tiki-mug-bali-Hai_2932

Nothing better on a Sunday than to lay back sucking on Mai Tais, Fog Cutters, Shirley Temples or whatever else you want to fill this vintage Mr. Bali Hai Tiki mug with. Custom made for the Bali-Hi Restaurant in San Diego, CA. and patterned after the 6′ tall Mr. Bali Hai sculpture that greeted diners at the front door, these 6.5″ x 4.25″ mugs are the Big Kahuna of Tiki mugs, larger than most with a top of the head lid and holes for two straws for maximum Romantic imbibing.

Manufactured by Otagiri Mercantile Company, there are matching salt & pepper shakers as well as newer repro shot glasses.  All eight of my Mr. Bali Hais are full size and original.

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black-pride-beer3

Debuting in 1969, Black Pride Beer was was concept first – “A Beer As Proud As Its People” – and beer second. Black Pride was the brain child of Edward J. McClellan, then Urban Program director of the NAACP in Chicago where the hope was that brewing the beer would pump the pride and stimulate the economy of black communities nationwide starting with Chicago’s south side where a large segment of the Black population lived. 
Black Pride may have stopped brewing in 1972 but Black pride has thankfully lived on.
From the December 1969 edition of Brewers Digest:
For A Brighter Future… Black Pride, Inc., in the best tradition of the free enterprise system, seeks to provide a means of … achievement for its stockholders as well as for its employees and for those with whom it does business. At the same time, as an economic institution within the black community, Black Pride, Inc., hopes by the example of its success to reveal to blacks the ability of the free enterprise system to measure to their needs if they are willing to measure to its demands. Further, as an economic institution within the black community, and with its stockholders and employees being members of that community, more revenue in the form of profits, dividends, salaries and wages will be available for the assumption of greater local responsibility for community services and improvement. Finally, and here the marketing implications are obvious as well, the promotion of a Black Pride product intrinsically involves the promotion of the idea of blacks having pride in themselves and the necessity of personal effort and involvement if that pride is to be justified.”

Debuting in 1969, Black Pride Beer was was concept first – “A Beer As Proud As Its People” – and beer second. With the hope of pumping pride and stimulating the economies of black communities nationwide, Black Pride was the brainchild of Edward J. McClellan, then Urban Program director of the NAACP in Chicago, whose south side where a large segment of the Black population lived was the first community served. 

From the December 1969 edition of Brewers Digest:      For A Brighter Future… Black Pride, Inc., in the best tradition of the free enterprise system, seeks to provide a means of … achievement for its stockholders as well as for its employees and for those with whom it does business. At the same time, as an economic institution within the black community, Black Pride, Inc., hopes by the example of its success to reveal to blacks the ability of the free enterprise system to measure to their needs if they are willing to measure to its demands. Further, as an economic institution within the black community, and with its stockholders and employees being members of that community, more revenue in the form of profits, dividends, salaries and wages will be available for the assumption of greater local responsibility for community services and improvement. Finally, and here the marketing implications are obvious as well, the promotion of a Black Pride product intrinsically involves the promotion of the idea of blacks having pride in themselves and the necessity of personal effort and involvement if that pride is to be justified.”

Black Pride may have stopped brewing in 1972 but Black pride has thankfully lived on.

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sock-it-to-me-bottle-ashtray_9434

These squished beer and soda bottles were all the rage in the late 60’s when the phrase ‘Sock It To Me’ crossed the color line to become the reigning colloquialism of the era. I have tons of  ‘Sock It To Me’ memorabilia as well as squashed and stretched bottle art but none so perfect as this smokeables receptacle made by Houze Art, USA.

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coppertone_7459

I used to spray this stuff on me like it was water, lay out in the sun until my skin was crisper than fried chicken and walk around all summer looking like a red patent leather purse. it was the desired toasted-by-the-sun-look for a Midwest girl in the Prehistoric 60’s when we thought sun was good and supertan and sunburnt were the most popular summer colors. Coppertone was the ONLY name in sun care products and spraying was the speed junkie route to stylish toasty flesh. No messy creme between your fingers, no sandy caps to screw back on so the next time you squirt some out it’s not like rubbing sandpaper on your burnt skin.
Coppertone hit the market in 1944. The original logo was an American Indian chief in feather headresss with matching “Don’t be a paleface” slogan. That was deemed politically incorrect in 1953 and the little trademark pin-up girl with snapping dog logo was born to replace it. When that illustration was lost in a fire the more familiar one you see on the can here was drawn in 1959 by Joyce Ballantyne Brand who won a contest to get the gig using her daughter Cheryl as the model. 
Jodie Foster made her acting debut at 3 in a tv commercial as the Coppertone girl.

I used to spray this stuff on me like it was water, lay out in the sun until my skin was crisper than fried chicken and walk around all summer looking like a red patent leather purse. It was the desired toasted-by-the-sun-look for a Midwest girl in the Prehistoric 60’s when we thought sun was good and supertan and sunburnt were the most popular summer colors. Coppertone was the ONLY name in sun care products and spraying was the speed junkie route to stylish toasty flesh. No messy creme between your fingers, no sandy caps to screw back on so the next time you squirt some out it’s not like rubbing sandpaper on your burnt skin.

Coppertone hit the market in 1944. The original logo was an American Indian chief in feather headdresss with matching “Don’t be a paleface” slogan. That was deemed politically incorrect in 1953 and the little trademark pin-up girl with snapping dog logo was born to replace it. When that illustration was lost in a fire the more familiar one you see on the can here was drawn in 1959 by Joyce Ballantyne Brand who won a contest to get the gig using her daughter Cheryl as the model. 

Jodie Foster made her acting debut at 3 in a tv commercial as the Coppertone girl.
coppertone_7457

This commercial is for a later Coppertone product, QT Quick Tanning Lotion, but is too much of a Kitschified gem not to be unearthed here: 

coppertone-commercial

Toothpick-Charlie_9413

Throughout the 1960’s and 70’s, toothpick holders were one of the state souvenir items of choice.  Though Toothpick Charlie is devoid of any markings other than his name,  identical trinkets were churned out and stamped with state names as frequently as  shoe shaped coin purses and carved wooden jewelry boxes.  

Charlie is made out of a tree limb and holds about 30 toothpicks when his mouth is full. He’s sat at my kitchen table with me for as long as I can remember.
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hip-nip-hot-nip,-bottles_9384-2

No one can accuse Garvin, the designer of this drunk matching 50’s couple, for thinking small: “Hip Nip can be used for Scotch, Mouthwash, Gin, Shave Lotion, Rye, Urine-analysis, Bicarb, Bourbon, Malted, Aspirins, Deodorant, Suntan oil and Hairdressing”.  His mate, Hot Nip, only promises “to keep you warm”.

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Hot Nip and Hip Nip are screen-printed and textured on soft plastic pint flasks.  They have rubber heads and a screw-on cap wedged into their fat wrestler necks.

hip-nip-head-sm_9395                   hip-hot-nip-sm_9388

Although these are most valuable as a set, I’m not sure they were manufactured at the same time.  “©Garvin… Milbit Mfg Co, Inc” is in 9 point flush left and flush right type at the bottom of Hot Nip while “©Garvin-Milbit” is in 3 point type centered at the bottom of Hip Nip.  Though the discrepancy – most matched sets have consistent copyright info and placement – could also be because Garvin was out of room after he listed the voluminous amounts of substances that  could inhabit Hip Nip or perhaps had imbibed some of them before he started.

hip-nip-hot-nip,-bottles_9402-2              hip-nip-hot-nip,-bottles_9403-3“Milbit” is also carved into Hot Nip’s neck while Hip Nip’s remains bare:

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Hot Nip is rarer than Hip Nip though they are both very popular citizens in my kitchen kommunity of Kitch.

disco-dancer-keyring_2740

3″ round tortoise shell plastic keyring from 1979 with grooves like a vinyl record and raised gold Disco dancers whose silhouettes look more like they’re on their way to an Anne Murray concert than to Studio 54. The back has a glass mirror, long broken, that says “Hot To Trot”, as if that were a slogan of the late 70’s and not property of the Bobby Soxers three decades earlier. Manufactured by Bromac, which sounds more like a company that makes antacid than Disco products. All in all, everything misses the mark just enough to make this a Kitsch lover’s dream.

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Grand-Funk-Slurpee-Cup_7572

Being one of the earliest Hard Rock bands, panned by critics and shunned by radio until they released “We’re An American Band” in 1973, Grand Funk Railroad seems like a strange match for early corporate sponsorship let alone being wrapped around a Slurpee. Which makes this one of my Kitschiest Slurpee Cups as pop acts like Smokey Robinson and The Fifth Dimension, who also snuggled up to 7/11, made more sense as a commercial match. For a moment at least, Grand Funk was singing “We’re An American Brand”.

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julia-in-box2

In 1968, not only did Julia become the first African American career woman on television but Diahann Carroll became the first African American lead ever in a TV series. Although it was dismissed by some for not being political enough and reflecting a more radical Civil Rights stance, Julia ran for 86 episodes and finally broke the color barrier on television.
I loved Julia most for all the memorabilia it spawned. I have the pull string talking doll shown here, the 3’x4′ promo poster that accompanied it’s release in 1970, three Viewmaster reels, Colorforms and four lunchboxes.
There’s another version of the doll called Julia Twist that comes dressed in a less elegant dressed in a nurses uniform and with a turnable waist. I used to own her but I twisted her too far and now am left with only upper Julia and lower Julia. Additional outfits, all Barbie fashions, had names like Brrr-Furrr, Candlelight Capers, Leather Weather, Pink Fantasy and Leather Weather and could be added to both Julia dolls, turning the reserved medical assistant into a bumpin’ party gal.

In 1968, not only did Julia become the first African American career woman on television but Diahann Carroll became the first African American lead ever in a TV series. Although it was dismissed by some for not being political enough and reflecting a more radical Civil Rights stance, Julia ran for 86 episodes and is credited with breaking the color barrier on television.

I loved Julia most for all the memorabilia it spawned. In addition to the pull string talking doll I have the 3’x4′ promo poster that accompanied it’s release in 1970, three Viewmaster reels, Colorforms and four lunchboxes.

There’s another version of this doll called Julia Twist that turns at the waist and comes with a very elegant wardrobe.  I used to own her but I twisted her too far and now am left with only upper Julia and lower Julia. The outfits, all Barbie fashions, had names like Brrr-Furrr, Candlelight Capers, Leather Weather and Pink Fantasy and could be added to both Julia dolls, instantly  turning the reserved medical assistant into a bumpin’ party gal.

julia-doll_9173 julia-diahann-carroll Julia-The-Wheel-Deal

Brrr-Furrr red:                                       Candlelight Capers:

julia-rrr-Furrr red julia-canlelioght capers

oscar-mayer-weiner-whistle1

To honor Oscar Mayer’s passing yesterday at age 95, here’s an original 1952 Wienerwhistle, 1 and 3/4 inches long and plenty of toot left. In the 50’s these were given away at Wienermobile appearances and in ’58 were packaged with the wienies themselves. In ’64, Wienerwhistles were sold in vending machines at the New York World’s Fair for two cents. 
What’s really bizarre is that I’ve looked at this Weinerwhistle in my kitchen for years. Since I’ve been doing Kitsch O’ The Day, 119 days now, there’s not a day that’s passed that I haven’t thought ‘I should do the Wienerwhistle.’ Yesterday, before I learned that Oscar Mayer had passed away and despite having already written my Fat Superman Kitsch O’ The Day post, I got the sudden urge to finally write about the whistle. After I finished it I decided to go with Fat Superman anyway as I realized I had just done a hot dog post last Saturday for July 4th. When I went to my Facebook home page to make sure Fat Superman actually posted – FB has been having TONS of tech malfunctions lately – there was a post from a friend saying that Oscar Mayer had just passed away within the last hour. I don’t know if it’s me or my Wienerwhistle that has psychic powers but something was going on somewhere….

To honor Oscar Mayer’s passing yesterday at age 95, here’s an original 1952 Wienerwhistle, 1 and 3/4 inches long and plenty of toot left. In the 50’s these were given away at Wienermobile appearances and in ’58 were packaged with the wienies themselves. In ’64, Wienerwhistles were sold in vending machines at the New York World’s Fair for two cents each. 

What’s really bizarre is that I’ve looked at this Weinerwhistle everyday on the window ledge in my kitchen for years. Since I’ve been doing Kitsch O’ The Day, 115 days now, there’s not a day that’s passed that I haven’t thought ‘I should do the Wienerwhistle.’ Yesterday, before I learned that Oscar Mayer had passed away and despite having already written my Fat Superman Kitsch O’ The Day post, I got the sudden urge to finally write about the whistle. After I finished it I decided to go with Fat Superman anyway as I realized I had just done a hot dog post last Saturday for July 4th. After I uploaded it I went to my Facebook home page to make sure Fat Superman actually posted – FB has been having TONS of tech malfunctions lately – and there was a post from a friend saying that Oscar Mayer had just passed away within the last hour. I don’t know if it’s me or my Wienerwhistle that has psychic powers but something was going on somewhere…

More Weinerwhistles: Later repro versions had a yellow paper label and a little car base for the dog to rest on. 

oscar Mayer weiner whistle2

Then there’s this one from 1988, a whole package of wienies and enough holes to play the Oscar Mayer theme song:

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2004 spotting of the updated Wienermobile on the 101N. freeway in LA:

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1965 commercial for the dogs:

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RIP Oscar Mayer. Long live your wieners.