Allee Willis Blog » Songwriting

21Sep 2010

Allee Willis’ “The 365 Days Of September” – Day 1, September 21, 2010

21Sep 2010

Allee Willis’ “The 365 Days Of September” – Day 1, September 21, 2010

People always ask me what my favorite song I’ve written is. I hate to favor any of the babies but pound for pound I’d have to shout “September”! I think it’s an eternally uplifting song. It makes people HAPPY, not just with a capital H but ALL CAPS!! I write a lot of happy songs but even perennial foot tappers like “Neutron Dance” and “Boogie Wonderland” don’t inspire the immediate mood shift that “September” does. I’ve never been in a room where people’s toes didn’t start tapping or heads start bobbing as soon as it comes on. I’ve never been to a Bar Mitzvah or wedding where it wasn’t played, including Beyonce and Jay-Z’s, where I wasn’t but learned from US Weekly that that’s what they danced their first dance to. And they didn’t even get married in September.

Without question, the original Earth Wind & Fire version is and will always be my favorite.

With EWF founder and lead singer, Maurice White, and EWF guitarist, Al McKay, I started writing “September” the first day we met, in the summer of 1978. It was actually written as the third song in a trilogy that Maurice and Al had already created, EWF’s “Sing a Song” and The Emotions’ “Best of My Love”, two of my favorite Pop Soul records of all time.

Although most of the music to “September” was completed that first day, it actually took a couple months to finalize the lyric, during which time I was also working with Maurice on all but two songs that became their (thankfully) legendary crossover album, I Am.

I used to be hung up that the “September” lyric was a little sing-songy, not the most intelligent I’d written. But seeing the effect it has on people I’m happy I took Maurice’s advice: Never let a lyric get in the way of the groove. If a lyric isn’t grammatically correct or even if it’s nonsensical – like the key words in the “September” chorus, “Ba-de-ya” – don’t replace it with something that is. If you marry the lyric to the music just right, the meaning will come across in the feel. I have no doubt that the love expressed in the chorus of “September” comes across even better with this nonsensical phrase than it would have had we merely filled those syllables with “I love you”.

The first time I ever went on YouTube just months after it launched in 2005, there were already tons of versions of the song there. Over the years I’ve watched “September” videos multiple like rabbits, some good but mostly a little on the lame side – Bad bar bands, jazz bands, marching bands, people in their living rooms, bathrooms, underwear, at auditions, dance classes, birthday parties, on lawns, mountaintops, in line dances, in lines at stores, playing solo bass, drum, keyboard and guitar parts, making animations and short films with it, in all varieties of languages, styles and quality.

Most songwriters are tortured when they hear cheesy versions of their work. As the Grand Master of Kitsch however, I LOVE it. I love that something I’ve created inspires someone to perform it despite an apparent lack of talent or rhythm. If it makes them happy it makes me happy.

And, trust me, this is a song that’s still making me happy. In one of my YouTube searches I stumbled onto Pomplamoose, a band that completely deconstructed the song and did it so distinctively I suggested we work together. The resulting “Jungle Animal” song, video and game went live TODAY.

But back to “September”… 1978 wasn’t the first time I placed my bet on a song that glorified September. Four years earlier, my first and only album, Childstar, came out on Epic Records. It contained the first 10 songs I ever wrote. The tune the label thought had the most single potential was called “What Kind of Shoes Does September Wear?”.

Although my career didn’t get off to the running start I had hoped it would then, I’d have to say that, in retrospect, September did, indeed, have some very nice shoes!

A few nights ago I went back on YouTube to see if any new versions of “September” had been done. To my astonishment, it was like the song had In vitro and gave birth to enough versions that if I played one a day for a year I would never run out. So I made it a goal to chronicle the madness. From this day forth, the 21^st of September, the date in the opening line of the song, until the 21^st of September, 2011, I shall feature one (brilliant, alarming, innovative, ridiculous) version of the song a day.

So here now, I offer you the most definitive version of all, the Godhead, “SEPTEMBER” by EARTH, WIND & FIRE on this, the 21st day of September, 2010, the first of 365 days of September. It pretty much goes downhill from here…

Badeya!

21Sep 2010

Allee Willis’ Kitsch O’ The Day – The 21st Of September Jubilee!

21Sep 2010

Allee Willis’ Kitsch O’ The Day – The 21st Of September Jubilee!

Because the opening line of my very first hit song, “September” by Earth, Wind & Fire, is “Do you remember the 21st night of September?” I constantly get asked the significance of that date, the very day it is TODAY. People are always looking for some great meaning, especially those whose birthdays are today and to whom the song has held a special place. Sad to say, the only real significance is that that it felt so perfect to sing. Those three syllables – twen-ty-first – hugged those notes tighter than an angora sweater and once that happens any good songwriter knows they need to just leave it alone because it works. What I’m most proud of achieving with my co-writers, Maurice White and Al McKay, is the transformative effect the song seems to have on people. I could be at a funeral and if “September” even came on as a ringtone most people’s lips would curl into a smile and their toes would automatically start to tap. Beyoncé and Jay-Z even chose it to dance their first song to at their wedding. And that makes me very happy.

Ever since the song was released at the tail end of 1978, September 21st has been a magic date for me. In the pre-email/text days when I used to check my phone, the messages would be filled with people singing me the song. Some of the singers were famous and the versions were killer. Sometimes it was my dentist or a friend from camp and the versions were terrible, just the way, as a lover of kitsch, I love them.

Through the years, the popularity of “September” seems to grow, so much so that the entire month of September has started to feel like a holiday to me, especially this year when it started with Earth, Wind & Fire playing “September” with a 70 piece orchestra and fireworks at The Hollywood Bowl. So, I’ve decided to honor this date that has given me so many gifts with a few gifts of my own:

• First, the release of my “Jungle Animal” video/song with Pomplamoose, a YouTube sensation band I contacted to work together after I saw their version of “September”, with over 2,000,000 views on YouTube. Now would be a good time to watch “Jungle Animal”:

• Second, the matching “Jungle Animal” music composition game I designed and that’s ready for your jungle playing pleasure right now at https://www.alleewillis.com/music/pomplamoose/jungle-animal-player.php

• Third, in celebration of the one-year-to-the-day opening of my social network, The Allee Willis Museum of Kitsch at AWMOK.com, The Jungle Animal Petting Zoo is now open, featuring some of the most cheesy and brilliant jungle animal artifacts on the planet.

• And fourth, the launch of “The 365 Days of September”, where I’ll post one new version of “September” a day for a year from the thousands of insane versions of it on YouTube.

And I JUST found out that September will continue into October for me as The University Of Wisconsin Marching Band will play my songs at the Homecoming football game on October 9th and I’ve been asked to conduct! As some of you know, UW is my alma mater. And I LOVE marching bands. And even more pertinent on the kitsch tip, despite the fact that I’ve sold over 50,000,000 records and counting, I still don’t know how to read a stitch of music. So I anticipate that conducting the band in front of 80,000 people is going to be one of the seminal kitsch moments of my life!

So to all of you on this September 21st I say thank you and wish you a big “Ba-de-ya!”. May you all have nothing but”golden dreams and shiny days”.

19Sep 2010

Allee Willis’ Kitsch O’ The Day – 1960’s Lighted Kosher Sign and Breaking The Fast In Hollywood

19Sep 2010

Allee Willis’ Kitsch O’ The Day – 1960’s Lighted Kosher Sign and Breaking The Fast In Hollywood

kosher-sign_5456

One of the most festive nights of the Jewish year is the ‘breaking of the fast’ meal after Yom Kipper, a veritable smorgasbord of chopped liver, corned beef, brisket, potato latkes, noodle kugel and whatever else there’s room for on the table. Trust me, after not eating for 24 hours the Chosen People are hungry! Although this “kosher” sign hangs happily at Willis Wonderland, mine is not the house that one wants to eat at on a night such as this. As such, I’m very lucky that I have a Break-The-Fast itinerary that I stick to like schmaltz (chicken fat) every year and head over to four hamish (friendly, folksy) friends whose houses are are stuffed with machers (big shots) and even some meshugehs (crazy, nuts people) to schmoose with (talk socially, network) while we nosh (eat) like chazzers (pigs).

For our first stop, Prudence Fenton and I hit Marla and Jeff Garlin’s house. You know Jeff from Curb Your Enthusiasm.

Sadly, I have no photo with Marla, probably because I was too busy fressing (pigging out) every time she was around. It is so NOT KOSHER to only take a photo with one of your two hosts…

Sometimes the baleboosteh (mistress of the house) serves you bagels and lox and sometimes there’s some nice deli platters. But if Az a yor ahf mir (you should be so lucky) to be invited over to the Garlins to replenish your pupik (stomach) after it’s 24 hour lockout, the shtetl (village or small town) sitting on their dining room table includes corn beef, roast beef, turkey, three kinds of noodle kugel, mac and cheese – thank you for that extra goyish (not especially Jewish) bonus – bagels, lox, cream cheese, cream cheese with chives, three kinds of sliced cheeses, tomatoes, onions, dill pickles, black olives, whitefish salad, tuna salad, egg salad, fruit salad, salad salad, coleslaw and that’s just how far I got down the table before my plate was full.

More noshes (snacks) were still coming out when we had to leave after a couple of hours because we had another simcha (joyous occassion) to schlep (get) to.

The next amazing nachas (extreme joy or pleasure) food fest was at Barry Mann and Cynthia Weil’s, two of the most balebatim (people of high standing) songwriters on the planet. Being with them makes a songwriter such as myself kvell (explode with joy). As songwriters go, Barry Mann and Cynthia Weil are EXCESSIVELY KOSHER.

Not only are they real mensches (people of integrity and honor), they’ve written some of the biggest gelt (money) earning songs in the eretz (land). For forshpeiz (appetizers): “You Lost That Lovin’ Feeling” – the #1 most played record of all time, – “On Broadway,” “We Got To Get Out of This Place”,”Uptown” and hundreds of more titles everyone would agree are HIGHLY KOSHER.

In 1992, Barry and Cynthia were over at my place for a distinctively non-kosher meal when they came to a simcheh (joyous occassion) where I asked guests to come dressed matching their potluck food. They brought and came oysgeputst (dressed up) like Blackeye Peas.

Although I was already too stuffed from the tsegalt zich in moyl (melts in the mouth, delicious, yummy-yummy) meal over at the Garlins, I did manage to kibitz (fool around with) with another songwriting maiven (expert, connoisseur) at Barry and Cynthia’s, Mike Stoller.

Mike Stoller is truly a KOSHER TO THE MAX songwriter, a choshever mentsh (elite and respected man of worth), one half of the rock ‘n roll dynasty team of Lieber and Stoller. If you’re going to write songs and you’re not Barry and Cynthia and you don’t want to chop your hair off on one side and be me I would suggest being Mike Stoller. A few of his early megillehs (big deals) include chachkes (little things) like “Hound Dog,” “Kansas City,”“Stand by Me,” “Charlie Brown,” and “On Broadway”, written with Barry and Cynthia. Mazel Tov (good luck has occured)!

All in all, I had a very frallech (fun) Breaking of the Fast and rolled home feeling like a big happy kishka (stuffed intestine). We didn’t dance the Hora (traditional joyous Jewish dance) but we carried on like we were boogieing in the Borscht Belt (Hotels in the Catskills with Jewish entertainers and clientele) on the ultimate KOSHER evening of all kosher evenings and one from which I’m still plotzing (exploding from excitement, as in “You got us tickets for Barbra’s comeback concert?? I’m plotzing!)

23Aug 2010

Allee Willis’ Kitsch O’ The Day – “Maestro The Musical Bingo” Game and Working with Pomplamoose

23Aug 2010

Allee Willis’ Kitsch O’ The Day – “Maestro The Musical Bingo” Game and Working with Pomplamoose

Musical-Bingo-game_2122

This game felt especially fitting because it’s supposed to teach you how to play by ear. Not only did I never learn to play by ear but I never learned to play period. Which makes the fact that my songs have sold over 50 million records a very kitschy thing indeed! I don’t suppose this game will help me, though, as there are no instructions included. I was never good at following instructions with anything anyway which is why just about everything I do is so spontaneous and free form. Which is what I loved about Pomplamoose when everyone started sending me links to their version of my song,“September”. I sent them a message and asked them if they wanted to write something together, something I never do, but I thought they were so fresh and casual and inventive that it would be a good match. From the looks of their videos it looked like they already knew what this game had to teach.

A few weeks later in late December, 2009, Jack and Nataly, a.ak.a. Pomplamoose, drove down from Northern CA. and we knocked out the healthy beginnings of six songs, shooting footage for the videos as we recorded.

We spent three more days together up north in June and are in the midst of a whirlwind day and half as we speak. We have three videoSongs about ready to pop out of the oven, all of which I’m very excited about. They’re a fantastic blend of the similar in spirit yet very different styles we have.

If we took any breaks, which we don’t, I might try and figure out how to play “Maestro The Musical Bingo”. But I’ve always been able to keep up just by banging pencils together and humming into one of the four digital recorders and two cell phones that are always on me and singing higher than the illegitimate child of a BeeGee and a chipmunk.

One of the greatest kitsch aspects of “Maestro The Musical Bingo” is that in one place it says it was made in 1939 and in another 1940.

I find trying to learn anything that involves any kind of math memorization hard enough without starting off with a teacher who is so confused as to not know their correct date of birth. But I can deal with this inconsistency because I’ve done pretty well not going by hard numbers or knowing the rules. So I think my involvement with “Maestro The Musical Bingo” is just to admire how pretty it is and let it sit here staring at me in my recording studio…

I will concentrate much more on writing great songs and doing great videos and, in the case of our first Pomplamoose with Allee Willis release, “Jungle Animal”, designing a spectacularly cagey and musical online music game and contest that will launch right before “Jungle Animal” comes out. This will hopefully be within a few weeks, whenever we can finish enough to put the puppy, or lion as it were, out there.

In the meantime should I find a spare a second I might try moving a few markers around and attempt to learn the names of the keys that my fingers fall on as I poke out tunes that come into my head. I doubt that I will make it far into the jungle known as musical theory but the important part is that whatever little animals I hum turn into songs and find their own way out of the jungle. Thus far I have led a pretty successful Safari, with or without a guide to assist me.

22Jun 2010

Allee Willis’ Kitsch O’ The Day – AMI JukeBox Tip Tray

22Jun 2010

Allee Willis’ Kitsch O’ The Day – AMI JukeBox Tip Tray

jukebox-tray_2132

A petite 4″ x 6″, this little metal tip tray was a promotional item given away in the 1950’s by the AMI corporation to celebrate their massive line of exclusive multi-Horn, high fidelity sound system jukeboxes. It’s been sitting in my recording studio collecting guitar picks for as long as I can remember after originally being brought in as a drink coaster after I ruined several keyboards with an avalanche of Diet Coke, Yoo-hoos and decaf.

Sunday night I was in Sonoma, CA. writing with Pomplamoose. We were shooting to finish three songs in four days. The work never stopped even when we went out to dinner as is evidenced by my little digital recorder that was on for four solid days capturing every thought and breath we had.

But when it came time to pay the check I reached out to lay the tip down and knocked over a bowl of lentils, dousing the recorder with a river of Indian goo. So every time I went to record after that I had to push down extra hard on the buttons to break through the crust that seeped into and dried in the recorder. If only the AMI JukeBox Tip Tray had been there so there was a nice designated and protected area to deposit the gratuity I would still have a recorder that didn’t smell like Bombay.

17Jun 2010

Allee Willis’ Kitsch O’ The Day – Vintage Bongos & Pomplamoose

17Jun 2010

Allee Willis’ Kitsch O’ The Day – Vintage Bongos & Pomplamoose

bongos-pearlized-white_6729

These 1950’s bongos with pearlized crushed ice wrap and heavy chrome hardware have been beaten on just about every song I ever wrote. If it weren’t for their bone crushing girth they would be in my suitcase right now as I’m on my way up to northern CA. to finish six songs with Pomplamoose.

Despite having sold over 50 million records I still have never learned how to play, which always makes for a very interesting experiment when I collaborate. It’s rare that I leave my own studio and the over 500 percussion instruments that are in there because the easiest thing for me to do when I hear a melody in my head or some kind of repetitive lyric is to walk over to something like these bongos and start filling in rhythm.

I was drawn to Pomplamoose when I heard them do my song “September”.

I’ve seen trillions of versions of this song and no one gets within a continent of Earth Wind & Fire. But Pomplamoose dissected that thing like a frog and reconstructed something inventive and fun so I did what I never do, I tracked them down and asked if they wanted to make records together.

We got together for four days in December and got great starts on six songs, filming for the videos as we went.

I’m completely spontaneous. I don’t really plan anything when it comes to music or art. I just go with the first thing in my head or under my fingers which are usually these bongos and songs start to build from there.

I video everything and Pomplamoose videos every final take. Between all of us we had 40 hours of footage at the end of the four days.

I’m only taking one of my three HD cameras this trip but there’s also tripods to lug, plus enough tapes to let the camera roll for three days, 3 still cameras, my MacBook, iPad, 2 mobile phones, 6 travel drives, three digital tape recorders, cords for every conceivable configuration, not to mention my clothes – I’m not the type who can wear one outfit for three days despite the fact that I’ll never be leaving the studio. My one regret is that there’s no room for the sacred bongos to come along.

13May 2010

Allee Willis’ Props O’ The Day – Bye Bye, Jerrie Thill…

13May 2010

Allee Willis’ Props O’ The Day – Bye Bye, Jerrie Thill…

jerrie4

I just got the news that Jerrie Thill, the 91-year-old female drummer on an oxygen tank who I did my song and video, “Hey Jerrie”, with in 2009, passed away last night. She was a killer drummer and an astounding spirit, albeit a slightly deflated one over this past year since she broke her hip and was no longer able to play. We became great friends after I met her in 2008 during one of her regular Sunday gigs at El Cid.

Jerrie was the hardest working woman in show business, smacking the drums since being discovered in the midwest by one of the Capone boys during Prohibition.

Eventually Jerrie moved to Hollywood in 1945 to be the bandleader at The Flamingo, a drag club on Sunset owned by Myron Cohen.

She gigged constantly ever since, doing all kinds of dates including appearances on shows like The Golden Girls with her then band, The Dixie Belles, until her hip injury which happened just a few months after “Hey Jerrie” came out. The video caught on fire on YouTube and at one point was even the 12th most viewed video in the world. With no promotion it’s gotten almost a quarter of a million views, a source of great happiness to Jerrie and mandatory viewing for anyone who walked into her house or hospital room. If you haven’t seen it please watch it now as a way of paying tribute to this fine, ever-foxy lady who smacked the skins like no other.

I’m happy to say that Jerrie was sharp all the way to the end. She loved to gossip and talk about music which we did frequently.

She did one final performance at El Cid after her hip broke.

I was set on re-cutting my song “Neutron Dance” with her, the jungle drumming on that being something that Jerrie could do in style, and getting The Pointer Sisters to sing backup on the record. I reassured her that in this day and age we could cut one drum at a time but I think she couldn’t deal with the fact that she had slowed down at all so it sadly never happened.

I’ll miss Jerrie a lot but am heartened by the fact that she knew it was her time to go and that she can make a lot more ruckus up there, free from injury and age. I’m assuming she’s playing her signature song, “When You’re Smiling”, right now.

For more essential Jerrie hit these links:

https://www.alleewillis.com/woa/jerriethill/index.html

https://www.alleewillis.com/music/jerrie-thill/index.html

03May 2010

Allee Willis’ Kitsch O’ The Day update – Disco suitcases temporarily retired

03May 2010

Allee Willis’ Kitsch O’ The Day update – Disco suitcases temporarily retired

My trip was postponed for a month so the suitcases on are back in the closet and the percussion is resting nicely in its regular bed.

Pomplamoose tunes are so hot and I hate to dial it back to simmer but all will be boiling in June when we get together and pick up where we left off in December.

Today I spent all day watching tv because no one knew I was home.

03May 2010

Allee Willis’ Kitsch O’ The Day – 1970’s Disco Suitcase Set & Pomplamoose

03May 2010

Allee Willis’ Kitsch O’ The Day – 1970’s Disco Suitcase Set & Pomplamoose

disco-suitcases_2234

I’m supposed to be traveling today but won’t know if I’m going until a couple hours before the flight due to complications on my collaborator’s side. I’m not the world’s most eager traveler to begin with but having a suitcase that makes me smile every time I look at it sure helps if one is of the nature that their traveling psyche can be affected by aesthetics.

In three weeks I’m throwing a party/AIDS Project of LA fundraiser to introduce the Kitsch Pop art of John Lloyd Young, to whom the musical I co-wrote, The Color Purple, lost the Tony to the musical in which he starred and won a Tony for, Jersey Boys.

None of which is relevant at all to the Disco suitcases or Pomplamoose, who I’m supposed to be recording with should I actually get on the plane today, other than the chances of me leaving town before the party if I don’t leave this week are grim. But I love working with Pomplamoose and keeping my Disco suitcases packed will keep the flame burning under the pieces of six songs we wrote and recorded together back in December and have been trying to finish ever since.

I first saw Pomplamoose on YouTube when they did my song, “September”.

I’ve seen trillions of versions of “September” and no one gets within a continent of Earth Wind & Fire (where my percussion obsession began and what gave me a permanent seat in the vortex of Disco). But Pomplamoose dissected that thing like a frog and reconstructed something inventive and fun so I did what I never do, I tracked them down and asked if they wanted to make records together.

I’m a percussion freak and the rhythmic places Pomplamoose goes is very exciting when one thinks about all the pockets a percussion crazy person like me can drop sonic seasoning into. So here’s what my Disco suitcases are packed with for my trip:

I loved and still love Disco, not at all a Pomplamoose thing but very much an Allee influence when when thinking about making great Pop records. An incredibly amped and happy state of mind fueled by music that melodically and rhythmically is the equivalent of 48 sets of little feet attached to your heart and racing you over the finish line of Pop Soul.

Disco, and my suitcases as representatives of it, still make me feel good even if I don’t feel good about not knowing whether I’m traveling or not today. We shall arrive whenever the time is right and pick up on the exact bass note we left off on. Of that you can be sure!

disco-suitcases_2240 that

05Apr 2010

Allee Willis’ Kitsch O’ The Day – ‘Real Silk’ with Real, Chance & Luenell

05Apr 2010

Allee Willis’ Kitsch O’ The Day – ‘Real Silk’ with Real, Chance & Luenell

real silk_6239

Anyone who knows me knows I love Reality TV. Of all the contestants on all the nutty dating shows I went especially nuts over Chance and Real, aka Ahmad and Kamal Givens aka The Stallionaires, real-life brothers and finalists 2 and 3 on season one of VH-1’s I Love New York. I liked them so much that I co-wrote and co- produced the theme song, “Does She Love Me”, to their spin-off VH-1 show, Real Chance of Love, with them and younger brother, Micah.

As trillions of young girls will tell you, Real is known for his long silky locks.

So much so that last week he launched his Real Silk line of hair care products at the salon that bears his name in Long Beach.

After an hour of tooling up and down Lakewood Blvd. trying to make sense of the googlemap directions I finally made it to the salon minutes before the opening was over where I was meeting my fabulous friend and Borat hooker, Luenell.

Normally I would have been pissed arriving this late anywhere but I was very happy to find this giant bunny building while I was busy being lost.

These are four of the funniest people I know. And we all have great hair.

You can too if you pop down the coin for a bottle of this: