kids shows, all of which I also watched and loved, seemed very stiff compared to Soupy so he became one of my first genuine role models.

One of the first rituals I ever remember doing with total religious fervor was eating my lunch every day with Soupy Sales. “Lunch with Soupy Sales”, his landmark kids show that launched in my hometown, Detroit, in 1953 and ran there exclusively until 1957 when it went nationwide on ABC was mandatory noon viewing accompanied by my staple of one half peanut butter and jelly and one half tuna sandwich with a large glass of Sealtest milk spiked with several hits of Bosco. Like the other zillions of kids watching I was into Pookie, Black Tooth and especially White Fang, but what I really dug, which I can’t believe I sensed at such an early age, was how free-form and irreverent Soupy was as a host, seemingly performing for his friends in the studio, lots of adlibs, in-jokes and laughing at himself. I remember thinking this guy knows how to throw a great party. All the other kids shows, all of which I also watched and loved, seem very stiff compared to Soupy so he became one of my first genuine role models.
In 1965, Soupy put out a record called “Do The Mouse”. I went crazy for the little dance he did because rather than just putting his hands up to his head for ears he was always wiggling his fingers and I never saw a mouse ears move like that. Although the song was a classic sing-along type pop song, the track and vocal had elements of R&B and Soupy’s phrasing, especially in the chorus, was classic Soul. As I was living in Detroit, from whence Motown was born, this kind of music was all around me. Though Do The Mouse’s lyrics may have been exempt, the musicianship was totally influenced by the city the song was cut in which, of course made me love it even more.
In honor of Soupy’s passing last week, I dug out my “Do The Mouse” hat, one of the more obscure pieces of Soupy memorabilia. I have a Soupy puppet as well as a Soupy marionette and I’ve seen lots of those online over the past few days. But not the hat, which I put on as I combed YouTube for Soupy doing The Mouse. The videos at the bottom of this post. There’s a couple minutes of stuff before the singing and fantastic Mouse choreography starts but it’s all worth seeing because this guy was a classic casual yet frenetic showman who was way before his time. Sales was instrumental to what TV became as more and more personalities understood it wasn’t about a camera being pointed at you as you performed so much as being in the middle of someone’s living room, connecting with the guests and keeping the party going.

In 1965, Soupy put out a record called “Do The Mouse”. I went crazy for the little dance he did because rather than just putting his hands up to his head for ears he was always wiggling his fingers and I never saw a mouses’ ears move like that before.

soupy-sales-hat_4707

Although the song was a classic sing-along type pop song, the track and vocal had elements of R&B and Soupy’s phrasing, especially in the chorus, was classic Soul. As I was living in Detroit, from whence Motown was born, this kind of music was all around me. Though Do The Mouse’s lyrics may have been exempt, the musicianship was totally influenced by the city the song was cut in which, of course, made me love it even more.

In honor of Soupy’s passing last week, I dug out my “Do The Mouse” hat, one of the more obscure pieces of Soupy memorabilia.

soupy-sales-hat_4712

I have a Soupy puppet, which I’ve seen a bunch of online over the past few days, and the much rarer Soupy marionette.

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But I haven’t seen the hat, which I put on as I combed YouTube for Soupy doing The Mouse.  There’s a couple minutes of stuff before the singing and fantastic Mouse choreography starts but it’s all worth seeing because this guy was a classic casual yet frenetic showman who was way before his time. Sales was instrumental to what TV became as more and more personalities understood it wasn’t about a camera being pointed at you as you were performing so much as being in the middle of someone’s living room, connecting with the guests and keeping the party going.

soupy-sales-mouse-video

ben-casey-cufflinks_3956

Giving equal time today to Dr. Ben Casey as yesterday was Dr. Kildare’s day. Ben Casey was actually my first love. I swooned over his swarthy, dark looks and, truth be told, collected more Casey than Kildare. Although I acquired this actual pair of 3D lenticular “Ben Casey As Portrayed By Vincent Edwards Cuff Links” at Chic-A-Boom in Hollywood in 1980, I did actually have this exact pair as a kid. They went to school with me almost every day as I became fanatic about wearing blouses with long sleeves and cufflinks holes just so I could have Dr. Casey with me.
These “As seen on ABC Network TV” cufflinks were made by Bing Crosby Productions exclusively for Sears. Gerald Sears Sales Promotion Service, not THE Sears, in 1962.

Giving equal time today to Dr. Ben Casey as yesterday was Dr. Kildare’s day. Ben Casey was actually my first love. I swooned over his swarthy, dark looks and, truth be told, collected more Casey than Kildare. Although I acquired this actual pair of 3D lenticular “Ben Casey As Portrayed By Vincent Edwards Cuff Links” at Chic-A-Boom in Hollywood in 1980, I did actually have this exact pair as a kid. They went to school with me almost every day as I became fanatic about wearing blouses with long sleeves and cufflinks holes just so I could have Dr. Casey with me.

These “As seen on ABC Network TV” cufflinks were made by Bing Crosby Productions exclusively for Sears, Gerald Sears Sales Promotion Service, not THE Sears, in 1962.

ben-casey-cufflinks_3948 ben-casey-cufflinks_3954 ben-casey-cufflinks_3950

Dr.-kildare-thumpy_3935

Thought I would give props to Dr. K. today seeing as I spent Friday night over at his place watching The Towering Inferno, which he, Richard Chamberlain, aka Dr. Kildare, costarred in as the guy who skimped on the wire and started the whole barbecue. It was unbelievable to sit next to him watching this movie, one of the two original disaster films along with The Poseidon Adventure, and hearing him say No, Dick!”, “Don’t do it, Dick!” as he tried to steal a seat in the little swinging chair thing strung between the burning hi-rise and the building across the street before it crashed taking him and his beautiful ’70s wide lapel velvet suit down.
I took my Thumpy stethoscope along with my Dr. Kildare paper dolls book, greeting card with Dr. K.AND Ben Casey and my “Theme from Dr. Kildare (Three Stars Will Shine Tonight)” 45 over there for Richard/ Dr. Kildare to sign but promptly forgot to yank any of it out. And how I didn’t snap a photo of us is crazy given my proclivity for storing every significant moment of my life digitally for the last 25 years… So I’ll just have to listen to this thing beat until l I see him again. Which will be very soon as he’s coming over here for dinner in a few weeks. Which makes my heart go thumpy.
Made in 1963 by Metro Goldwyn Mayer, Inc. and Amsco Industries Inc, Thumpy’s packaging boasts that there’s no batteries and nothing to wind – “Pick me up!”, “Hear Me Thump!”- and that “light movement activates “heartbeat””. They’re not kidding. This thing, US patent no. 2570740, starts beating if you even tiptoe by.
The water stains weren’t acquired until the late ’80s when Thumpy and my Brigitte Bardot By Lovable bra were the victims of a tragic dishwasher leak on the floor above which they resided.

Thought I would give props to Dr. K. today seeing as I spent Friday night over at his place watching The Towering Inferno, which he, Richard Chamberlain, aka Dr. Kildare, costarred in as the guy who skimped on the wire and started the whole barbecue. It was unbelievable to sit next to him watching this movie, one of the two original disaster films along with The Poseidon Adventure, and hearing him yell No, Dick!”, “Don’t do it, Dick!” as he tried to steal a seat in the little swinging chair thing strung between the burning hi-rise and the building across the street before it crashed taking him and his beautiful ’70s wide lapel velvet suit down.

I took my Thumpy stethoscope along with my Dr. Kildare and Nurse Nancy paper dolls book, greeting card with Dr. K.AND Ben Casey and my “Theme from Dr. Kildare (Three Stars Will Shine Tonight)” 45 over there for Richard/ Dr. Kildare to sign but promptly forgot to yank any of it out. And how I didn’t snap a photo of us is crazy given my proclivity for storing every significant moment of my life digitally for the last 25 years… So I’ll just have to listen to this thing beat until I see him again. Which will be very soon as he’s coming over here for dinner in a few weeks. Which makes my heart go thumpy.

Made in 1963 by Metro Goldwyn Mayer, Inc. and Amsco Industries Inc, Thumpy’s packaging boasts that there’s no batteries and nothing to wind – “Pick me up!”, “Hear Me Thump!”- and that “light movement activates “heartbeat””. They’re not kidding. This thing, US patent no. 2570740, starts beating if you even tiptoe by.

The water stains weren’t acquired until the late ’80s when Thumpy and my Brigitte Bardot By Lovable bra were the victims of a tragic dishwasher leak on the floor above which they resided.

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awmokEWF-Part-1

It was the 21st night of September, the opening line of my very first hit song as well as the date of the grand opening party celebrating the launch of awmok.com, my mini social network and ongoing museum exhibit of all things Kitsch. I am SO NOT the songwriter type to get up at a party and perform but this was the night that tradition broke. As it was a special night in my musical history as well as a night to celebrate kitsch I decided to let anyone who wanted to sing sing bad karaoke versions of September.I also brought a bunch of cheap, thrift shop instruments with me – a knockoff Beatles Apollo bass with three strings, a 1981 Casio keyboard with 2 1/2 octaves and a missing middle C. key – just in case any of the famous musicians in attendance might want to play along my style.
As any of you familiar with me know, I’m a massive fan of smooshing together very high and very low elements of art that most people would create, perform or perpetuate in very different spaces and times. I live for moments where the incredible thinking, technology and execution at the top collide with the passion and dedication (and not necessarily talent) at the bottom. 
Moments like these have allowed me to see some of my Greatest Hits performed by the best and the worst at once. Like when my discoveries, the Del Rubio Triplets, octogenarian identical triplets in miniskirts and go-go boots and of questionable musical prowess, performed “Neutron Dance” with The Pointer Sisters the very week the record was in the Top 10. I’m elated to report that the 21st night of September a couple of weeks ago was an opportunity for another such performance. 
In walks Larry Dunn, original Earth Wind & Fire keyboard player extraordinaire who played on every single significant EWF hit, and Verdine White, cofounding member who’s still in EWF, greatest bass player who ever lived and the man who discovered me and brought me to the group back in 1978. And there’s Luenell, hysterical off-color comedienne who is literally the number one Earth Wind & Fire fan in the world. She carries their Greatest Hits CD with her wherever she goes and watches aEWF Collection DVD every day, swear to God. She’s been in love with Larry Dunn since she first caught sight of his perfectly carved Afro in the early 1970s. 
Here are three 6 minute videos documenting one of the best times I’ve ever had in my life at a party. Part 1 is a set up, where Luenell meets her idols NI announced that anyone who has the balls to sing September with Earth Wind & Fire in the house is welcome to him. Part two is September and part 3 is Boogie Wonderland. I have video cameras going almost every minute of the day. It’s moments like they that would never translate unless you were there to see it that make me thankful I spend every dime I earn on tape, cameras and people to point them.
Last thing I’ll say here is to make sure and go to AWMoK.com, the reason everyone was here to celebrate and where so many people have gone to keep the party going

It was the 21st night of September, the opening line of my very first hit song as well as the date of the grand opening party at LA’s Ghettogloss celebrating the launch of AWMoK.com, The Allee Willis Museum Of Kitsch, my mini social network and ongoing exhibit of all things Kitsch. I am SO NOT the type to get up at a party and perform my own songs but this was the night that tradition broke.

As it was a special night in my musical history being “the 21st night of September” as well as a night to celebrate Kitsch with a kapitol K, I decided to let anyone who wanted to sing do bad karaoke versions of “September”. I also brought a bunch of rickety, thrift-shop-bought instruments with me – a knockoff Beatles Apollo bass with three strings, a 1981 Casio keyboard with 2 1/2 octaves and a missing middle C. key – just in case any of the famous musicians in attendance might want to play along, my style.

As any of you familiar with me know, I’m a massive fan of smooshing together very high and very low elements of art that most people would create, perform or perpetuate in very different spaces and times. But I live for those moments where the incredible thinking, technology and execution at the top collide with the passion, dedication and mixed results talent at the bottom. 

Moments like these have allowed me to see some of my Greatest Hits performed by the best and the worst at once. Like when my discoveries, The Del Rubio Triplets, octogenarian identical triplets in miniskirts and go-go boots and of questionable musical prowess, performed “Neutron Dance” with The Pointer Sisters the very week the record entered the Top 10. I’m elated to report that the 21st night of September a couple of weeks ago was an opportunity for another such hi/lo performance. 

In walks Larry Dunn, original Earth Wind & Fire keyboard player extraordinaire who played on every significant EWF hit, and Verdine White, cofounding member who’s still in EWF, greatest bass player who ever lived and the man who discovered me and brought me to the group back in 1978. And there’s Luenell, hysterical off-color comedienne who is literally the #1 Earth Wind & Fire fan in the world. She carries their Greatest Hits CD with her wherever she goes and watches the EWF Collection DVD every day, swear to God. She’s been in love with Larry Dunn since she first caught sight of his perfectly carved Afro in the early 1970s. 

Here are three 6 minute videos documenting one of the best times I’ve ever had in my life at a party. Part 1 is the set up, where Luenell meets her idols and I announced that anyone who has the balls to sing “September” with Earth Wind & Fire in the house is welcome to do so. Part 2 is us doing “September” and Part 3 is “Boogie Wonderland”.

I have video cameras going almost every minute of the day. It’s moments like these that would never translate unless you were there to see them that make me thankful I spend every dime I earn on tape, cameras and people to point them.

Last thing I’ll say here is to make sure and go to AWMoK.com, the reason everyone came to celebrate and where so many people have gone to keep the party going ever since.


Part 1 – Getting ready to sing:

awmokEWF-Part-1

Part 2 – “September”:

awmokEWF Part-2

Part 3 – “Boogie Wonderland”:

awmokEWF Part-3

doris-day-ashtray_4947

This promotional ashtray was put out by Columbia Records in 1956 for their big star, Doris Day, and her big hit, “Que Sera, Sera (Whatever Will Be, Will Be)”. It has an exalted place in my Kitsch kollection because the title is printed backwards: “Whatever Will Be, Will Be (Que Sera, Sera)”. Whether the record sharks felt the foreign language was above the audience’s head or the manufacturer, Ceramicraft, goofed remains something only Doris or her dogs might know the answer to.

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This ashtray was one of the first things I found when I first started seriously collecting in the early 1970’s and I decided to start collecting pop music memorabilia as a result of finding it. It came as a set with “Sixteen Tons” by Tennessee Ernie Ford.
I love this ashtray not only for the Kitsch title scramble but for the sentimental fact that my first job out of college was at Columbia Records, though long after Doris’s day had passed. 

This ashtray was one of the first things I found when I first started seriously collecting in the early 1970’s and I decided to start collecting pop music memorabilia as a result of finding it. It came as a set with “Sixteen Tons” by Tennessee Ernie Ford.

I love this ashtray not only for the Kitsch title scramble but for the sentimental fact that my first job out of college was at Columbia Records, though long after Doris’s day had passed. 

doris-day-ashtray_4946 doris-day-ashtray_4963

awmok2_4965

Seems like there are hundreds of photos circulating on the Internet from my party Monday night where, among a zillion other things, members of Earth Wind & Fire performed in a parking lot for anyone who wanted to sing my EWF hits, “September” and “Boogie Wonderland”. 

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The Grand Opening Party #2 at Ghettogloss for The Allee Willis Museum Of Kitsch at awmok.com also featured a Thrift Shop Art auction,

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a raffle to win a personally-conducted-by-me tour of Willis Wonderland, the physical home of the AWMoK, and massive amounts of gourmet Street and standard faire junk food to keep the minds of the 400 attendees tweaked to Kitsch perfection. 

I usually go through the photos and pick out the 20 or so best ones but I loved the fantastic mix of people and ages so as long as it was in focus it’s here.

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People keep sending me new photos everyday so I very likely may be adding to these everyday. And video of the insanely kitschy performances with EWF is coming as soon as I can grab enough minutes to edit something together.

People magazine said of my parties, “Invitations to Allee Willis’s ultra-exclusive … parties are the campiest hot tickets in LA.” I’m confident I quite lived up to my reputation with this one!

Go to AWMoK.com to join a fantastically witty and friendly community of very cool people with very kool Kitsch.

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Sincerely, Your hostess/curator aKitschionado, Allee

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