Mother’s Day has always provided supreme opportunities for kitsch. Be it flower arrangements, stuffed animal displays in front of gas stations for last minute pick-ups, or greeting cards – store bought and handmade equally qualifying – Mother’s Day is a kitsch karousel that never ceases to go round.

Almost everything I owned growing up in Detroit was thrown out when my mom passed away suddenly when I was 16 and my father remarried. Aside from a rubber doll I got for my first birthday whose head was tied on with a string and a Ben Casey bobble head with a hole in his heart, the result of me shoving a pencil through it after an unrequited love incident at 12, I had almost nothing to remind me of the sweeter life that preceded all of this. (Which is why it meant so much to me to get back into the house I grew up in a few weeks ago.)

About 20 years ago, after years of thinking these two medically deficient dolls were the only artifacts of Little Allee that remained, my brother shipped me my old steamer trunk that had been hogging a corner of his garage since I graduated college. I had always assumed it was empty but inside was a small cigar box that contained letters, post cards, hamburger recipes, and this Mother’s Day card I had made for my mom when I was God knows how old. I hope it wasn’t too old as my interpretation of the world was slightly naive.

I have no idea what country Mekoila is right above the S. Pole and I’m happy to see that I thought California was important enough to hog the entire West side of the United States. I have no idea if I actually thought that Michigan, where I drew my happy little self in, was really the east-most state or if I forgot to leave room for it when I drew this map that looks more like a cross-section of a cow with different meat cuts in it. I hope you can see the little thumb I gave Michigan for accuracy right above my left hand. And I’m happy that I took the time to draw myself in my favorite type of pleated dress in grades 2-6:

I’m the tall one in that photo with my two cousins, Sue and Marjorie Singer. And if memory serves, that’s actually a giant Mother’s Day rose tucked into my belt that I made out of a toilet paper roll and tissue paper to give to my mom a couple of years after I made this card. My mother’s name was Rose so that flower had a lot of significance in our family.

I definitely misspelled ‘You’re’ but I’m happy to see that I gave the rose much petal definition and that the leaves look like jubilant uplifted arms as it was a very happy rose and a very happy Rose that celebrated Mother’s Day that year. I did, however, completely cheese out on the poetry I included inside. I have no idea where I copied this from but I’m happy to see that I knew enough as a budding designer to carry over the rose logo.

Thankfully in my later years I progressed to the point where I didn’t need someone else’s words to express how I was feeling.

Never one to leave space empty for long, I ended the card with a picture of a present. Of course, my mom’s only present from me that year was this card but as a first grade teacher she always appreciated the effort I put into art.

Happy Mother’s Day to all the moms out there. And Happy Mother’s Day, Rose, wherever you may be now.

I was very excited when aKitschinado Michael Eli is sent me these two face scarves that his sister-in-law Diane made for me.

It’s not usually cold enough here in LA to wear something of this nature but I’m always one for something a little different that adds style and comfort to one’s life.

When Michael received the photos I sent him of me wearing Diane’s creations, he politely explained  that I was wearing the accessories wrong.  How was I supposed to breath covering my nose?!  I should have known this as my very lust for these mini scarves was inspired when I spent last Christmas under the spell of this particular hat:

But, truth be told, I breathe through my mouth.  So that little slit seemed more than appropriate to spotlight my ever-Mac Morange lips. I often do things wrong where instinct would have kicked into other people’s heads instantaneously.  Like most folks wouldn’t be 15 years into their painting career before they realized that you mix colors to get other colors. Or that you cook oatmeal rather than letting the little hard disks of oats nick your throat like  blades on an ice skating rink while throat doctor after throat doctor can’t figure out what the problem is. These kind of  predicaments are the kind of things that dump themselves on my doorstep daily. This has forced me to have more of a sense of humor about most things and not be embarrassed when someone tells me I am wearing something wrong and will most likely drop dead from lack of oxygen inhalation in mere minutes. But I’m happy to say that I am just as happy with my face scarf being worn properly as improperly!:

Though I’d probably feel better if I could put lipstick on my nose as I’d love a burst of contrasting color in the midst of all that yarn. But I’ll settle for my nose going nude and being able to enjoy the nippy air as God originally intended it to.  Thank you again, Michael and Diane!

New Year’s Eve, 2011. I’m coming down Sunset Plaza, a really windy road with million dollar homes right above Sunset Blvd. in LA. I’m in my Green Beetle, which is a lean and fast machine.

Sunset Plaza’s a pain in the ass to drive under any circumstance but nightmarish should you end up behind a slowwww driver, which is what fate dealt me this New Years when I was in a big hurry to get to my destination, my friends Nancye Ferguson and Jim Burn’s pad, an ultra modern built-for-Brian-DePalma-in-the-70’s house that teeters on stilts overlooking the city. Here’s the view from the balcony:

There are very few parking spaces to accommodate a small fraction of the 50 people on their way up there. If you don’t get one of those spaces you have to turn around in a teeny tiny cul-de-sac and drive a quarter mile out the little windy road with hardly any shoulder and a drop-down of hundreds of feet. And then you’re back out on the main winding road where there are about two parking spaces for every fifty people. No way am I limping back up that hill on foot! So I start leaning on the horn behind this little black car driving at funeral speed. To my credit, I only honked when there was enough room for the stupid driver to pull over so I could pass. Finally, after five minutes the car hugs the curb and I whiz past, gunning it extra hard to show my annoyance even further.

I get to the house and thank God there’s a space left. I pull in, put some lipstick on and send a few emails on my iPad before I go in. A couple of cars pass me and I don’t see them coming back down the hill, which means they must’ve found parking spots too. I finally get out of the car and trudge the last 20 feet up to the house. Standing there is my good friend, Beverly D’Angelo, with a guy I don’t know. Beverly and I go way back and I love her. She’s also an excellent party guest, a criteria I have incredibly high standards for, and has been coming to mine for years.

Just as I’m getting in hugging range I hear Snappy P yell, “Green Beetle, that must have been Allee!”. “You fucking asshole, you almost drove us off the road!!,” screams Beverly as I approach. Oh shit, I rarely misbehave behind the wheel anymore and now I’ve gone and terrorized a friend. But then it gets worse, “Meet Sid Krofft,” she says, referring to the mystery man next her, adding that she brought him to the party specifically to meet me. Now I’ve been waiting to meet this guy since the late 60’s when his puppets, marionettes and insane live action shows started ruling TV and now I’ve almost killed him. “I wanted to get out of the car and tell you what an asshole you were” he says. Thank God the Beetle was turbo-charged and he didn’t have a chance. I ate a lot of crow for the next few minutes, but it was immediately apparent that Beverly was completely right. This guy was a kindred spirit and we hit it off like we had known each other for decades.


Though Beverly had told Sid he HAD to come to Willis Wonderland, I went to his place first, now a couple weeks ago. I took hundreds of photos but I can’t show any of them because Sid’s a really private guy. But it’s as handcrafted as my place is times 6 trillion-on-steroids.

In actuality, I didn’t really get full tilt into the Kroffts back in the day when their shows were on the air because by then I was way way way deep into records and the radio. As a fan and later as a songwriter, when my radio habit lurched into twelfth gear and I lived and breathed music every millisecond of every day, I was still aware of that Sid and Marty Krofft name and that it stood for something crazy. But it really wasn’t until so many friends of mine insisted I go to an auction of their props at the Beverly Hills Hotel in 1998 that I realized the extent of that craziness as well as the magnitude of its reach. As a kitsch lover, how could I have not been familiar with every single detail of the Kroffts’ career, the guys on the throne at the top of the kitsch mountain??

YouTube, of course, makes for an excellent crash course. So I’ve seen more of the Krofft brothers’ magic in the last month than I have in my lifetime. And my respect and discovery of the depth of influence their work had on me subliminally has been a revelation. H.R. Pufnstuf is probably their most classic:

I don’t like to wake up early for social visits but at 82, Sid Krofft is in REMARKABLE shape, jogging 9 miles a day + a couple hours in the gym, so he’s raring to go when the sun comes up. 10:30 bright and early a couple of Tuesdays ago he and Beverly were at my doorstep.

I even got it together to cut up healthy food for him.

This is a BIG step for me as this is what’s more likely to be on that table on a regular basis:

Sid was as fascinated by Willis Wonderland as I was of his hand-built abode. As my yard is part of my living room, we hit that first.

Although it was raining when I took the following shot, you need to see those GORGEOUS 1950’s fiberglas fish lounges sans people:

As we strolled around outside we were joined by Donny Molls, a great artist and Sid’s next door neighbor:

We stopped and chatted in every room:

My downstairs, where that shot was taken, is particularly packed with memorabilia, some of which is Krofft Brothers stuff I’m happy to say I had the good sense to collect even if I wasn’t sure exactly what it was when I bought it.

If you’ve never seen Electra Woman and Dyna Girl, double up your sedation and watch now! EASILY one of the greatest title sequences in the annals of kitschdom:

Thank god I had a few View Master disks of Electra Woman and Dyna Girl in my collection too:

Sid and Michael Jackson were great friends so I pointed out some of my primo MJ cheese:

You really need to see what I’m pointing at. Yeah, I got the doll and the puzzle like a zillion other people…

…but who else do you know who has the drink cooler?! This is easily my favorite piece of MJ memorabilia I own:

When we got to my dining room…

… Sid posed in front of Mr. Wah Wah, a stunning portrait painted by my alter-ego, Bubbles the artist.:

We spent a lot of time in my recording studio too.

Although Sid has a computer he’s not obsessed with them as I am of my 11 networked Macs. So what we really wanted to do was show him how much of his stuff is online.

And there’s gaggles of it – H.R. Pufnstuf, Land Of The Lost, The Bugaloos, Lidsville, The Donny and Marie Show, not to mention Electra Woman and Dyna Girl for starters. And no exploration of Sid and Marty Kroffts would be complete without the Brady Bunch Variety Hour:

The Brady Bunch is certainly coming up A LOT lately!

One of THE most classic and cheesiest shows EVER on TV was called Pink Lady and Jeff. 1981. I remember being so intrigued by that nutty title that I tried to catch the show whenever I could. Imagine the complete and total ecstasy-breakdown I had when I saw the Pink ladies immortalizing my song,”Boogie Wonderland”:

Watching this again with the creator of that show who was totally in on the cheese joke of it all was even more thrilling. As we were poking around doing searches on YouTube I discovered that not only did Pink Lady do that quintessential performance of the song, they also recorded it. I’m still gasping for breath:

What a day I spent with the gang. Here’s one last parting shot for the photo LP before everyone left:

I sho love me some Sid Krofft!!


When it comes to kitsch, there’s always an excellent chance of it thriving in a 99¢ store. Even more so when it’s a penny less:

Once it’s one cent less than the kitsch standard, there’s a guaranteed level of cuckoo-ness going on in many of the specially made products that suck up shelf space like muscles on a reef at these places. There’s so much wrong about this particular product that makes it makes my eyeballs spin.  First, I always love when essential information about the capabilities of the product are hidden once the product is inserted in its plastic packaging.

Also nice when the product name itself is covered once the product is secure in the package.

Even better is when the product in use is illustrated and there’s no clear connection between the graphic and the product.  I don’t know what this leather-like attache case and accesories are supposed to show about the prowess of contact cement.  Was the entire set fabricated using it?

Even better is the implication of the second “use”: gluing together an entire dining room set!

The directions on the back stress  to always avoid “cintact” with eyes.

As far as the rest of the jumble in the directions, I thought I was buying contact cement and not plaster…

The uses of plaster and contact cement are quite different. And I didn’t know that there was a materials such as “wood leather” or “cotton yamed”.  And I’m always wild about a misplaced comma as in “same or, various substances”. All of which leads me to conclude that this kitsch find couldn’t be more of this if it tried:

cant-believe...whole-thing-patch_9903

After six, count them six, Christmas parties/dinners, I combed through my collection to find this patch in case I needed to iron it on over any rips in clothing that might have occurred from ingesting the aforementioned full turkey meals. Somehow the sting of weight gain is outweighed by fashion statements such as these for me.

Introduced as the Alka Seltzer slogan in 1972, “I can’t believe I ate the whole thing” became one of the most popular colloquialisms of its day. Glorified here as an iron-on embroidered fake fur patch, including a rip-off Rolling Stones tongue, this proclamation appeared everywhere from t-shirts to comedy sketches throughout the early 70’s. The slogan roared back briefly in 2005 when Alka Seltzer trotted out Peter Boyle in his “Everyone Loves Raymond” Frank Barone character to moan and groan about post food fest inhalations.

Made by Rayberg Supply Co. of San Carlos, CA., the ‘Pik a Pocket’ fashion accessory didn’t go near any of my jeans back in the day as, just like today, I always knew I ate the whole thing and allowed for it in the size of my clothes.

cant-believe...whole-thing-patch_9900

 

Bright and early the weekend before Thanksgiving Prudence Fenton and I hopped in the mustache van and drove up the coast to San Luis Obispo.

If you’ve never been to The Madonna Inn there, drive, fly, walk, bike, whatever mode of transportation it takes, and go there NOW!

I don’t care where you’ve been to see your architectural kitsch, this is one stop shopping of infinitesimal magnitude. I’ve blogged about this place many a time before but one post, even a hundred, could never cover the staggering detail present on the 2200 acres that appear mirage-like on the side of the 101 freeway.

The whole place was designed by this guy

…. for this lady:

Alex Madonna, a construction magnate and entrepreneur who among other things built the section of the 101 the Inn sits next to, built this palace in 1958. These portraits of Alex and his wife Phyllis’ hang right outside the main dining room.

You need a closer look at that mother of all grape lamps in between them. Eight feet of barrel and the most magnificent assemblage of resin grape clusters anywhere:

This hangs right across the cave from this stairway, one of the subtler ones at The Madonna Inn:

Every time I drive up north taking the 101, I stop at The Madonna Inn to eat. Usually I’m in a hurry and just have time to hit the coffee shop. By the way, coffee always tastes better when the sugar is in one of these two forms, available only here:

The pink crystals and rock formations look especially good on the all copper counter and tabletops…

…which are surrounded by all copper decorative trim…

…which makes sense as this is the name of the coffee shop:

But if I’m not in a hurry to get where I’m going I try to park myself in the main dining room, The Gold Rush Steakhouse. I think you can see why:

Here’s another reason:

That’s one big ol’ slab o’ beef! As an animal lover I  don’t like to think about this but the beef is grown mere feet from the restaurant.  Here I am posing at midnight with the subject of my meal:

I always love a restaurant that starts you off with a relish plate:

Far from the usual celery and carrots and olives, this one has salami and a big brick of cheese thrown on top.  Also thrown in for my birthday festivities was Nancye Ferguson, who drove up to join us.

When it’s your birthday at the Madonna Inn your table is marked with a balloon:

Tables with balloons get free cake for dessert:

I had seen the 9″ high pink champagne cakes in the coffeeshop earlier…

So I got a big hunk of it:

Cake always tastes better when it matches the decor.

It’s even better when the decor is decorated for Christmas.

At this time of year, any place there’s room to stick a Christmas tree at The Madonna Inn there is one:

Angles guard over every table:

Some of the most famous rooms at the Madonna Inn are the bathrooms. The most famous is the men’s room. I finally got the balls to sneak in with Jim Burns, a.k.a. Sgt. Frank Woods in Call Of Duty-Black Ops, who also joined us.

Although the giant clam shell sinks are fantastic…

…the legendary waterfall urinal is the main attraction:

Though sans waterfall, the ladies room next door has its own unique charm:

In another bathroom off of the coffeeshop, little girls get their props.  You can’t tell the scale from this photo but the toilet is teeny tiny tot sized…

…and matches the mini little girl sink in the middle of the big gal facilities:

All of this pales next to the bathroom in The Madonna Suite, where I tended to the needs of my roast-beef-sugared-champagne-caked body.

Here’s a little closer look at the sink, though it’s hard to see detail amidst all the rock. Water trickles down all the troughs dug out of the rock.

A full tour of The Madonna Suite tomorrow…

If anyone’s going to be in the Boston area this coming Saturday, head to Somerville where thousands of Fluffed-up folks will be honoring Fluff, the marshmallow food topping invented there, and where I’ll be judging the 70’s fashion show while people cremate my song, “September” by Earth, Wind & Fire, by changing the lyrics to reflect their love of Fluff.

I’ve  been laboring on my outfit for the last 48 hours, the beginnings of which you can see above. I refuse to slop Fluff in my hair, as many of the participants do, so choose instead to ruin a few hats and shirts experimenting with Fluff-like effects so that I, the judge of the Pharaoh of Fluff fashion show and songwriting contests, look like I’m in the swing of the Flufftivities. I still have about 40 pounds of glue to go but that shirt will be covered like shag carpeting smothered a 70’s living room by the time I’m done.

More details on the Fluff festival here: http://unionsquaremain.org/fluff-festival/pharaoh-of-fluff/

Mother’s Day has always provided supreme opportunities for kitsch. Be it flower arrangements, stuffed animal displays in front of gas stations for last minute pick-ups, or greeting cards – store bought and handmade equally qualifying –  Mother’s Day is a kitsch karousel that never ceases to go round.

Almost everything I owned growing up was thrown out when my mom passed away suddenly when I was 16 and my father remarried. Aside from a rubber doll I got for my first birthday whose head was tied on with a string and a Ben Casey bobble head with a hole in his heart, the result of me shoving a pencil through it after an unrequited love incident at 12, I had almost nothing to remind me of the sweeter life that preceded all of this. (Which is why it meant so much to me to get back into the house I grew up in a few weeks ago.)

About 20 years ago, after years of thinking these two medically deficient dolls were the only artifacts of Little Allee that remained, my brother shipped me my old steamer trunk that had been hogging a corner of his garage since I graduated college. I had always assumed it was empty but inside was a small cigar box that contained letters, post cards, hamburger recipes, and this Mother’s Day card I had made for my mom when I was God knows how old. I hope it wasn’t too old as my interpretation of the world was slightly naïve.

I have no idea what country Mekoila is right above the S. Pole and I’m happy to see that I thought California was important enough to hog the entire West side of the United States. I have no idea if I actually thought that Michigan, where I drew my happy little self in, was really the east-most state or if I forgot to leave room for it when I drew this map that looks more like a cross-section of a cow with different meat cuts in it. I hope you can see the little thumb I gave Michigan for accuracy right above my left hand. And I’m happy that I took the time to draw myself in my favorite type of pleated dress in grades 2-6:

I’m the tall one. And if memory serves, that’s actually a giant Mother’s Day rose tucked into my belt that I made out of  a toilet paper roll and tissue paper to give to my mom a couple of years after I made this card. My mother’s name was Rose so that flower had a lot of significance in our family.

I definitely misspelled ‘You’re’ but I’m happy to see that I gave the rose much petal definition and that the  leaves look like jubilant uplifted arms. It was a very happy rose and a very happy Rose that celebrated Mother’s Day that year. I did, however, completely cheese out on the poetry I included inside. I have no idea where I copied this from but I’m happy to see that I knew enough as a budding designer to carry over the rose logo.

Thankfully in my later years I progressed to the point where I didn’t need someone else’s words to express how I was feeling.

Never one to leave space empty for long, I ended the card with a picture of a present. Of course, my mom’s only present from me was this card but as a first grade teacher she  always appreciated the effort I put into art.

Happy Mother’s Day to all the moms out there.  And happy Mother’s Day, Rose, wherever you may be.

Rarely do I celebrate someone getting their head blow on off but the jubilant mood around the world heralding the demise of the long skinny one with the poisonous manners is begging to be celebrated with the best patriotic crafts that kitsch has to offer. Here’s a small sampling of what’s available for sale as we speak on places like Ebay and Etsy. In most cases I’ve used the exact names the artists have given their work.

The Liberty Bell:

Red-White-and-Blue-Patriotic-Furry-Flip-Flops-Spa-Sandals-Size-5-6:

Flip Flop Sandal BEADS with Tiny Feet Handmade from Polymer Clay:

Patriotic Flip Flop Magnet:

Patriotic Pins and Beads Queen:

1966 patriotic Barbie patterns:

Overstimulated Patriotic Picture Frame:

Flag Saftey Beautiful Pin:

Drink-Holder—Red,White and-Blue:

Patriotic Dryer Lint Art:

Patriotic-Stars-Felt-Candle-Wrap-Cozy-Handmade:

UNCLE SAM HEAD & HANDS CERAMIC BISQUE:

Uncle Sam Mickey Latch Hook Kit:

American eagle bottle cap ecklace featuring unique night-glo:

Liberty Bell Pot Holder:

HAND-CROCHET-PATRIOTIC-CLOTHES-FOR-2.5-INCH-AND-3-INCH-DAM-TROLL-DOLLS-#1:

HAND-CROCHET-PATRIOTIC-CLOTHES-FOR-2.5-INCH-AND-3-INCH-DAM-TROLL-DOLLS-#2:

Independence Day decoration:

Patriotic American Red White Blue Pom-Pom Scarf for Indepence Day Memorial Day Photography Prop Adult or Infant:

Patriotic Horses:

Patriotic Clown:

Vintage-American-Flag-Bunting-covered-lamp-shade-red-white-blue:

Ceramic Bisque Uncle Sam Bloomer Bear, Flag included:

Go America!! Go Kitsch!

Nothing makes a face look more beautiful than when it’s portrayed in gravel. Gravel art, or more professionally known as Crushed Marble Mosaic art, was massive in the 1950’s and 60’s. A cousin of the most popular DIY artform, paint-by-number paintings, hand-glued crushed marble mosaic art covered post Atomic Age walls as thick as shag carpeting smothered the floors. The most ubiquitous gravel paintings were made by the big dog of DIY kits, Craftmaster.

I have Jamaica Girl, 995-4-L, whose face looks suspiciously identical to Jamaica Boy, 995-4-L.

I don’t know who made my pretty girls but each of them stand 13″ x 7″ tall. The girls are much more colorful than the earth-toned Jamaica Girl.

Flowers were very popular to incorporate into gravel art as many they allowed for an unexpected splash of color:

Attempting to create shadows was also very popular in gravel hair sculpting:

It seems to me that gravel on one’s face is the perfect solution to perfect skin as blemishes are hardly noticeable amidst such a bumpy texture.

But as much as I love gravel art, when it comes to actual human faces they look much better on top of the gravel than under it.