Mother’s Day has always provided supreme opportunities for kitsch. Be it flower arrangements, stuffed animal displays in front of gas stations for last minute pick-ups, or greeting cards – store bought and handmade equally qualifying –  Mother’s Day is a kitsch karousel that never ceases to go round.

Almost everything I owned growing up was thrown out when my mom passed away suddenly when I was 16 and my father remarried. Aside from a rubber doll I got for my first birthday whose head was tied on with a string and a Ben Casey bobble head with a hole in his heart, the result of me shoving a pencil through it after an unrequited love incident at 12, I had almost nothing to remind me of the sweeter life that preceded all of this. (Which is why it meant so much to me to get back into the house I grew up in a few weeks ago.)

About 20 years ago, after years of thinking these two medically deficient dolls were the only artifacts of Little Allee that remained, my brother shipped me my old steamer trunk that had been hogging a corner of his garage since I graduated college. I had always assumed it was empty but inside was a small cigar box that contained letters, post cards, hamburger recipes, and this Mother’s Day card I had made for my mom when I was God knows how old. I hope it wasn’t too old as my interpretation of the world was slightly naïve.

I have no idea what country Mekoila is right above the S. Pole and I’m happy to see that I thought California was important enough to hog the entire West side of the United States. I have no idea if I actually thought that Michigan, where I drew my happy little self in, was really the east-most state or if I forgot to leave room for it when I drew this map that looks more like a cross-section of a cow with different meat cuts in it. I hope you can see the little thumb I gave Michigan for accuracy right above my left hand. And I’m happy that I took the time to draw myself in my favorite type of pleated dress in grades 2-6:

I’m the tall one. And if memory serves, that’s actually a giant Mother’s Day rose tucked into my belt that I made out of  a toilet paper roll and tissue paper to give to my mom a couple of years after I made this card. My mother’s name was Rose so that flower had a lot of significance in our family.

I definitely misspelled ‘You’re’ but I’m happy to see that I gave the rose much petal definition and that the  leaves look like jubilant uplifted arms. It was a very happy rose and a very happy Rose that celebrated Mother’s Day that year. I did, however, completely cheese out on the poetry I included inside. I have no idea where I copied this from but I’m happy to see that I knew enough as a budding designer to carry over the rose logo.

Thankfully in my later years I progressed to the point where I didn’t need someone else’s words to express how I was feeling.

Never one to leave space empty for long, I ended the card with a picture of a present. Of course, my mom’s only present from me was this card but as a first grade teacher she  always appreciated the effort I put into art.

Happy Mother’s Day to all the moms out there.  And happy Mother’s Day, Rose, wherever you may be.

Burk’s Igloo in Hamtramck, the once Polish center of Detroit, not only has KILLER ice cream but is famous now for being in the opening titles of HBO’s Hung.

The menu is excellent:

So is the signage:

Here I am enjoying an excellent Igloo caramel swirl sundae with historic architecture preservationist Rebecca Binno Savage, who took me on a tour of the neighborhood.

I almost got this:

That kind of symmetry is hard to achieve. But the ice cream lady steered me the right way.

I would suggest everyone steer to 10300 Conant St, Hamtramck, 48212 for the ultimate stomach and eyeball experience.

Now onto Lafayette…

If you’re from Detroit or you love hot dogs and have visited Detroit, you undoubtably know of the war going on between who has the best Coneys, the institutional Lafayette Coney Dogs or American Coney Island next door.

I must preface all of this by saying that I’ve never even walked into American because it looks like one of those Johnny Rocket type retro places that recall the 1950’s in entirely the wrong way with a sparkling red, white and black soda fountain decor that has none of the soul of what it was really like in a diner dive back in the day. I know it’s been there even longer than Lafayette but I’ve always walked into 118 and not 114. I suppose American’s been redecorated but that’s blasphemy in and of itself when it comes to authentic junk food places. Lafayette, on the other hand, hasn’t changed an inch. And for that alone, the place deserves my hot dog loyalty.

I’m always going to go for the authentic looking place. It’s got soul that no amount of investment in brand spanking new shiny chrome and wrong shades of vinyl can ever produce. It’s also got lightning fast service performed by at least one waiter who’s not only been there most of his life but who delivers a spectacular array of magic tricks along with the dogs.

I hope you can see that the fork is hanging mysteriously in the air. It’s actually balanced on a toothpick that’s placed into a hole in a pepper shaker that’s stacked on top of a glass, with another fork also swinging on it.

This defies the laws of physics. So does this:

The challenge was to hang twelve nails off of the long screw poking out of the wood base.  I don’t care how long I stare at that photo or the fact that I saw Ali Faisel, the waiter, do it in front of my face.  I still can’t figure it out.

There’s one more trick on the table, right next to the toothpick fork structure.  Ten toothpicks, just laid out on the table, that come together as a star with the help of a little water:

Notice the vintage formica tabletop.  That’s what I love about Lafayette, that everything is seasoned with 70 years of chili, dogs and fries with no thought of changing anything that works. It’s because the dogs have that perfect snap,…

…the chili recipe doesn’t change,…


…and the waiters multitask.

That’s why I’ve always stuck with Lafayette.  But I understand it’s not fair to proclaim Lafayette the winner without ever having downed an American dog. So the next time I go to Detroit I’m going to wear sunglasses so the sparkly sheen of the new chrome doesn’t offend my eyes and sneak into American for a chomp down. God forbid anyone from Lafayette sees me I’ll never be able to show my face in there again. And, God knows, I’d never want that to happen.

 

Rarely do I celebrate someone getting their head blow on off but the jubilant mood around the world heralding the demise of the long skinny one with the poisonous manners is begging to be celebrated with the best patriotic crafts that kitsch has to offer. Here’s a small sampling of what’s available for sale as we speak on places like Ebay and Etsy. In most cases I’ve used the exact names the artists have given their work.

The Liberty Bell:

Red-White-and-Blue-Patriotic-Furry-Flip-Flops-Spa-Sandals-Size-5-6:

Flip Flop Sandal BEADS with Tiny Feet Handmade from Polymer Clay:

Patriotic Flip Flop Magnet:

Patriotic Pins and Beads Queen:

1966 patriotic Barbie patterns:

Overstimulated Patriotic Picture Frame:

Flag Saftey Beautiful Pin:

Drink-Holder—Red,White and-Blue:

Patriotic Dryer Lint Art:

Patriotic-Stars-Felt-Candle-Wrap-Cozy-Handmade:

UNCLE SAM HEAD & HANDS CERAMIC BISQUE:

Uncle Sam Mickey Latch Hook Kit:

American eagle bottle cap ecklace featuring unique night-glo:

Liberty Bell Pot Holder:

HAND-CROCHET-PATRIOTIC-CLOTHES-FOR-2.5-INCH-AND-3-INCH-DAM-TROLL-DOLLS-#1:

HAND-CROCHET-PATRIOTIC-CLOTHES-FOR-2.5-INCH-AND-3-INCH-DAM-TROLL-DOLLS-#2:

Independence Day decoration:

Patriotic American Red White Blue Pom-Pom Scarf for Indepence Day Memorial Day Photography Prop Adult or Infant:

Patriotic Horses:

Patriotic Clown:

Vintage-American-Flag-Bunting-covered-lamp-shade-red-white-blue:

Ceramic Bisque Uncle Sam Bloomer Bear, Flag included:

Go America!! Go Kitsch!

One of my favorite things in life is photographing whatever I see around me, especially if I’m in a car and just happen to pass something that tickles my kitsch bone or general love of vintage or personality laden locations. Here are some of my favorites sightings that hit my eyeballs while attempting to find wherever I was going my first two days in Detroit.

Although I never made it in here I hear about this place, in existence for close to 120 years, from everyone:

I love the salute to the Oscars down in the corner of this mural on Wyoming and Seven Mile, with the Diana Ross lookalike eyeballing it:

Long since closed but gorgeous on Michigan Ave.:

It’s always an excellent sign of kitsch when the great architectural details stop as soon as you round the corner.

The real deal theater in town, the most gorgeously restored theatre I’ve ever been in, where my musical, The Color Purple, would be playing and my big Mumford extravaganza was taking place over the coming weekend:

The biggest drive-in movie screen in the country is the Ford Wyoming Drive-In:

The signage is a little anemic, but at least the Ford-Wyoming is still-standing:

If this were original 1930’s it would be great, but I suspect it’s just a cheesy 80’s repro “Deco”-like exterior on Broadway. I’d like to be wrong about that though.

I love the juxtaposition of homemade candy (and an excellent handpainted mural) and The Haunted Bus Ride:

Thankfully still-standing excellent Streamline Moderne architecture on Woodward:

You can tell this place is gonna be nuts from blocks away:

Extreme Dodge dealership (though I saw no signs of cars):

For a different mode of transportation, the old train station in Corktown:

A closer look at the majestic structure, down but definitely not forgotten:

In another part of town, mural excellence:

A closer look at the amphibious human:

Though that mural is nowhere near as excellent as this one, off of Woodward, west of Ten Mile.:

Four (great) burgers for $2.25 on Michigan Ave.:

How can you not be intrigued by a place with a name as flat and unassuming as “Nice Price”, also on Michigan Avenue?

Or this one on Michigan, so kitschiliciously basic::

A nice topless freeway entrance:

A sausage that screams “Detroit”!

A diner that screams Detroit, the Ellwood, built in 1936:

The Ellwood was moved to its present location downtown when the new Comerica ballpark was built.

I love this exterior in Hamtramck:

And just down the street:

Grab your snow cones and head down a few blocks further to Hamtramck Disneyland:

This building doesn’t look like much…

…but it’s all happening on the roof:

Evidently, Warholak is a great place to find vintage tires, which I’m always in need of as I comb the globe for original whitewalls for my baby:

And speaking of tires, here’s the famous one on I-94, once a ferris wheel at a New York World’s Fair.

And Joe Louis’ fist downtown:

I love you, Detroit! And I’m just two days in…

These are without question the mangiest chicks ever, that is if these feathery creatures are, in fact, “chicks”. Hard to tell in this little display diorama, whose elegant mirrored-inside swoop made the original owner kitschingly ecstatic when they bought this, most likely in the 1970’s or 80’s. Except people who buy things like this have no idea that something is so tragically off. They view it, instead, as a thing of beauty. The “chicks'” owner probably didn’t even wait for Easter to display them but, rather, kept them out all year, they were THAT beautiful to them.

In the 1950’s and 60’s there were little mink earrings and keychains that looked like the “chicks”. Little black dot noses and made of real mink.

The minks look suspiciously like the Easter “chicks”.


You could also make the argument that the “chicks” are French Poodles. After all, a tongue is a lot more appropriate for a dog than for a chicken.

But still, these were clearly sold on eBay as “Easter chicks”.


If you look really close you can see how sloppily the “chicks” are made.

I know, the shot is very blurry. But after trying to shoot it 25 times I gave up. The “chicks” defeated me. But you can still make out the dark bowling pin shape in the mirror behind the “chick”. The Gin Chaio company of Japan didn’t even go to the expense of  wrapping enough material around them to finish the “chicks” despite the fact that they’re mounted in front of a mirror! But I can understand that a person who thinks these “chicks” are beautiful enough to be encased, and that they’re, in fact, “chicks” to begin with, would miss something so basic as their bare backs. It’s enough that the “chicks” are beautiful. And that it’s Easter!

Happy Easter to all and may your chicks all be beautiful! (And actual chicks.)

We – Mark Blackwell, my ready steady videographer and “Allee Marches On Detroit!” planning partner – landed back in LA at 1 AM Sunday night after taking two planes from Detroit, the second of which was over an hour late getting out of Chicago. My body feels like it’s broken into 12,000 pieces – at least it’s down by a thousand from yesterday – because of the pace we raced at over the prior 168 hours of giving speeches, conducting marching bands and Broadway musicals, visiting family, school friends and meeting a whole load of soulful folks on the street who take great pride in the city they live in. But it’s one of those great broken feelings where you know you had a once-in-a-lifetime experience and are so grateful for fate tossing that your way, no matter how much you feel like a convoy of Mack trucks have run over you, every single ounce of oomph exerted is worth the present inertia. I feel like I have to stew in a hot bath for a week and then be pickled in a jar of lavender oil for a couple of days to feel like everything in my body is glued back together again. But the Dee-troit spirit running through me is so high I could walk on air without legs. Which is good given that my knees performed way beyond the call of duty given their relatively recent medical fate.

Everyone knows I have a love affair with my hometown.

Not only do I still see it as the Soul capital of the world, I see it as the potential model city of the 21st century. The whole world is feeling the ever-closing grip of a failing economy. I think Detroit, already on its knees because of greedy politicians and the stubbornness of the automobile industry to see the future more than a decade ago, has the potential to rise from the ashes in glorious fashion should the powers that be decide to peer out of artistic eyeballs as opposed to ones that only focus on bottom lines. That was the subject of the speech I gave last Wednesday at the Rust Belt to Arts Belt conference held in Detroit, something I’ll publish in this blog in a few days. But for now, back to my never-ending support of the underdog, or in this case, the overcow.

That exceptional roof ornament is but one of many astounding vestiges of Detroit past I saw tooling around the city this past week. Given my proclivity for photographing anything I see that’s interesting, I came back with thousands of photos. I meant to post something every day I was there but my schedule was too overwhelming and I didn’t want to break the holy spirit that melted down on me every day to the point that I would come back to my hotel room feeling like a boom box had been inserted inside me and the bass was threatening to blow my skin off.

So starting tomorrow I’m just gonna start on last Monday, the 4th, my first day in Detroit, and take you through day by day… actually, not even. I gave myself one day, yesterday, to decompress without reminding myself that if I’m to get anything done after a week that exhausting/exhilarating I have to start integrating my every day work life back into my days or it will all become too overwhelming. So I’m just going to take you through chunk by chunk over the next couple of weeks and eventually we’ll make our way through Detroit…

 

Nothing makes a face look more beautiful than when it’s portrayed in gravel. Gravel art, or more professionally known as Crushed Marble Mosaic art, was massive in the 1950’s and 60’s. A cousin of the most popular DIY artform, paint-by-number paintings, hand-glued crushed marble mosaic art covered post Atomic Age walls as thick as shag carpeting smothered the floors. The most ubiquitous gravel paintings were made by the big dog of DIY kits, Craftmaster.

I have Jamaica Girl, 995-4-L, whose face looks suspiciously identical to Jamaica Boy, 995-4-L.

I don’t know who made my pretty girls but each of them stand 13″ x 7″ tall. The girls are much more colorful than the earth-toned Jamaica Girl.

Flowers were very popular to incorporate into gravel art as many they allowed for an unexpected splash of color:

Attempting to create shadows was also very popular in gravel hair sculpting:

It seems to me that gravel on one’s face is the perfect solution to perfect skin as blemishes are hardly noticeable amidst such a bumpy texture.

But as much as I love gravel art, when it comes to actual human faces they look much better on top of the gravel than under it.

As much as I look forward to rolling out of bed every morning and choosing a fresh, new and wonderful artifact of kitsch to present, today is an absolutely torturous day in terms of what I have to accomplish. First of all, I’m driving back to LA from Monterey. It’s supposed to rain like cats and very large dogs most of the way back so I have to get an early start. Also, I have to write tons of the kind of stuff I hate to write because I’ve got to unleash a whole Facebook campaign on a death-defying event I’m attempting to pull off in 2 1/2 weeks in Detroit when I conduct my high school band in the theater I grew up in playing a medley of my greatest hits before a performance of my musical, The Color Purple, with the cast singing along. This should sound like a manageable event, but just imagine the sound of a marching band playing in the four-story high/almost block long lobby of a theater built in 1930 of solid concrete and marble, the acoustical nightmare of which has just dawned on me: What’s the point of having a sing-along if all you can hear is a bevy of brass drilling through your your eardrums?

And how do I conduct an orchestra facing one direction at the same time as a sing-along, which demands me turning the other way to conduct the crowd? These are the kind of mindnumbing challenges that someone like me, who gets an idea and charges ahead, forgets to deal with until it’s too late to examine the sanity of attempting to do such a thing in the first place. So I rely upon my ability to create good enough art and somehow combine it with everything else that inevitably reels off the railroad tracks, tipping over and spilling down the hillside into a vat of how-the-hell-am-I-going-to-pull-this-off-let-alone-raise-the-money-I-need-to-raise-to buy-the-marching-band-new-uniforms to understand that all of this makes for fantastic kitsch and I just have to roll with it.

Also today, my good friend and hysterical comedy person, Maxine Lapiduss, releases a song/video of a song I co-wrote called “Scared About Life without Oprah”, produced by Wendy and Lisa and featuring Jane Lynch. Of course, Maxine expects me, as any artist or co-writer would, to promote it on Facebook. So not only do I have one most important event to promote I have a song to push as well. So the immediate task is to to sit here on the 101 when it’s not my turn to drive and figure out some way I don’t nauseate myself by unleashing a couple weeks of vigorous begging and pleading to take note of all that is wonderful in Allee world without pissing people off I’m hawking so much. To some folks the shameless task of self-promotion comes naturally. To me, it’s razor blades in my eyeballs unless I can think of an entertaining way to do it.

All this to say I apologize for not posting fresh kitsch today but I will be back tomorrow with bran’ spanking new wonderfulness from the shelves at The Allee Willis Of Kitsch at AWMOK.com (shamelss plug #3). Please send all creative vibes my way today! And pretty please go here and support the cause: https://www.alleewillis.com/mumfordinvite. And if on Facebook please join here to follow the precarious journey to new band uniforms for the funkiest high school band on the planet: https://www.facebook.com/AlleeWillisMarchesOnDetroit

…come see me and my latest piece of technology, this 1960’s wrist transisitor radio, on the “Indie Success: Caching in on Collaboration” panel, Tuesday March 15, 11:00AM at the Hilton, Salon C, 500 East 4th Street. Here’s what me and my wrist accessory will be talking about:

“Since the web began we’ve been talking about artists having a career without a label and going directly to fans. We finally have examples of this working, so what does it look like?

SXSW Veteran Heather Gold sits down with successful collaborating indie artists including: Allee Willis (September, Boogie Wonderland, The Color Purple, Theme from Friends, over 50 million albums sold), Mary Jo Pehl (Mystery Science Theatre 3000, RIfftrax, NPR) and Kenyatta Cheese (Know Your Meme, Rocketboom). The Net links almost every form of artistic making, so it makes sense that we’re in an era of increasing collaboration and creation in many forms. We’ll find out how limitations and openness serve them in an era of “personal brands” We’ll find out how they deal with rights, friendship and creating the best space in which to collaborate. We’ll also dig into their collaborative process in making social experiences, music, video and comedy and find out how they’ve succeeded creatively and in every other way.”

Arriving in Austin tomorrow night.  See you there on Tuesday. My biggest message: As much as it’s about technology, it’s about a charming personality…

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(Photo with my Royal typewriter, bought with my allowance money when I was 13, by Jennie Warren)

I have quite a collection of large framed vintage mosaic pieces and this massive 19″ x 33″ poodle is unquestionably one of the best in breed. First of all, with all of his gaps and glue blobs he’s obviously someone’s crafts project:

I also like all his bulbous tufts of fur:

I do wish he had little pink or red fingernails on his paws though. One splash of accent color always helps a visual.

I have a lot of other large framed mosaics, among them this homage to the World Of The Future that’s mounted on one side of my bedroom dresser:

Then there’s this homemade homage to orange tones that I use as a table top:

I used to use this hulking 20″ x 60″ blue and gold tile piece as a table top but I like it better sunken into the face of the counter that’s built over the foundation of my house downstairs in the rec room:

There’s also this fantastic bar tableau:

It’s the front of a homemade (not by me) bar I found for $5 at a thrift shop about 10 years ago.

There’s also this 9″ x 24″ musical instruments mosaic that hangs in my recording studio:

All beautiful, though it’s hard to compete with the personality of a well groomed poodle.

Especially this one that greets anyone who walks into my kitchen: