Allee Willis Blog

06Oct 2009

Allee Willis’ Kitsch O’ The Day – PARTY VIDEO! Me, Earth Wind Fire and Luenell at the opening of The Allee Willis Museum Of Kitsch!

06Oct 2009

Allee Willis’ Kitsch O’ The Day – PARTY VIDEO! Me, Earth Wind Fire and Luenell at the opening of The Allee Willis Museum Of Kitsch!

It was the 21st night of September, the opening line of my very first hit song as well as the date of the grand opening party celebrating the launch of awmok.com, my mini social network and ongoing museum exhibit of all things Kitsch. I am SO NOT the songwriter type to get up at a party and perform but this was the night that tradition broke. As it was a special night in my musical history as well as a night to celebrate kitsch I decided to let anyone who wanted to sing sing bad karaoke versions of September.I also brought a bunch of cheap, thrift shop instruments with me – a knockoff Beatles Apollo bass with three strings, a 1981 Casio keyboard with 2 1/2 octaves and a missing middle C. key – just in case any of the famous musicians in attendance might want to play along my style.

As any of you familiar with me know, I’m a massive fan of smooshing together very high and very low elements of art that most people would create, perform or perpetuate in very different spaces and times. I live for moments where the incredible thinking, technology and execution at the top collide with the passion and dedication (and not necessarily talent) at the bottom.

Moments like these have allowed me to see some of my Greatest Hits performed by the best and the worst at once. Like when my discoveries, the Del Rubio Triplets, octogenarian identical triplets in miniskirts and go-go boots and of questionable musical prowess, performed “Neutron Dance” with The Pointer Sisters the very week the record was in the Top 10. I’m elated to report that the 21st night of September a couple of weeks ago was an opportunity for another such performance.

In walks Larry Dunn, original Earth Wind & Fire keyboard player extraordinaire who played on every single significant EWF hit, and Verdine White, cofounding member who’s still in EWF, greatest bass player who ever lived and the man who discovered me and brought me to the group back in 1978. And there’s Luenell, hysterical off-color comedienne who is literally the number one Earth Wind & Fire fan in the world. She carries their Greatest Hits CD with her wherever she goes and watches aEWF Collection DVD every day, swear to God. She’s been in love with Larry Dunn since she first caught sight of his perfectly carved Afro in the early 1970s.

Here are three 6 minute videos documenting one of the best times I’ve ever had in my life at a party. Part 1 is a set up, where Luenell meets her idols NI announced that anyone who has the balls to sing September with Earth Wind & Fire in the house is welcome to him. Part two is September and part 3 is Boogie Wonderland. I have video cameras going almost every minute of the day. It’s moments like they that would never translate unless you were there to see it that make me thankful I spend every dime I earn on tape, cameras and people to point them.

Last thing I’ll say here is to make sure and go to AWMoK.com, the reason everyone was here to celebrate and where so many people have gone to keep the party going

It was the 21st night of September, the opening line of my very first hit song as well as the date of the grand opening party at LA’s Ghettogloss celebrating the launch of AWMoK.com, The Allee Willis Museum Of Kitsch, my mini social network and ongoing exhibit of all things Kitsch. I am SO NOT the type to get up at a party and perform my own songs but this was the night that tradition broke.

As it was a special night in my musical history being “the 21st night of September” as well as a night to celebrate Kitsch with a kapitol K, I decided to let anyone who wanted to sing do bad karaoke versions of “September”. I also brought a bunch of rickety, thrift-shop-bought instruments with me – a knockoff Beatles Apollo bass with three strings, a 1981 Casio keyboard with 2 1/2 octaves and a missing middle C. key – just in case any of the famous musicians in attendance might want to play along, my style.

As any of you familiar with me know, I’m a massive fan of smooshing together very high and very low elements of art that most people would create, perform or perpetuate in very different spaces and times. But I live for those moments where the incredible thinking, technology and execution at the top collide with the passion, dedication and mixed results talent at the bottom.

Moments like these have allowed me to see some of my Greatest Hits performed by the best and the worst at once. Like when my discoveries, The Del Rubio Triplets, octogenarian identical triplets in miniskirts and go-go boots and of questionable musical prowess, performed “Neutron Dance” with The Pointer Sisters the very week the record entered the Top 10. I’m elated to report that the 21st night of September a couple of weeks ago was an opportunity for another such hi/lo performance.

In walks Larry Dunn, original Earth Wind & Fire keyboard player extraordinaire who played on every significant EWF hit, and Verdine White, cofounding member who’s still in EWF, greatest bass player who ever lived and the man who discovered me and brought me to the group back in 1978. And there’s Luenell, hysterical off-color comedienne who is literally the #1 Earth Wind & Fire fan in the world. She carries their Greatest Hits CD with her wherever she goes and watches the EWF Collection DVD every day, swear to God. She’s been in love with Larry Dunn since she first caught sight of his perfectly carved Afro in the early 1970s.

Here are three 6 minute videos documenting one of the best times I’ve ever had in my life at a party. Part 1 is the set up, where Luenell meets her idols and I announced that anyone who has the balls to sing “September” with Earth Wind & Fire in the house is welcome to do so. Part 2 is us doing “September” and Part 3 is “Boogie Wonderland”.

I have video cameras going almost every minute of the day. It’s moments like these that would never translate unless you were there to see them that make me thankful I spend every dime I earn on tape, cameras and people to point them.

Last thing I’ll say here is to make sure and go to AWMoK.com, the reason everyone came to celebrate and where so many people have gone to keep the party going ever since.

Part 1 – Getting ready to sing:

Part 2 – “September”:

Part 3 – “Boogie Wonderland”:

27Sep 2009

Allee Willis’ Kitsch O’ The Day – 1960’s Canadian Club Whiskey Pitcher

27Sep 2009

Allee Willis’ Kitsch O’ The Day – 1960’s Canadian Club Whiskey Pitcher

I’ve collected four of these porcelain pitchers from the late 1960s over the years. I’ve only seen this particular style with the casual, beaming Afro-endowed hostess on the front, never the matching male, so perhaps Canadian Club was making a pitch to the swingin’ middle-class lady set that things other than water and lemonade should be pouring out of their petite white pitchers.

I always liked that the blouse they chose for this hostess was so bold yet conservative, picking up enough of what they perceived as a ‘Right On/ That’s Soul, Baby!’ feeling but still looking like it could have been bought at any department store in the white suburban malls. 5-1/2″ high by 3-1/2″ high and made in the USA, at least Canadian Club’s sprang for printing the image on both sides of the pitcher. Nothing bothers me more in household accessories, especially things like glasses and pitchers where how you pick them up depends on whether you’re right or left-handed, when the image is only stamped on one side. Nothing less expressive for this the happy hostess who writes this blog then drinking out of something that is blank on the side exposed to the public. I’ve collected four of these porcelain pitchers from the late 1960s over the years. I’ve only seen this particular style with the casual, beaming Afro-endowed hostess on the front, never the matching male, so perhaps Canadian Club was making a pitch to the swingin’ middle-class lady set that things other than water and lemonade should be pouring out of their petite white pitchers.

I always liked that the blouse they chose for this hostess was so bold yet conservative, picking up enough of what they perceived as a ‘Right On/ That’s Soul, Baby!’ feeling but still looking like it could have been bought at any department store in the white suburban malls.

5-1/2″ high by 3-1/2″ wide and made in the USA, at least Canadian Club sprang for printing the image on both sides of the pitcher. Nothing bothers me more in household accessories, especially things like glasses and pitchers where how you pick them up depends on whether you’re right or left-handed, when the image is only stamped on one side. Nothing less expressive for the happy hostess who writes this blog then drinking out of something that is blank on the side exposed to the public.

24Sep 2009

Allee Willis’ Kitsch O’ The Day – Libby The Lovely Liberated Lady and the Black Power Statuette

24Sep 2009

Allee Willis’ Kitsch O’ The Day – Libby The Lovely Liberated Lady and the Black Power Statuette

Popular causes have always been prime breeding ground for Kitsch but none so powerful as the first wave of products that spin out of these Pop Culture phenomenon. Both Libby The Lovely Liberated Lady and the Do-It-Yourself Coloring Kit Black Power Statuette are two such statements from burgeoning Civil Rights movements in the 1960s and ’70s when these folks were expressing themselves freely among the masses for the first time.

Unintentionally Kitsch, the best kind, these qualify as Kitsch treasures for two different reasons. Libby because she took on THE characteristic of the oppressor she was attempting to free herself from and the Black Power Statuette because whoever his product manager was was too cheap to spend the extra pennies to add a little tan color to the resin. Power to the Kitsch people!

17Aug 2009

Allee Willis’ Kitsch O’ The Day – Touch O’ Soul Pantyhose

17Aug 2009

Allee Willis’ Kitsch O’ The Day – Touch O’ Soul Pantyhose

Touch-o-Soul-pantyhose_3094

Yes, the name and graphic are fantastic but couldn’t they have spent a little more time thinking about their target customer before they named the shade “Off Black”?! I’m pretty sure what shade the marketing guy at the Standard Hoisery Co. of Brandon, Miss. was… Not to mention that ‘pantyhose’ is one word.

27Jul 2009

Allee Willis’ Kitsch O’ The Day – Missing Male Model Afro Comb

27Jul 2009

Allee Willis’ Kitsch O’ The Day – Missing Male Model Afro Comb

afro-comb-cornell-freedom-FULL_2940

Anyone see the male model who was supposed to show up for that Afro Comb photo shoot? The Freedom Comb by Cornell was anything but for this poor guy who thought he was getting his big break here. Wouldn’t want to have been around when that free case of combs they promised him in his contract arrived. The packaging boasts “Guaranteed Forever” but forever will have to wait for this brokenhearted mystery man.

Previous Kitsch O’ The Day models missing in action:

Anyone see the male model who was supposed to show up for that Afro Comb photo shoot? The Freedom Comb by Cornell was anything but for this poor guy who thought he as getting his big break here. Wouldn’t want to have been around when that free case of combs they promised him in his contract arrived. The packaging boasts “Guaranteed Forever” but forever will have to wait for this mystery man.

Other Kitsch O’ The Day models missing in action:

24Jul 2009

Allee Willis’ Kitsch O’ The Day – Black Pride Beer

24Jul 2009

Allee Willis’ Kitsch O’ The Day – Black Pride Beer

black-pride-beer3

Debuting in 1969, Black Pride Beer was was concept first – “A Beer As Proud As Its People” – and beer second. Black Pride was the brain child of Edward J. McClellan, then Urban Program director of the NAACP in Chicago where the hope was that brewing the beer would pump the pride and stimulate the economy of black communities nationwide starting with Chicago’s south side where a large segment of the Black population lived.

Black Pride may have stopped brewing in 1972 but Black pride has thankfully lived on.

From the December 1969 edition of Brewers Digest:

For A Brighter Future… Black Pride, Inc., in the best tradition of the free enterprise system, seeks to provide a means of … achievement for its stockholders as well as for its employees and for those with whom it does business. At the same time, as an economic institution within the black community, Black Pride, Inc., hopes by the example of its success to reveal to blacks the ability of the free enterprise system to measure to their needs if they are willing to measure to its demands. Further, as an economic institution within the black community, and with its stockholders and employees being members of that community, more revenue in the form of profits, dividends, salaries and wages will be available for the assumption of greater local responsibility for community services and improvement. Finally, and here the marketing implications are obvious as well, the promotion of a Black Pride product intrinsically involves the promotion of the idea of blacks having pride in themselves and the necessity of personal effort and involvement if that pride is to be justified.”

Debuting in 1969, Black Pride Beer was was concept first – “A Beer As Proud As Its People” – and beer second. With the hope of pumping pride and stimulating the economies of black communities nationwide, Black Pride was the brainchild of Edward J. McClellan, then Urban Program director of the NAACP in Chicago, whose south side where a large segment of the Black population lived was the first community served.

From the December 1969 edition of Brewers Digest: For A Brighter Future… Black Pride, Inc., in the best tradition of the free enterprise system, seeks to provide a means of … achievement for its stockholders as well as for its employees and for those with whom it does business. At the same time, as an economic institution within the black community, Black Pride, Inc., hopes by the example of its success to reveal to blacks the ability of the free enterprise system to measure to their needs if they are willing to measure to its demands. Further, as an economic institution within the black community, and with its stockholders and employees being members of that community, more revenue in the form of profits, dividends, salaries and wages will be available for the assumption of greater local responsibility for community services and improvement. Finally, and here the marketing implications are obvious as well, the promotion of a Black Pride product intrinsically involves the promotion of the idea of blacks having pride in themselves and the necessity of personal effort and involvement if that pride is to be justified.”

Black Pride may have stopped brewing in 1972 but Black pride has thankfully lived on.

09Jul 2009

Allee Willis’ Kitsch O’ The Day – Talking Julia Doll

09Jul 2009

Allee Willis’ Kitsch O’ The Day – Talking Julia Doll

julia-in-box2

In 1968, not only did Julia become the first African American career woman on television but Diahann Carroll became the first African American lead ever in a TV series. Although it was dismissed by some for not being political enough and reflecting a more radical Civil Rights stance, Julia ran for 86 episodes and finally broke the color barrier on television.

I loved Julia most for all the memorabilia it spawned. I have the pull string talking doll shown here, the 3’x4′ promo poster that accompanied it’s release in 1970, three Viewmaster reels, Colorforms and four lunchboxes.

There’s another version of the doll called Julia Twist that comes dressed in a less elegant dressed in a nurses uniform and with a turnable waist. I used to own her but I twisted her too far and now am left with only upper Julia and lower Julia. Additional outfits, all Barbie fashions, had names like Brrr-Furrr, Candlelight Capers, Leather Weather, Pink Fantasy and Leather Weather and could be added to both Julia dolls, turning the reserved medical assistant into a bumpin’ party gal.

In 1968, not only did Julia become the first African American career woman on television but Diahann Carroll became the first African American lead ever in a TV series. Although it was dismissed by some for not being political enough and reflecting a more radical Civil Rights stance, Julia ran for 86 episodes and is credited with breaking the color barrier on television.

I loved Julia most for all the memorabilia it spawned. In addition to the pull string talking doll I have the 3’x4′ promo poster that accompanied it’s release in 1970, three Viewmaster reels, Colorforms and four lunchboxes.

There’s another version of this doll called Julia Twist that turns at the waist and comes with a very elegant wardrobe. I used to own her but I twisted her too far and now am left with only upper Julia and lower Julia. The outfits, all Barbie fashions, had names like Brrr-Furrr, Candlelight Capers, Leather Weather and Pink Fantasy and could be added to both Julia dolls, instantly turning the reserved medical assistant into a bumpin’ party gal.

Brrr-Furrr red: Candlelight Capers:

07Jul 2009

Allee Willis’ Kitsch O’ The Day – Michael Jackson Jigsaw Puzzle

07Jul 2009

Allee Willis’ Kitsch O’ The Day – Michael Jackson Jigsaw Puzzle

michael-jackson-puzzle2_8037

Titled ‘A Shining Star’, this 24″x18″ Colorforms puzzle, 500+ pieces, allowed you to assemble MJ’s red leather Thriller outfit and face at its best. Ultimately, the biggest puzzle of Michael’s life may be how he died but when this jigsaw puzzle came out in 1984, as again now, there’s no mystery as to why he was the biggest Popstar in the world. R.I. P. M. J.

06Jul 2009

Allee Willis’ Kitsch O’ The Day – Billy Dee Williams Colt 45 Lighted Sign

06Jul 2009

Allee Willis’ Kitsch O’ The Day – Billy Dee Williams Colt 45 Lighted Sign

billy-dee-wiliams-colt-45-sign

Though slightly past his prime 70’s days and seemingly a bit more sophisticated than the malt liquor he endorsed, Billy Dee Williams stayed finely oiled by downing the guaranteed-to-make-your-brain-spin Colt 45 in the 1980’s. He took much criticism for his association with the king of malt liquors but made a kwintessential Kitsch komment when he rebuked his kritics with “I drink, you drink. Hell, if marijuana was legal, I’d appear in a commercial for it.” I’ll have 40 ounces now, please.

30Jun 2009

Allee Willis’ Kitsch O’ The Day – Farrah Fawcett Creme Rinse and Conditioner

30Jun 2009

Allee Willis’ Kitsch O’ The Day – Farrah Fawcett Creme Rinse and Conditioner

farrahconditioner11

Anything that took off as fast as Farrah’s hair did when Charlie’s Angels debuted in 1975 – 80% of females on earth immediately sheared their manes into replicas – insured immediate Kitsch Kollection status for all products released in association with the legendary locks. Although no one’s hair could have been further from Farrah’s than mine, I bought this bottle of Farrah Creme Rinse/Condtioner by Faberge the day it hit the shelves in 1978. I never intended to open it but a tragic haircutting mistake forced me to pop the cap and see if its magic powers worked.

This was in 1983. I had finally decided to chop down my middle-of-the-back length hair and the hairdresser, who I had never been to before, chose to give me a Farrah. Unfortunately, this was years past when it was hip to have all the little feathers and wisps that marked that haircut. Appalled that my heretofore trademark long curly hair was replaced with such a dated and and, at that point, conservative look I tried the conditioner praying it would somehow force my hair to match my head as well as Farrah’s matched hers.

When that didn’t work I locked myself in my house for thirty one days and every day cut a little more off one side of my hair thinking I would stumble on the ideal length and then cut the other side to match. As anyone who’s seen me in the 26 years since knows, I never committed and the lopsided experiment became permanent. Sometimes I read where people describe my hair as 80’s asymmetrical but to me it’s Farrah asymmetrical all the way.

Years later I met Farrah at a mutual friend’s house. She was really funny and incredibly nice. When she told me that she loved my hair I regaled her with the story of how it came to be. It made the biggest hair trauma of my life all worth it because I got to discuss The Farrah with Farrah.

R.I.P. Farrah Fawcett.