Debbie-Colorforms

Why I love thee – 1) The fact that this is a Dress Designer Kit and Debbie’s wearing pants? 2) The twisted organs pixie pose that 3) Debbie’s striking in the middle of the street? 4) Her matching hair and lipstick? 5) The shoe/sock combo whatever-it-is on her feet?  6) The Technicolor hues on the box? 6) The perfect Atomic Age font? 7) The fact that it includes “a gay selection of town & country clothes”?   I’m sure I don’t have to tell you that the answer is all of the above!

This beautiful bit of Kitsch is the winner of the prestigious Classique d’ Camembert award, the highest honor bestowed upon an object submitted to the Allee Willis Museum of Kitsch at awmok.com. I thank aKitschionado Slazz for her excellent and discerning taste.

Complete submission at http://www.awmok.com/2009/10/08/colorforms-debbie/

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The Aaron Spelling produced Vega$, the first TV series to be filmed entirely in Las Vegas, ran on ABC from 1978 to 1981. A kind of run-of-the-mill detective show, what I liked most was that its star, Robert Urich, aka private dick/ Vietnam vet Dan Tanna, a name spun off of a popular LA eatery, spun around town in a red 1957 T-Bird, gorgeous but no KITT and whose parking space was in Tanna’s living room.

Although I didn’t really watch the show – it seemed a little slick for what I was into at the time – I was excited when Robert Urich and his budding B-star wife, Heather Menzies, both longtime friends of my then boyfriend, invited us to stay at their new pad in Vegas when Bob first got the show, becoming the first TV star I ever met. I don’t remember so much about the visit because I was always so eager to get out of the pad and start photographing the vintage 1950s hotels and artifacts that still populated Las Vegas. I do remember they made great salads.

This is a 10″ x 14″ 150 piece jigsaw puzzle made in 1978 by Aaron Spelling Productions Inc. and distributed by H-G Toys of Long Beach, CA. I’ve never actually put the puzzle together as that kind of thing takes far more time and patience than I’m ever willing or able to allow. My favorite thing about it anyway is the box, with poses of Urich stuck into heart, club, spade and diamond shapes and printed with a cheap color process that allowed the ink to sink tight into the cardboard giving it a kind of porno-y look. All this topped off an all-too-blown-up and blurry cut-out of what looks to be a Urich look-alike sitting in the T-Bird. Mmm… if there’s even a prayer of the puzzle art being that kitschy I just might stay home tonight and put it together. Although there seems to be a preponderance of solid green pieces, perhaps a tribute to the salads.

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Running around all day today on about a second of sleep doing final tweaks on the first party celebrating the Grand Opening of The Allee Willis Museum of Kitsch tonight as well as coding my tootsies off on the virtual Museum, the heart of the experience, at AWMoK.com. I hope to open the floodgates online at noon LA time. (Until then, the ‘Coming September 14th’ page with the trailer, press and a few other goodies is still there.) Not sure I’ll make the noon door opening but once it flies open there’s some magnificently supreme kitsch to browse through in The Museum itself and in the Kitschenette wing there are incredibly easy instructions, customized for dummies and people like me who get confused reading directions of any sort, for how to submit your own prize Kitsch. 

AWMoK.com is a mini social network, built to scale up and incorporate more interactivity as more Kitsch is injected into it. Please visit later today or tomorrow and register to become an aKitscionado, another process that I’ve slaved over so it’s pathetically quick and easy. You can browse both The Museum and The Kitschenette but you need to register in order to submit anything or make comments.

Party photos will go up sometime tomorrow and video will follow though not sure when. The parties, tonight and next Monday night, were supposed to be webcast but the DSL at the gallery can’t handle the upload speeds so now it means digitizing six hours of footage from each of the three cameras and editing everything, a far more gruesome process than just letting it stream as it happens. But photos will be up as soon as I wake up tomorrow, which could be God knows what time as I haven’t slept in a week and have to do a lot of press tomorrow. 

Today is also the beginning of a weeklong “What Is Kitsch?” Film Festival on YouTube, eight short films I made on the subject of Kitsch. I’ll be posting the links to these when I upload them. There are two going up today, the introductory film, “What Is Kitsch?”, as well as one that’s about submitting items to The Museum. (When I say submitting items I mean images and descriptions. As much as I’d love to own all the stuff you guys tell me about, The Museum is virtual so photos and not the actual item is what you’ll be contributing.)

I’ve worked on putting The Allee Willis Museum Of Kitsch together online ever since I started my Kitsch O’ The Day blog seven months ago. Integrating virtual and physical spaces is what I’ve dreamed about doing since I stumbled on the Internet in 1991. I hope you enjoy The Allee Willis Museum of Kitsch, The Kitschenette and the eight short films as much as I’ve enjoyed – though sometimes been tortured by! – making them.

Nice story in the LA Times today too.

Running around all day today on about a second of sleep doing final tweaks on the first party celebrating the Grand Opening of The Allee Willis Museum of Kitsch tonight as well as coding my tootsies off on the virtual Museum, the heart of the experience, at AWMoK.com. I hope to open the floodgates online at noon LA time. (Until then, the ‘Coming September 14th’ page with the trailer, press and a few other goodies is still there.) Not sure I’ll make the noon door opening but once it flies open there’s some magnificently supreme kitsch to browse through in The Museum itself and in the Kitschenette wing there are incredibly easy instructions, customized for dummies and people like me who get confused reading directions of any sort, for how to submit your own prize Kitsch. 
AWMoK.com is a mini social network, built to scale up and incorporate more interactivity as more Kitsch is injected into it. Please visit later today or tomorrow and register to become an aKitscionado, another process that I’ve slaved over so it’s pathetically quick and easy. You can browse both The Museum and The Kitschenette but you need to register in order to submit anything or make comments.
Party photos will go up sometime tomorrow and video will follow though not sure when. The parties, tonight and next Monday night, were supposed to be webcast but the DSL at the gallery can’t handle the upload speeds so now it means digitizing six hours of footage from each of the three cameras and editing everything, a far more gruesome process than just letting it stream as it happens. But photos will be up as soon as I wake up tomorrow, which could be God knows what time as I haven’t slept in a week and have to do a lot of press tomorrow. a
Today is also the beginning of a weeklong “What Is Kitsch?” Film Festival on YouTube, eight short films I made on the subject of Kitsch. I’ll be posting the links to these when I upload them. There are two going up today, the introductory film, “What Is Kitsch?”, as well as one that’s about submitting items to The Museum. (When I say submitting items I mean images and descriptions. As much as I’d love to own all the stuff you guys tell me about, The Museum is virtual so photos and not the actual item is what you’ll be contributing.)
I’ve worked on putting The Allee Willis Museum Of Kitsch together online ever since I started my Kitsch O’ The Day blog seven months ago. Integrating virtual and physical spaces is what I’ve dreamed about doing since I stumbled on the Internet in 1991. I hope you enjoy The Allee Willis Museum of Kitsch, The Kitschenette and the eight short films as much as I’ve enjoyed – though sometimes been tortured by! – making them.

Spirograph-box

This is the real deal, vintage 1967 original Spirograph by Kenner No. 401. Although the resulting art was too precise and anal looking for me – zillions of geometric combinations looking like they’re made from little spiders’ legs – I recognize the Spirograph as an icon in Pop Culture. Just like those string art paintings of owls, ships and such that I passionately collect but never felt drawn to create.

Made by locking gears and rotating plastic wheels inside other plastic wheels and tracing with a pen as they move, the rules of this are too rigid for me. Hell, I can’t even paint inside the lines so something demanding precision and this much repetition definitely falls outside my scope. I was always the free form type. But I love that Spirographs make non-artists feel like artists, proud enough to hang their creations on their walls and refrigerators. I’ve always looked at art – any form of it – as something social and a crash course in self expression. So if a series of little curves, technically known as hypotrochoids and epitrochoids, turn most people on who am I to argue?

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1960’s Spirograph commercial:

Spirograph-commercial-1960's

1970’s Spiromania commercial:

Spirograph-commercial-1970's
This is the real deal, vintage 1967 original Spirograph by Kenner No. 401. Although the resulting art was too precise and anal looking for me – zillions of geometric combinations looking like they’re made from little spiders’ legs – I recognize the Spirograph as an icon in Pop Culture. Just like those string art paintings – owls, ships and such – that I passionately collect but never felt drawn to create.
Created by locking gears and rotating plastic wheels inside other plastic wheels and tracing with a pen as they move, the rules of this are too rigid for me. Hell, I can’t even paint within the lines so something demanding precision and this much repetition definitely falls outside my scope. I was always the free form. But I love that Spirographs make non-artists feel like artists, proud enough to hang their creations on their walls and refrigerators. I’ve always looked at art – any form of it – as something social and a crash course in self expression. So if a series of little curves, technically known as hypotrochoids and epitrochoids, turn most people on who am I to argue?

michael-jackson-puzzle2_8037

Titled ‘A Shining Star’, this 24″x18″ Colorforms puzzle, 500+ pieces, allowed you to assemble MJ’s red leather Thriller outfit and face at its best. Ultimately, the biggest puzzle of Michael’s life may be how he died but when this jigsaw puzzle came out in 1984, as again now, there’s no mystery as to why he was the biggest Popstar in the world. R.I. P. M. J.

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I only met Michael Jackson once. It was 1980 and I was at Hollywood Sound recording with Earth Wind & Fire and he was working in the room next door. This was before Billy Jean shot him into the stratosphere but Michael Jackson was still a music God. He walked over to me but as he gave me a big grin and very gentle almost-handshake someone burst into the studio and said Richard Pryor had set himself on fire. Everyone just froze and I quietly slipped out of the room. Those old school recording studios are as soundproof as tombs but I could hear all the commotion in the lobby as he ran out.

Though many of my friends co-wrote many of his classic songs I never wrote for Michael until a few months ago when Steve Porcaro, of Toto and ‘Human Nature’ fame, called and said Michael had called him looking for hit singles. We worked on and off over the next few months and finished a fantastic lush and layered Human Nature type song called “The Little Things”. Though Michael never got to hear it, the Man In The Mirror type chant that opens it will forever remind me of him.

This 1984 Limited Edition Michael Jackson “Superstar of the 80’s” Doll features the King in his Beat It outfit. He came with ‘glittering “Magic” Glove and microphone’ but I’ve lost those over the years. Thriller, Billy Jean, American Music Awards and Grammy outfits were also available. He twists at the waist and bends with moveable arms so you can “recreate his famous dance steps”. 

I’ll break open the 1984 box of Michael Jackson Dress-Up Set Colorforms on another Kitsch O’ The Day within the next few days. R.I. P. M.J.

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