As many times as I’ve stopped at The Madonna Inn, I’ve never stayed overnight until a trip to celebrate my birthday a couple of weekends ago. I’ve always fantasized about staying there. How could I not with each of the 109 rooms uniquely designed and insanely themed, with names like Love Nest, Old Mill, Kona Rock, Irish Hills, Cloud Nine, Just Heaven, Hearts & Flowers, Rock Bottom, Austrian Suite, Cabin Still, Old World Suite, Caveman Room, Elegance, Daisy Mae, Safari Room, Highway Suite, Jungle Rock, American Home, Bridal Falls, and more? I picked the floral crested Madonna Suite, which was personally decorated in the late 60s by the Inn’s Grand Dame, Phyllis Madonna.

The first thing that hits you when you walk in is that signature Madonna Inn carpet:

Next, the generous amount of seating choices:


It’s hard to tell from the photo but that’s monogramed light pink pony skin on the chair backs:

And those are rock stools in front of a working fireplace:

Those are right round the rock from the bed that was way too messy to shoot every time I went to take photos of it. So here’s a close-up  of the bespread just to show that none of the lust for pink was lost in more subtle areas of the room.

There’s also a lot of mirrors.

Those angels are all over the Inn. This one hangs over the bed:

This chandelier hangs over the dining room table and pink cowhide chairs…

…illuminating the Madonna Inn ice bucket and branded glasses…

…and water.

Some other water is branded as well, at least until you lift the lid:

As you can see, I love pink, which reminds me of home:

All the doors, walls and ceilings in the Madonna Suite are pink too:

This door leads into the bathroom:

….that’s lit by nice, simple pink rose lights:

…over a nice, simple rock sink…

… with electrical outlets perched periouslously close to running streams of water that zip through every crevice in the rock:

Everything is embedded into rock, including the Kleenex box…

…and the light switches:

All of this is across the rock floor from a waterfall rock shower:

It’s impossible to see detail here but right above the showerhead a waterfall splashes down from rocks that jut out above it.

I acquired quite a stash of Madonna branded freebies…

…collecting every bag, napkin, pen, soap container, toilet sanitation band, and info sheet the place had to offer.

Though it still didn’t stop me from going a little nuts in the gift shop:

I’m very attached to The Madonna Suite so will probably end up always bunking there whenever I stay overnight, but here are a few other choices I’m toying with for next time:

Old Mill:

Caveman:

Yahoo:

Barrel Of Fun:

Austrian Suite:

American Home:

Vous:

How could I go wrong in any of them?!

Bright and early the weekend before Thanksgiving Prudence Fenton and I hopped in the mustache van and drove up the coast to San Luis Obispo.

If you’ve never been to The Madonna Inn there, drive, fly, walk, bike, whatever mode of transportation it takes, and go there NOW!

I don’t care where you’ve been to see your architectural kitsch, this is one stop shopping of infinitesimal magnitude. I’ve blogged about this place many a time before but one post, even a hundred, could never cover the staggering detail present on the 2200 acres that appear mirage-like on the side of the 101 freeway.

The whole place was designed by this guy

…. for this lady:

Alex Madonna, a construction magnate and entrepreneur who among other things built the section of the 101 the Inn sits next to, built this palace in 1958. These portraits of Alex and his wife Phyllis’ hang right outside the main dining room.

You need a closer look at that mother of all grape lamps in between them. Eight feet of barrel and the most magnificent assemblage of resin grape clusters anywhere:

This hangs right across the cave from this stairway, one of the subtler ones at The Madonna Inn:

Every time I drive up north taking the 101, I stop at The Madonna Inn to eat. Usually I’m in a hurry and just have time to hit the coffee shop. By the way, coffee always tastes better when the sugar is in one of these two forms, available only here:

The pink crystals and rock formations look especially good on the all copper counter and tabletops…

…which are surrounded by all copper decorative trim…

…which makes sense as this is the name of the coffee shop:

But if I’m not in a hurry to get where I’m going I try to park myself in the main dining room, The Gold Rush Steakhouse. I think you can see why:

Here’s another reason:

That’s one big ol’ slab o’ beef! As an animal lover I  don’t like to think about this but the beef is grown mere feet from the restaurant.  Here I am posing at midnight with the subject of my meal:

I always love a restaurant that starts you off with a relish plate:

Far from the usual celery and carrots and olives, this one has salami and a big brick of cheese thrown on top.  Also thrown in for my birthday festivities was Nancye Ferguson, who drove up to join us.

When it’s your birthday at the Madonna Inn your table is marked with a balloon:

Tables with balloons get free cake for dessert:

I had seen the 9″ high pink champagne cakes in the coffeeshop earlier…

So I got a big hunk of it:

Cake always tastes better when it matches the decor.

It’s even better when the decor is decorated for Christmas.

At this time of year, any place there’s room to stick a Christmas tree at The Madonna Inn there is one:

Angles guard over every table:

Some of the most famous rooms at the Madonna Inn are the bathrooms. The most famous is the men’s room. I finally got the balls to sneak in with Jim Burns, a.k.a. Sgt. Frank Woods in Call Of Duty-Black Ops, who also joined us.

Although the giant clam shell sinks are fantastic…

…the legendary waterfall urinal is the main attraction:

Though sans waterfall, the ladies room next door has its own unique charm:

In another bathroom off of the coffeeshop, little girls get their props.  You can’t tell the scale from this photo but the toilet is teeny tiny tot sized…

…and matches the mini little girl sink in the middle of the big gal facilities:

All of this pales next to the bathroom in The Madonna Suite, where I tended to the needs of my roast-beef-sugared-champagne-caked body.

Here’s a little closer look at the sink, though it’s hard to see detail amidst all the rock. Water trickles down all the troughs dug out of the rock.

A full tour of The Madonna Suite tomorrow…

I’m pretty religious about celebrating one’s birthday all day from the strike of midnight through the next 24. Years that I haven’t observed this rule I’ve been miserable. If I’m stuck working I don’t concentrate on the work anyway, too resentful that I didn’t stick to what I had laid down. This year, my festivities are taking place a week late at my favorite place on earth, The Madonna Inn in San Luis Obispo, with the little group I spend each and every birthday with, some of whom joined me on my big night last Thursday at Bar Marmont.

That was just the little hamburger teaser so the day itself, November 10, would not go un-celebrated. But Bar Marmont didn’t happen until 9 PM. so there were many hours to fill with birthday escapedom building up to it. So I spent the day tooling through East LA and beyond photographing my favorite vintage and kitsch spots, eating tacos and picking up treasures at every 98, 99 and dollar store I could find. On my way, I passed many signs like this:

I love handpainted beauty salon signs. Especially because of the portraits, featuring ‘Familiar’ hairstyles of decades gone by, evidently still sculpted inside, and very macho looking men.

I love how massive the male’s head is on this next sign compared to the diminutive female’s that’s sporting the illegitimate hairstyle child of Jane Fonda circa 1967 and me for the last 2 1/2 decades:

Even more than bad art on beauty salon signs I love when a nice Grecian pillar holds up nothing:

Especially if the windows around it lead to nothing but brick.

Windows aren’t the only thing I like painted on walls:

A nice ghoulish girl in the middle of a desert dressed in trashy lingerie sucking on a can of beer is nice too. And I always love a nice family painted on windows. This one kills me because look how perfectly the actual table outside fits in with the grill that silicon-injected mama is cooking on for her family in the mural:

I think you need a closer look at silicon-injected mama. Of course, her upper torso hogs all the attention but can we discuss the size of her thighs and how, if her entire body were painted, she would be 14 feet tall?

It’s always a nice touch when something that should be one word is split up into two. Especially if one of the syllables is ‘high’ and it’s painted to preserve symmetry so that one enters the mar-ket.

I love when letters are missing from signs:

One doesn’t have to look far to discover the mystery here. What’s missing from church is a ‘u’.

One of my favorite genres of signs are these 1950’s style ones on a stylus that contain many different signs to make up one master one.

 

This one is very faded but I love motels so much that I always like when each letter earns its own space:

In its heyday, this one must’ve been a killer:

And I always love when these sectioned signs end up in a 1960 cascade of lights at the top:

I agree that softserve ice cream is important enough to cap off this honey:

Of course, when a sign is carved into the shape of what it is that they’re selling inside it always gets extra points:

But perhaps no sign has had a more pervasive effect on the American culture and landscape than this:

The very first McDonald’s in the world, built in 1953 and featuring Speedee the Chef, is still standing and serving today in Downey, CA.

I don’t know what this structure is hidden behind the fence right next to it but I’m hoping it was some kind of gas station where burger-chompers could fill up their tanks and ingest fumes from the gorgeous 1950’s chariots they were being served in.

Now here’s something I would love to get my hands on. I’m sure Norms was no competition for the almighty McDonald’s just a block away, but this little Dutch-gone-Atomic structure with the big saltshaker tower in the middle was probably what I would have steered toward if given the option back in the day:

I passed a ton of stunning and thankfully still standing architecture on my drive, like this old movie theater very close to the ch rch a few photos back.

The new slapped-on colors are oh so wrong and it’s a shame that a construction company inhabits this instead of a projector and an incredible candy counter, but at least all the details have been preserved

I’m incredibly partial to Deco architecture because I live in such a structure. That these two buildings are still standing on Soto Street is a wonder of anti-wrecking ball nature:

Just as impressive as gorgeous architecture is gorgeous foliage, especially when carved into the shape of  what the architecture holds inside.

I’m not sure if the Del Rio Lanes in Downey is new or old. Although the architecture screams 1950s, the paint looks brand spanking new, refurbished in a way that a Marge’s or Ruby’s diner looks old but is inescapably and cheesily retro new.

The sign looks like the real thing but then there’s something again about the way it’s painted that makes me think otherwise:

None of that really matters to me because they have the good sense to keep the bushes appropriately trimmed:

When it comes to appropriate landscaping. There’s nothing I like better than a nice burger, fries and a coke up on the roof:

 

I’m not sure why the hot dogs escaped sculptural interpretation…

…but they make an excellent roofline nonetheless:

Last but certainly not least, I love a company that sells one thing but moves into a building that represents an entirely different thing in the same genre. This is where I’d want to go if I was interested in cement blocks as a fence, not chain-link.

Even better, what does the elephant have to do with anything??

Perhaps it’s there to remind me that elephants have extraordinary memories, and that I should always remember what a blessed life I have in that I understand that all these things that have crossed my eyeballs through all these years are gifts to make me smile and remember that one thing I love about life so much is that people get to express themselves in all different ways. And most of them make me happy. Which is a nice thing to experience every day but especially on your birthday.

My friend, Jason Mecier, brilliant junque drawer portrait artist and whose edible art we stand in front of in the tableau above, did this portrait of me a couple of years ago when I first opened The Allee Willis Museum Of Kitsch at AWMOK.com:

It’s made out of junque I had lying around my house and storage garage, plus some of Jason’s own stash peppering the green background. I constantly collected tons of found objects because the art I did myself, mostly in the 1980’s and early 90’s, consisted of found objects incorporated into my paintings. This is by no means my favorite and looks all jumbled so small (actually 36″x48″) but it’s the only one I could put my hands on right away:

A couple of years ago I also used some of my junque when I collaborated with my alter-egoBubbles the artist, who I managed during her six-year career selling over 1000 paintings and ceramics. Although not as junque-covered as I would like to show here, this one’s hanging in my hallway which serves the purpose of easily sliding it into this post.

Since Jason’s portrait of me has hung in my house it’s become de rigueur to be included in any press photos I do, like this one from The Los Angeles Times a couple of weeks ago when I did my Soup to Nuts Party Mix live show.

As Jason took found object assemblage to a whole other place I gladly bestowed some of my most precious junque upon him for the portrait.

Now Jason has incorporated an entirely new medium into his portraiture, one of my favorite substances on earth and a staple here at Willis Wonderland, Red Vines. In his show at Iam8bit last Friday night, “Licorice Flix, Edible Movie Mosaics”, he interpreted the movies thusly:

Here’s me and my date for the night, Storm Lee, singer extraordinaire, with Jason:

And here we are with another good friend of mine as she arrives at the opening, Angelyne:

Lots of good friends in attendance, observing brilliant art and munching on the Red Vine “paint”. From L-R, Storm, me, Jason, Adam Ansel and Daniel Franzese.

I first met Selene Luna, co-star of Margaret Cho’s The Cho Show, through Jason and Adam:

I usually get bored at art openings, but between the art, the place – yay iam8bit -, the featured gourmet treat and medium, Red Vines, I was a happy gal Friday night.  I now leave you with Jason’s Nomi slobbering up a stripper pole in the kitsch klassic, Showgirls:

 

To say that my first performance in 37 years since jumping off the stage in the middle of my own show in 1974, Allee Willis’ Soup To Nuts Party Mix at the El Portal Theater in beautiful North Hollywood on October 18, was anything like what I expected is the Katrina of understatements. Anything that could go wrong did. But as I’m an artist who plans to the extreme so that when the inevitably unexpected happens it can be swiftly and humorously dealt with, it was a supreme triumph of soul, kourage and kitsch. At past parties of mine, the precursors to my performance now, these malfunctions have been limited to those you could count on one hand. Now, the 6,437,932 technical black holes that befell Soup To Nuts only made for more laughs and make me want to preform more! Not that the mayhem is so easily detectable in these photos, but the fun, style and funk that filled the evening and the days preceding it certainly are. For an overview, start here. For specifics, press one of these lovely buttons now.

I meant to start posting my thoughts about my Soup To Nuts Party Mix show, my first live performance in 37 years at the El Portal Theater last Tuesday night, the day after the show but I could barely pick up a stylus to write let alone move my mouth in any detectible syllabic pattern because I was so tired and overwhelmed. I’m racing to get photos up, a fun yet gruesome task as there are literally thousands of them to go through. Hopefully by tomorrow I’ll have them organized enough to post. In the meantime, let me tell you about this cruise on the Love Boat that mutated into the Titanic yet somehow still ended up at Fantasy Island…

Stormy seas and all, Soup To Nuts Party Mix was about the most incredible experience that I’ve ever had. Not because it went so well, but because literally 95% of the technology it was dependent on failed. It was apparent from the second I walked on stage that I was going to have to throw out the script and effects I had worked on so furiously for four months and literally ad lib my way through the evening. All I can tell you is that despite riding a sinking technological ship, I kept people in stitches, and I mean tears rolling down their faces, screaming laughter stitches, including standing ovations in the middle of the show for things I was forced to come up with on the spot.

So despite being an utter failure as far as the show I planned, it was an unbelievably cathartic moment as a performer. Like five years worth of working the act out within the space of two hours, some time of which I spent sitting down watching brilliant and charitable friends of mine takeover and help me out.

One of  them was the stupendous comedienne Luenell, who has stepped it up at other parties of mine as well and Tuesday night helped a sista out during one of the 6,437,293 technical glitches that befell the stage.

But just as Luenell got to her punchline, something FINALLY popped up on the screen and I had to cut her off.

One of the best moments of the show, although perhaps not for Luenell, was when she then took a seat and the chair started rolling out from under her…

…until she plopped down flat as a log on the floor. When I asked if she needed a first aid kit she yelled “NO, what I need is a lawyer!”

I need the same lawyer for the guy at the controls. But from the jump four months ago I approached this whole thing as a party thrower, not a playwright, and a good party thrower is ready to field anything that goes wrong, even if of a catastrophic nature such as the tech sinkhole happening on stage left. I’m sure a phrase that will stick with my shows forever was born: “Get the foamcore!” as I sent my assistant, Dina Duarte, and set-collaborator, Mark Tomorsky, both on stage with me for the whole show, racing for a ratty piece of paper covered foam to hold over the main monitor every time the wrong photo, lyric for a sing-along or even worse, the tech guy’s desktop, appeared. Here they are hoisting it over what was supposed to be the lyrics to “Boogie Wonderland”, while my collaborator on that song, Jon Lind, kills time with his story about Maurice White, chocolate danishes and other things that happened the day we wrote it.

I doubt that Larry Dunn, founding member of Earth Wind & Fire who played keyboards on the records of “September” and “Boogie Wonderland” and accompanied me on those songs in the show, ever got cut off early before. But I had to yank him short as without lyrics sing-alongs can only be so effective.

Danny Sembello also came onstage for two songs he co-wrote with me, “Neutron Dance” and “Stir it Up”, neither of which were consistently accompanied by correct lyrics.

Chris Price played “I’ll Be There for You”, the theme from Friends and “What Have I Done To Deserve This?”, both of which I was forced to race through without their accompanying stories as by the time we reached them it was already the time I had planned to end the show, 10:15, and we were barely at the halfway point because of the malfunctions. Dina and Mark had the foamcore ready but thankfully the Friends theme is so short and has been hammered into the heads of every audience member a hundred times a day since 1994 so my tech guy could only wreak so much havoc.

And then we were supposed to play Bingo. How do you mess up Bingo??!  But if you’re spelling K-I-T-S-C-H and not B-I-N-G-O and there are no visuals to go along with “K- Dust Mop Slippers” or “T-Flowbee”, “S- Farrah Fawcett Shampoo & Conditioner” or “H – Beatles Pantyhose”, who’s going to know what you’re talking about without visual accompaniment? As soon as it was apparent that that too tanked I just turned to the audience and yelled “Fuck Bingo! The first 20 people up on stage get all the prizes!”. You would’ve thought the Gold Rush hit California again from the way this audience stampeded the stage.

Jelly room deodorizers, soccer balls that turn into magic towels when they get wet, vintage Afro picks, matzo ball kitchen timers donated by Davida (who also contributed the packs of Kosher Kurls in the gift bags), Handerpants – underpants with finger holes so graciously displayed by Daniel Franzese in a shot below and donated, as much of the gifts were, by Archie McPhee… this was one of my favorite moments of the show. To me it’s all about interaction between performer and audience and there they all were on stage like bit players and incredible friends. It truly felt like a party in my yard, which is what I had built the set to look like anyway.

Then I threw in a montage from my musical, The Color Purple, though we skipped the sing-along.

And finally, a veritable tour de force, Pigmy Will doing “The Hustle” played us out.

Just like I never learned to read, notate or write music yet have sold 50,000,000 records, or that I didn’t know you mix paint to get different colors until ten years into my art career, I’m probably the only person in theater history who ever booked the theater before they wrote the show and then performed the show before they had a rehearsal. I am, if nothing else, consistent! It’s the spontaneous event and what happens between performer, audience, and stage, whether it’s in a theater or on my porch, that’s the art form to me. Yes, a stage manager and lighting and sound director would have been nice, as would have been a theater whose usual fare wasn’t Christmas specials and geriatric musicals. But thankfully much of the audience was peppered with people who understand the pitfalls the stage can hold. For example:

My sentiments exactly! All I kept thinking as the world collapsed around me was a) what the f&#k is going on and what the hell am I going to do next??, while simultaneously being conscious that b) this will be my most legendary performance ever because I don’t know anyone else who wouldn’t have walked off stage after 20 minutes. Through it all I just kept going and got funnier and funnier and funnier. So the tech mishaps in their own bizarre way worked in my favor. In the end, I got far more out of it than I had intended. My soul soared, and although I was nearly suicidal by the end of the show it was probably the most artistically satisfying thing I’ve ever done. At once everything was shattering around me in the worst conceivable way that anything can happen on stage, yet it was a totally triumphant evening.

Six cameras were shooting. I realize that a brilliant Waiting For Guffman times 1063 could be made out of it. That’s music to the ears of a kitsch lover such as myself, especially one who’s obsessed with learning how to make lemonade out of extremely rotten lemons. So it’s a kind of Self-Help Waiting for Guffman, or in this case, The Tech Guy. I also realize it gives me an incredible starting point for the next version of the show, which should happen by the end of January.

I will never again be afraid of adversity. I will only look at it as an annoying friend that I have to make the best of, and in the making of that a beautiful flower can bloom.

Tons of photos here!

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My time to pay as much attention to my Kitsch O’ The Day blog as I am want to do has dwindled lately because I’ve done what I never thought I would have the guts to do: give live performing a try again after marching off stage in the middle of a song in 1974 and proceed to walk right out of the building, never to return again. Or so I thought… On October 18 I’m going to give the whole thing a go again. As such, I was most ecstatic to stumble on this in the Los Angeles Times, especially as I haven’t really even publicized the show yet, which means they stumbled on it on their own.

If you’re going to be in LA on October 18, come to the El Portal Theater. Leave plenty of room in the aisles as you never know who’s going to be jumping off of the stage. Although I hope that almost 40 years has matured me somewhat and that all my years as a party thrower pay off in this, my about-to-be-most-recent incarnation.

In 1974, Allee Willis walked off stage in the middle of her own show. Now she’s finally coming back! The Grammy, Emmy, Tony and Webby award-winning and nominated songwriter, artist, singer, technologist, collector, and party thrower comes to the El Portal Theater in beautiful North Hollywood for one night only of songs, stories, and party games. Sing-along to Willis’ greatest hits like “September”, “Boogie Wonderland”, “Neutron Dance”, “What Have I Done To Deserve This” and “I’ll Be There For You (theme from Friends)”! Win valuable prizes! Watch her as she attempts to get through the evening without walking off stage for another 37 years!

Show starts at 8:00PM, Tuesday, October 18, 2011

Doors open at 7:00PM with kitschy food + drinks, beer and wine available

TICKETS
So reasonable it’s crazy!
$24.99 and $34.99
(tickets are limited and they’re going fast…)
http://www.elportaltheatre.com/events.html
https://web.ovationtix.com/trs/pe/9248165
or call 1-866-811-4111

El Portal Theatre
5269 Lankershim Blvd.
North Hollywood, CA 91601

“Ms. Willis…considers party-giving an art form” – New York Times

“Allee Willis’ parties are the campiest hot tickets in town” – People Magazine

“..A rare look inside the process of one of the most prolific and tenacious interactive media artists working today.” – salon.com

“Willis is the spokeswoman for this grand dance of junque nouvelle and vérité… as if Ozzie Nelson had acquired a sick and sudden taste for Surrealist poets. Her own interest in kitsch typifies the dichotomy that makes her interesting…The silliness, un-self consciousness, sense of whimsy and innocence are reflected in the absurd designs and bright colors (that surround her). Even the themes lack pretension… Hopeful images of a powerful America and its future.” – LA Weekly

“…A singular vision by an artist, who if not limited by building codes, would be the Simon Rodia of the 21st century.” – Chris Nichols, Los Angeles Magazine

Heading out of LA last Thursday on the 5 was a mess.  An overturned 20-wheeler heading south spilled oranges, lemons and an entire tank of fuel, cloggin up both sides of the freeway like cholestrol in arteries. My travel mate, Snappy P, and I almost had an anuerism baking in the 106 degree sun at a standstill on the fuel-with-lemon-zested highway. So we cut over on 126 to the 101, which added a couple hours onto the trip but also took us past one of the most blessed sights in California, The Madonna Inn, in San Luis Obispo.

If you haven’t been there, the Madonna is a wonderland of kitsch with a kapitol K, with over 100 themed-to-the-nines-and-then-some rooms and a dining area that would bring Liberace to his knees.  I’ve blogged about this place before, but were I to write a book on it there still wouldn’t be enough room to shower enough praise on this architectural and decorating masterpiece. So please enjoy this tip-of-the-kitschberg look around and, without question, if you’re ever on the 101, The Madonna Inn is mere miles from Hearst Castle and, if you’re reading THIS blog, it’s where your tour really should take place.

It’s easy to spot the 20 foot high sign from the freeway:

We didn’t pull in until after 10 PM so unfortunately it was too dark to adequately photograph the exterior. But you can certainly see from this that a little something special is going on:

Just to the left of that fountain is the entrance to the dining rooms:

Go through those doors and you walk into this:

My eyes are  always too busy attempting to take in everything in the main dining room, The Gold Rush Steak House, to focus much on the food, which happens to be excellent.  Take a look around while I munch on something now.

Here’s the reservation desk:

There’s even a dance floor and live band:

And LOTS of mirrors:

And an excellent selection of 50’s chairs if you just want to sit and drink.

If the sugar is this color at The Madonna Inn you can only imagine what the drinks look like:

If you decide you want to do a little clothes shopping during your meal you can hit the stairs to hit the racks:

Despite being loaded down with about ten pounds of prime rib, it’s worth making the climb because of clothing like this:

Let’s take a closer look at that bedazzling:

I would, however, suggest taking the stairs across the room:

They feature these banisters…

…that pass by this door…

… and these portraits of the owners that are nested on either side of the most astounding grape light in history:

Those portraits are a good five feet high so imagine the grandeur of that giant barrel that the resin grapes are tumbling out of as the cherub blesses the wine on the other side of the rock wall. I would say it couldn’t get any better except that at the bottom of the stairs is a penny crushing machine:

Of course, you could have always chosen this stairway:

But then it wouldn’t have led to this bathroom…:

…with this ceiling…

…and these stall doors…:

…and this pink marble and (unfortunately not flocked) gold and pink wallpaper.:

It’s always nice when the bathroom is conveniently located next to the wine cellar:

God knows, there’s miles more to see at The Madonna Inn, like the coffee shop next door to The Gold Rush:

But I’ve got to save something for next time. For as many years as I’ve stopped here to eat and relieve myself, I’ve never stayed overnight.  Which means that I’ve never actually stepped into in any of the rooms. From what I’ve heard and googled, these make the dining area look like the kitsch minor leagues. One day this will happen, especially as I’m thinking of having my birthday party there this year. And when it does, I’ll probably be celebrating in The Caveman:

Or maybe the Old Mill…

Or maybe the Vous:


E vous?

So as I was saying yesterday, this last weekend at Willis Wonderland we aKitschionados from The Allee Willis Museum Of Kitsch saw the light of Fluff!

For a quick recap if you were too lazy to click on that link, many of us are converging on Somerville, MA. September 24th to attend the fifth annual Fluff Festival to celebrate the marshmallow food topping in the city it was invented in. aKitschionado Rusty suggested that we first convene at Willis Wonderland in LA, the physical arm of AWMOK.com, and spend a day cooking with Fluff. Bear in mind that many of the aKitschionados in attendance had never met before and only knew each other by commenting on the kitsch they’d submitted to AWMOK. So everything served had to be a real icebreaker. As such, the first course was Fluff inspired sandwiches…:

… accompanied by Goldfish in sea foam dip vegetables:

All of which was washed down with Flufftinis…:

…an original recipe by aKitschionado iamfluff, a.k.a. Susan Olsen, a.k.a. Cindy Brady of the Bunch:

Extra points were earned for color-coordinated food, dishware and clothing:

Even more points racked up for color-coordinated lamps and other sugary Fluff alternatives:

aKitschionado Mark Blackwell scored even more bonus points for coordinating his jellybean tribute to The Allee Willis Museum Of Kitsch with the aforementioned lamp and M&Ms.

I hope anyone reading this appreciates the importance of color-coordinated meals and accoutrements. If there’s any question at all about the importance of food and furnishings color-coordination, please refer here.

The main course was delicious and nutritious Fluffernutter cake. I know this photo’s blurry but so was my vision after the day’s 21-gun sugar salute.

If you think that cake is gooey, let me tell you that as the party hostess who had to clean up – actually I didn’t clean up at all as the aKitschionados are a very conscious and esthetically tidy breed – there were vestiges of Fluff everywhere. Like on Mark’s pants:

Slightly less lava-flowish-of-Fluff were the fried S’Mores made by akitschionado Snappy P.

Technically, there’s no Fluff in this recipe but as its fraternal twin, marshmallows, are a key ingredient the Willis Wonderland stove did not discriminate.

Many aKitschionados came bearing gifts. Doug Wood, for example, brought me a lovely kitsch-filled basket:.

One of the gifts was a practical Hostess Twinkie holder:

Many aKitschionados were jealous of my acquisition:

Just as important as protecting your Twinkies is protecting your Pringles. Thank you, aKitschionado Windupkitty, for the lovely Pringles protective case.

By the way, a practical party hint: name tags are essential. Even if your guests know each other for a hundred years it gives them an opportunity to express what they’re feeling in name, which acts as much of an icebreaker at a party as food no one has eaten since they were 11 years old.

It also saves the host or hostess time in making introductions.

As I said, the bulk of the day’s festivities centered around cooking and eating. But aKitschionados were free to wander around Willis Wonderland to enjoy the artifacts they’ve been seeing in my posts since I first launched AWMOK.com in 2009. Many of them also enjoyed the fine reading materials scattered around.

and

That book deserves a close up:

In fact, my whole Soul kitsch collection deserves a close-up. Here’s but a few of the shelves of it:

I think Fluff is a soulful food. It recalls one’s childhood and brings feelings of peace to the mind if not the blood vessels, as aKitschionado John Zenone experiences here:

Off in my recording studio, I was showing some of the aKitschionados some more of my Soul kitsch collection:

You might want to see the front of that picture frame:

As much as I covet my James Brown autograph, I covet this bit of Soul kitsch almost as much, Sammy Davis Jr’s last stash of marijuana:

Slightly easier to see than the cannabis in that last photo are the edges of the round circle rugs that cover the floor in my recording studio. They’re there to protect the plastic that’s actually the floor surface that scratches as soon as you breathe on it. Here’s what the floor looks like in real life:

Despite signs posted all over begging aKitschionados to carefully step on the rugs, several of them found it necessary to defy their leader’s command. Bad girl, kookykitsch!

And Meshuggah Mel!

And Rusty!

And Ken!

Although it was close to 100° and muggy, we also spent time outside.  That’s where my over 200 pieces of bamboo dinnerware are.

And for anyone who missed the sugar inside, there was plenty of cotton candy floating in the pool.

Food that floats is something every party chef should consider when throwing summer parties.

So all in all, a good and Fluffy time was had by all!  Come back again soon, aKitschionados. See you all in Somerville in “September” one way or the other.

 

Photos: Allee Willis, Prudence Fenton, Mark Blackwell, Rusty Blasenhoff, Ken Dashner.