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As someone who likes to video as many momentous occasions in their life as possible I’m often in the position of having to set a tripod in inconspicuous spots to capture all the action. I suppose that’s what happened here but I can’t figure out who exactly wanted their action captured as the most predominant  documentation we get is a nice view of a balding head. I’m going to place my money on the drummer though, who plays the most curious rhythm on his sticks before they actually hit the intro cymbals.

Even if not played so spectacularly, a song like “September” has a tremendous amount of energy. A lot of times in songs that exhibit less energy, musicians add modulations in expectation that it will drive the pulse higher and higher. The Funny Fellows Jazz Orchestra of Tokyo wastes no time getting to the modulation!  This is one of the only times I’ve ever heard a modulation occur in this song (or any) before the verse even begins.  All else sails along in good Big Band  form though it sounds like some of the horn players may have snuck a little nip before the show.

For a more through exploration of my “365 Days Of September” mission as well as details of how the song was written, go here. Until tomorrow, ba-de-ya!

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///sept-http-www.youtube.comwatch-v=xBiywHN29f8&feature=relatedMaybe the person shooting this video was racing back from the bathroom or had their hands occupied unwrapping candy so they wouldn’t make noise during the performance, but between the front of the song being cut off and the camera doing a tour of the wall, this version of my song, “September”, as seen through the binoculars of kitsch, gets off to an auspicious start! I’m going to also assume that the shooter is related to one of the horn players as no one else in the large ensemble is visible until midway through the first chorus. The “walk on” at :23 is really good too. Then the YouTube description says that this is performed by “one of Gramt MacEwan’s showcase bands”. I’m assuming that the shooter’s hands were also otherwise occupied multitasking when they typed that as I’m pretty sure that Gramt is Grant. When all is said and done though, this is one of the better school performances of “September” I’ve seen. Everyone’s in tune and the cowbell coming in for the last choruses is always good.

For a more through exploration of my “365 Days Of September” mission as well as details of how the song was written, go here. Until tomorrow, ba-de-ya!

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I’m always happy when my work inspires folks to take on their own creative endeavors. But in this case, the spirit of my song, “September”, just might have inspired a little too much confidence in three college boys out to make a concept video. I get the fact that the guy in front suspects something is going on yet somehow misses that there are two (bad) dancers prancing behind him, but as storytelling goes this sinks like a tugboat loaded with cement. I especially love that the dancers often duck prematurely, even before the guy in front turns around to discover nothing. And sometimes the music just mysteriously stops. Best is once the innocent in front leaves the room so that the guys don’t have to mime anymore, one of them continues to silently mouth the song. Once it turns into a full-blown dance off, I can’t say I would be awarding any prize other than to advise them that their allowance money ought to go towards a new mic. Without question, the best part of this video is the toilet paper covering the door of the room across the hall.

For a more through exploration of my “365 Days Of September” mission as well as details of how the song was written, go here. Until tomorrow, ba-de-ya!

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The kids at Fairview High do a noble job of singing and a much more ambitious job dancing than a lot of other high schools I’ve seen do “September” on Youtube. But, as the Grand Pooh Bah of Kitsch, the standout for me is the performance by the horn section.  Either someone didn’t do their homework before they came to band practice or they’re just plain tone deaf. What it really sounds like to me is that the horn players got the big riffs down after the choruses and just figured they could coast through the single note accents. Which would have been fine had they managed to find the key. Far be it for me to not encourage someone to go farther in music because they’re un-schooled. I still don’t know how to read, notate or play a note of music, including “September” and anything else I’ve written, so I’m all in favor of doing it just for the love of it. I’m just sayin’, the horns are a standout, wayyyyy stand out.

For a more through exploration of my “365 Days Of September” mission as well as details of how the song was written, go here. Until tomorrow, ba-de-ya!

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The Bakersfield High School Chorale is much more in tune and way more in the swing than most high school groups I’ve seen who attempt “September”.  Whoever wrote the school chorale arrangement they all seem to sing felt the urge to throw in an abnormal amount of distinctively Caucasian “hey, hey, hey’s” as well as some very-suburban-no-soul-within-ear-range harmonies. Thankfully, the Bakersfield High School Chorale limit the “heys” to the intro and actually sound good despite the liberties taken with the harmonies and chords. I also love how excited the audience gets over the “ba doo doo’s” at the end of each chorus. I do have one question about the lyric though. Having written it, I know that the third verse begins “Now December brought the love that we shared in September/ ONLY BLUE TALK AND LOVE,  remember…”  yet these kids sing ” was it Jew taught me love, remember” or maybe they’re saying ” was it you taught me love, remember”? Either way it’s wrong. So I wish that the person who was hired to write the arrangement all these high schools sing would think of themselves more as a transcriber than a co-author, especially if they get the gig on another one of my songs. In the meantime, enjoy the best version of the corrupted arrangement I’ve seen so far – The Bakersfield High School Chorale.

For a more through exploration of my “365 Days Of September” mission as well as details of how the song was written, go here. Until tomorrow, ba-de-ya!

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The Vertigo inducing ‘can I offer you  some strobe?’ lighting  and overuse of a smoke machine provide the perfect environment for “Margarita and the boys”,  some of whom are clearly girls, to dance to “September” on this, Day 4 of the 365 day YouTube marathon. In searching for people “borrowing” my song “royalty free”,  I can’t believe how many line dances there are to it. I always thought line dances were for country songs but now I know that line dances are for happy songs.

For a more through exploration of my “365 Days Of September” mission as well as details of how the song was written, go here. Until tomorrow, ba-de-ya!

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How happy am I that neither rain, sleet nor snow could keep the Kennett High School Marching Band from playing my song, “September” back in January of 2007?! I’ve been especially aggressive tracking down marching bands playing “September” as in a couple of weeks I have the great honor of conducting the University of Wisconsin marching band at the Homecoming halftime game when they play three of my hits, “September”, “In The Stone”, an Earth, Wind & Fire song that has grown to mythical proportions in marching band repertoires, and ” I’ll Be There for You (the theme from Friends)”, which I have no idea as to why it’s on the program when “Boogie Wonderland” or even “Neutron Dance” would seem more appropriate to drum the spirits up for the big game.

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Despite the fact that I (co) wrote everything, I can’t read music and thought that maybe if I watched a few marching bands play the songs it might better prepare me as these arrangements always differ slightly from the records.  I’m  not sure how much I can really learn from the Kennett High band other than to always wear galoshes in inclement weather and to remember to practice so I can hit the notes. I will say that the rain makes an excellent percussive intro.

For a more through exploration of my “365 Days Of September” mission as well as details of how the song was written, go here. Until tomorrow, ba-de-ya!

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Yesterday marked the first day of my year-long series featuring YouTube videos with people singing, playing, marching to, dancing to, massacring, auditioning with, acting idiotic in the presence of and otherwise performing my very first hit song,  “September“. For a more through exploration of my “365 Days Of September” mission as well as details of how the song was written, go here. In the meantime,  I hope you enjoy The Davis High Jazz Choir’s performance of the song, especially the choreography, as much as I do.  Babeya!

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People always ask me what my favorite song I’ve written is. I hate to favor any of the babies but pound for pound I’d have to shout “September”!  I think it’s an eternally uplifting song. It makes people HAPPY, not just with a capital H but ALL CAPS!! I write a lot of happy songs but even perennial foot tappers like “Neutron Dance” and “Boogie Wonderland” don’t inspire the immediate mood shift that “September” does. I’ve never been in a room where people’s toes didn’t start tapping or heads start bobbing as soon as it comes on. I’ve never been to a Bar Mitzvah or wedding where it wasn’t played, including Beyonce and Jay-Z’s, where I wasn’t but learned from US Weekly that that’s what they danced their first dance to. And they didn’t even get married in September.

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Without question, the original Earth Wind & Fire version is and will always be my favorite.

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With EWF founder and lead singer, Maurice White, and EWF guitarist, Al McKay, I started writing “September” the first day we met, in the summer of 1978. It was actually written as the third song in a trilogy that  Maurice and Al had already created, EWF’s “Sing a Song” and The Emotions’ “Best of My Love”,  two of my favorite Pop Soul records of all time.

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Although most of the music to “September” was completed that first day, it actually took a couple months to finalize the lyric, during which time I was also working with Maurice on all but two songs that became their (thankfully) legendary crossover album, I Am.

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I used to be hung up that the “September” lyric was a little sing-songy, not the most intelligent I’d written. But seeing the effect it has on people I’m happy I took Maurice’s advice:  Never let a lyric get in the way of the groove. If a lyric isn’t grammatically correct or even if it’s nonsensical –  like the key words in the “September” chorus, “Ba-de-ya” –  don’t replace it with something that is.  If you marry the lyric to the music just right, the meaning will come across in the feel.  I have no doubt that the love expressed in the chorus of “September” comes across even better with this nonsensical phrase than it would have had we merely filled those syllables with “I love you”.

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The first time I ever went on YouTube just months after it launched in 2005, there were already tons of versions of the song there. Over the years I’ve watched “September” videos multiple like rabbits, some good but mostly a little on the lame side – Bad bar bands, jazz bands, marching bands, people in their living rooms, bathrooms, underwear, at auditions, dance classes, birthday parties, on lawns, mountaintops, in line dances, in lines at stores, playing solo bass, drum, keyboard and guitar parts, making animations and short films with it, in all varieties of languages, styles and quality.

Most songwriters are tortured when they hear cheesy versions of their work. As the Grand Master of Kitsch however, I LOVE it. I love that something I’ve created inspires someone to perform it despite an apparent lack of talent or rhythm. If it makes them happy it makes me happy.

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And, trust me, this is a song that’s still making me happy. In one of my YouTube searches I stumbled onto Pomplamoose, a band that completely deconstructed the song and did it so distinctively I suggested we work together. The resulting “Jungle Animal” song, video and game went live TODAY.

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But back to “September”… 1978 wasn’t the first time I placed my bet on a song that glorified September. Four years earlier, my first and only album, Childstar, came out on Epic Records. It contained the first 10 songs I ever wrote. The tune the label thought had the most single potential was called “What Kind of Shoes Does September Wear?”.

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Although my career didn’t get off to the running start I had hoped it would then, I’d have to say that, in retrospect, September did, indeed, have some very nice shoes!

A few nights ago I went back on YouTube to see if any new versions of “September” had been done. To my astonishment, it was like the song had In vitro and gave birth to enough versions that if I played one a day for a year I would never run out. So I made it a goal to chronicle the madness. From this day forth, the 21st of September, the date in the opening line of the song, until the 21st of September, 2011, I shall feature one (brilliant, alarming, innovative, ridiculous) version of the song a day.

So here now, I offer you the most definitive version of all, the Godhead, “SEPTEMBER” by EARTH, WIND & FIRE on this, the 21st day of September, 2010, the first of 365 days of September. It pretty much goes downhill from here…

Badeya!

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Because the opening line of my very first hit song, “September” by Earth, Wind & Fire, is “Do you remember the 21st night of September?” I constantly get asked the significance of that date, the very day it is TODAY.  People are always looking for some great meaning, especially those whose birthdays are today and to whom the song has held a special place. Sad to say, the only real significance is that that it felt so perfect to sing. Those three syllables – twen-ty-first –  hugged those notes tighter than an angora sweater and once that happens any good songwriter knows they need to just leave it alone because it works. What I’m most proud of achieving with my co-writers, Maurice White and Al McKay, is the transformative effect the song seems to have on people. I could be at a funeral and if “September” even came on as a ringtone most people’s lips would curl into a smile and their toes would automatically start to tap.  Beyoncé and Jay-Z even chose it to dance their first song to at their wedding. And that makes me very happy.

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Ever since the song was released at the tail end of 1978, September 21st has been a magic date for me. In the pre-email/text days when I used to check my phone, the messages would be filled with people singing me the song. Some of the singers were famous and the versions were killer. Sometimes it was my dentist or a friend from camp and the versions were terrible, just the way, as a lover of kitsch, I love them.

Through the years, the popularity of “September” seems to grow, so much so that the entire month of September has started to feel like a holiday to me, especially this year when it started with Earth, Wind & Fire playing “September” with a 70 piece orchestra and fireworks at The Hollywood Bowl. So, I’ve decided to honor this date that has given me so many gifts with a few gifts of my own:

• First, the release of my “Jungle Animal” video/song with Pomplamoose, a YouTube sensation band I contacted to work together after I saw their version of “September”, with over 2,000,000 views on YouTube. Now would be a good time to watch “Jungle Animal”:

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•  Second, the matching “Jungle Animal” music composition game I designed and that’s ready for your jungle playing pleasure right now at https://www.alleewillis.com/music/pomplamoose/jungle-animal-player.php

•  Third, in celebration of the one-year-to-the-day opening of my social network, The Allee Willis Museum of Kitsch at AWMOK.com, The Jungle Animal Petting Zoo is now open, featuring some of the most cheesy and brilliant jungle animal artifacts on the planet.

• And fourth, the launch of “The 365 Days of September”, where I’ll post one new version of “September” a day for a year from the thousands of insane versions of it on YouTube.

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And I JUST found out that September will continue into October for me as The University Of Wisconsin Marching Band will play my songs at the Homecoming football game on October 9th and I’ve been asked to conduct! As some of you know, UW is my alma mater. And I LOVE marching bands.  And even more pertinent  on the kitsch tip, despite the fact that I’ve sold over 50,000,000 records and counting, I still don’t know how to read a stitch of music. So I anticipate that conducting the band in front of 80,000 people is going to be one of the seminal kitsch moments of my life!

So to all of you on this September 21st I say thank you and wish you a big “Ba-de-ya!”. May you all have nothing but”golden dreams and shiny days”.

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