Burk’s Igloo in Hamtramck, the once Polish center of Detroit, not only has KILLER ice cream but is famous now for being in the opening titles of HBO’s Hung.

The menu is excellent:

So is the signage:

Here I am enjoying an excellent Igloo caramel swirl sundae with historic architecture preservationist Rebecca Binno Savage, who took me on a tour of the neighborhood.

I almost got this:

That kind of symmetry is hard to achieve. But the ice cream lady steered me the right way.

I would suggest everyone steer to 10300 Conant St, Hamtramck, 48212 for the ultimate stomach and eyeball experience.

Now onto Lafayette…

If you’re from Detroit or you love hot dogs and have visited Detroit, you undoubtably know of the war going on between who has the best Coneys, the institutional Lafayette Coney Dogs or American Coney Island next door.

I must preface all of this by saying that I’ve never even walked into American because it looks like one of those Johnny Rocket type retro places that recall the 1950’s in entirely the wrong way with a sparkling red, white and black soda fountain decor that has none of the soul of what it was really like in a diner dive back in the day. I know it’s been there even longer than Lafayette but I’ve always walked into 118 and not 114. I suppose American’s been redecorated but that’s blasphemy in and of itself when it comes to authentic junk food places. Lafayette, on the other hand, hasn’t changed an inch. And for that alone, the place deserves my hot dog loyalty.

I’m always going to go for the authentic looking place. It’s got soul that no amount of investment in brand spanking new shiny chrome and wrong shades of vinyl can ever produce. It’s also got lightning fast service performed by at least one waiter who’s not only been there most of his life but who delivers a spectacular array of magic tricks along with the dogs.

I hope you can see that the fork is hanging mysteriously in the air. It’s actually balanced on a toothpick that’s placed into a hole in a pepper shaker that’s stacked on top of a glass, with another fork also swinging on it.

This defies the laws of physics. So does this:

The challenge was to hang twelve nails off of the long screw poking out of the wood base.  I don’t care how long I stare at that photo or the fact that I saw Ali Faisel, the waiter, do it in front of my face.  I still can’t figure it out.

There’s one more trick on the table, right next to the toothpick fork structure.  Ten toothpicks, just laid out on the table, that come together as a star with the help of a little water:

Notice the vintage formica tabletop.  That’s what I love about Lafayette, that everything is seasoned with 70 years of chili, dogs and fries with no thought of changing anything that works. It’s because the dogs have that perfect snap,…

…the chili recipe doesn’t change,…


…and the waiters multitask.

That’s why I’ve always stuck with Lafayette.  But I understand it’s not fair to proclaim Lafayette the winner without ever having downed an American dog. So the next time I go to Detroit I’m going to wear sunglasses so the sparkly sheen of the new chrome doesn’t offend my eyes and sneak into American for a chomp down. God forbid anyone from Lafayette sees me I’ll never be able to show my face in there again. And, God knows, I’d never want that to happen.

 

On April 7 I was the closing keynote speaker at the Rust Belt To Arts Belt III conference in Detroit. Every year the conference takes place in a different city that’s faced with the task of reinventing itself in the ongoing transition from the Industrial Age into the Digital Age and beyond. Loving Detroit and having been in the heat of designing communities since the dawn of the commercial Internet in 1991, I wax on about all this in my speech.

I didn’t do any kind of visual presentation so showing a video of me moving my mouth for a half an hour isn’t going to cut the cake. It would be far more interesting to watch me moving my mouth cutting another foodstuff:

But seeing as I have no hot dog footage, here’s a link to the speech.  I’m very proud of it.  And mean every word I say.

 

An important part of any urban experience is where and what you choose to eat. Anyone who knows me knows that no money needs to be wasted on the fanciest or trendiest restaurants in town. I wanted to hit the institutions in Detroit that not only involved the excitement I had as a child driving to them but that have proven to be quality enough (or, preferably, kitschy enough) to live on, restaurants whose very presence defines the personality of the city. Most of my all-time favorites have long since succombed, like Dinah Inn, Jerry’s, both great steakhouses off Woodward, and my all-time favorite deli, Darby’s. Even Carl’s Chop House closed a few years ago.

Thankfully, the Italian restaurant my family went to every Sunday night, Mario’s, is still there.

But although I recognized it from the outside, it’s gotten too gussied up on the inside to be of value to my hungering memory cells now. But old time tradition is still alive in some excellent vintage haunts I’d never been to before. First there’s Mr. Mike’s.

Now selling itself as a karaoke sports bar, Mr. Mike’s is old school dining experience enhanced by dimly lit fake Tiffany lamps, burgundy leatherette booths and stained glass windows.

I could do without the lattice work and Americana dowels but I do like that the banquettes remain intact.

I’m also not a big one for stripping away the plaster to expose the brick underneath in efforts to make a place look old. This place looks old enough without this 80’s postmodern touch.

The waiter didn’t have much patience for me flipping back and forth between a turkey club, onion soup au gratin, Chef’s Salad, and meatloaf, all steakhouse classics for me.

I finally settled on the meatloaf and loaded baked potato. Notice the fringe on the “Tiffany” lamp tilted for optimum lighting of my meatloaf.

The potato especially deserves a closeup:

Though we were all jealous of the liver and onions someone else at the table ordered:

As old school and perfect as the food was, as one of the “grown and sexy people” I’m really sorry to have missed DJ Poppi Smooth:

Another favorite restaurant this trip was Vince’s, an Italian joint in Southwest Detroit. Though I almost didn’t get past the entrance because of the blinding brilliance of this display:

Is the fluffy cotton/Christmas snow backdrop supposed to be steam rising from the pasta?

I don’t know, but the supreme naïveté and kitschiness of the encased pasta art was enough for me to proclaim Vince’s a must-eat-at Italian pit stop in the Motor City. And I’m happy to report that the beauty on the walls continued throughout the restaurant:

As impressed as I am with this Golden Colander award, I’m sure the owners are more excited by this:

I know it’s blurry but you can see it’s a hand-signed personal note from Frank. And you know that means business when it comes to an Italian restaurant. This one isn’t bad either:

Also not bad is the decor:

I was too hungry to remember to snap shots of any of the food but I did get this one of us eating. Well, I’m texting, but eating every other text.

Another stop on the vintage-and-still-standing restaurant run was Sign Of the Beefcarver on Woodward past 10 Mile.

I really wanted to go to this place down the block but it was closed:

But I was excited to hit the Beefcarver as I knew it was a cafeteria.

The food line did not disappoint. As I’ve come to expect in great cafeterias, there’s always a complete selection of salad items.

I had tossed salad with Thousand Island dressing, roast beef, mashed potatoes and corn, my signature meal when I’m in a cafeteria. I forgot to photograph the food here too as I was too busy looking at the walls.

Then, of course, there’s The Telway, with four burgers for $2.25.

And Lafayette Coney Dogs.

I wish I could’ve hit more joints when I was in Detroit but I was too busy preparing for this:

And this:

But my utensils remain sharpened. I’m all ears if anyone else can suggest more vintage eateries for my next trip home which, I’m happy to report, is imminent!

 

Wednesday, April 6, had tremendous potential. (L-R) Mark Blackwell and Laura Grover, both of whom worked on putting the whole Detroit extravaganza together with me, and I were being driven around the city by Michael Poris, one of the architects leading the charge to rebuild Detroit. The Majestic Theater is one of his projects.

Here’s a detail of The Majestic’s majesty:

Unfortunately, the skies weeped steadily throughout the day, making decent photos next to impossible unless one was out to amplify the decay of the city, in which case the incessant downpour added just enough teardrops to slam that sentiment home. Most of my shots look like this:

Which is a shame, as to miss the details of a combo Church and car wash is a waste of excellent kitsch:

Just about the only clear shots I got was when I got out of the car,…

…or some of my car-mates did,…

…or when the rain wasn’t spitting into the car, with the window rolled down. Thankfully it stopped for a few minutes when I snapped these murals at the Eastern Market:

Sometimes the gloominess of the skies enhanced the experience of what we were looking at.

Perfect for a place that’s a Home For Funerals as opposed to merely a Funeral Home. Then again, it’s right next door to the happiest place on earth, Motown.

Growing up, I spent many a Saturday afternoon planted on this front lawn, trying to catch a bass note or background vocal seeping through the walls.

I make a pilgrimage to the front lawn every time I go home. In the early 1980s I even got into the actual recording studio when The Detroit Free Press did a story on me growing up in Detroit and how, as a songwriter, I was influenced by Motown.

But, alas, fate was not as kind this time. Had I stashed the three video cameras and four still cams away I could have marched through the studio again. But I had no interest, especially on this trip, in having any significant moment of my life pass by without being digitally preserved. So the closest I got was the hallway as no filming was allowed.

The woman at the desk was really nice. She knew who I was as soon as I walked in as she had seen me on the news the morning before. But rules are rules. Even though I’ve collaborated with some of Motown’s greatest songwriters, like Lamont Dozier

… and Ashford & Simpson, seen here with me and Maurice White, founder and lead singer of Earth Wind & Fire, and LaChanze, the Tony-winning actress who played Celie in the musical I co-wrote, The Color Purple.

So we piled back in the car and were off to enjoy more of Detroit.

I would have enjoyed it more if the BBQ joint in front of that mural were still open:

Michael had been over to my place in LA about nine months earlier so I wasn’t worried about him showing us the usual tour suspects – The Detroit Institute Of Art, The Detroit Historical Society, The Spirit of Detroit, etc. All completely beautiful and historic but I wanted to see the spirit of the city as evidenced through how people express themselves via their homes, lawns and businesses. I’ve long believed that one’s immediate environment is a canvas for self expression. And places like this would be off the beaten track of any normal tour guide:

Talk about expressing yourself via your home…:

This is The Heidleberg Project, named for the street that artist Tyree Guyton took over 25 years ago and decorated houses, lawns and empty lots on two blocks of.  SPECTACULARLY INSPIRING:

 

One of the great promises of Detroit is that artists can live cheaply and express themselves in novel ways not possible in other cities. Like Ice House Detroit, a 2010 project where two photographers took over an abandoned house, hosed it down til it was an ice cave and then photographed it melting, symbolizing the building up and subsequent melting away of the once great Detroit.

Detroit is full of such self expression:

Artists see the future first – their way is to dream and paint that picture for everyone else. Reinvention and constantly shifting one’s perspective to stay inspired is as vital for places as it is for people. There’s a great effort in Detroit to redesign the city the artists’ way. In fact, one of my reasons for being there this particular week was to be the closing keynote speaker on that very subject at the Rust Belt To Arts Belt conference happening the next day.

But back to the streets… Rain-soaked as this photo is, I hope you can see the use of industrial materials on the facade of this otherwise traditional brick building. Up close it looks like a bunch of sawed-in-half hot water heaters. I love stuff like this.


There are so many beautiful abandoned buildings, waiting for artists to see their beauty and reinvent their once greatness.

And it’s not like artists can’t afford to live in Detroit.

Thankfully, someone bought the old Michigan Central train station. From what I understand, there are plans to renovate.

Forgotten by time, vandalized by squatters and ravers, its internal beauty still shines through.

It was getting late so we headed back as I had to go over my speech about the rejuvenation of Detroit I was giving the next day. I was pretty sure I had it down but wanted to make sure there were no crucial mistakes or  misspellings to trip me up. Sometimes even the most straight-ahead missives go awry. Like at this McDonalds, just a couple blocks from Vince’s, where we had dinner and which I’ll blog about tomorrow. I know they mean a 20 piece chicken McNugget dinner for $4.99 but if I’m to believe the sign it’s 20 P’s of cchcken uggets for four hundred ninety nine dollars.

Which makes it just slightly cheaper than some of the houses in Detroit. Calling all artists!!

One of my favorite things in life is photographing whatever I see around me, especially if I’m in a car and just happen to pass something that tickles my kitsch bone or general love of vintage or personality laden locations. Here are some of my favorites sightings that hit my eyeballs while attempting to find wherever I was going my first two days in Detroit.

Although I never made it in here I hear about this place, in existence for close to 120 years, from everyone:

I love the salute to the Oscars down in the corner of this mural on Wyoming and Seven Mile, with the Diana Ross lookalike eyeballing it:

Long since closed but gorgeous on Michigan Ave.:

It’s always an excellent sign of kitsch when the great architectural details stop as soon as you round the corner.

The real deal theater in town, the most gorgeously restored theatre I’ve ever been in, where my musical, The Color Purple, would be playing and my big Mumford extravaganza was taking place over the coming weekend:

The biggest drive-in movie screen in the country is the Ford Wyoming Drive-In:

The signage is a little anemic, but at least the Ford-Wyoming is still-standing:

If this were original 1930’s it would be great, but I suspect it’s just a cheesy 80’s repro “Deco”-like exterior on Broadway. I’d like to be wrong about that though.

I love the juxtaposition of homemade candy (and an excellent handpainted mural) and The Haunted Bus Ride:

Thankfully still-standing excellent Streamline Moderne architecture on Woodward:

You can tell this place is gonna be nuts from blocks away:

Extreme Dodge dealership (though I saw no signs of cars):

For a different mode of transportation, the old train station in Corktown:

A closer look at the majestic structure, down but definitely not forgotten:

In another part of town, mural excellence:

A closer look at the amphibious human:

Though that mural is nowhere near as excellent as this one, off of Woodward, west of Ten Mile.:

Four (great) burgers for $2.25 on Michigan Ave.:

How can you not be intrigued by a place with a name as flat and unassuming as “Nice Price”, also on Michigan Avenue?

Or this one on Michigan, so kitschiliciously basic::

A nice topless freeway entrance:

A sausage that screams “Detroit”!

A diner that screams Detroit, the Ellwood, built in 1936:

The Ellwood was moved to its present location downtown when the new Comerica ballpark was built.

I love this exterior in Hamtramck:

And just down the street:

Grab your snow cones and head down a few blocks further to Hamtramck Disneyland:

This building doesn’t look like much…

…but it’s all happening on the roof:

Evidently, Warholak is a great place to find vintage tires, which I’m always in need of as I comb the globe for original whitewalls for my baby:

And speaking of tires, here’s the famous one on I-94, once a ferris wheel at a New York World’s Fair.

And Joe Louis’ fist downtown:

I love you, Detroit! And I’m just two days in…

We had some time to kill on Tues, April 5th, before going to a reception for the Rust Belt To Arts Belt conference I was giving a speech at the next day. The party was downtown so we used the opportunity to swing by Detroit’s most famous landmark, The Spirit of Detroit.

This bronze statue, designed by Marshall Fredericks for $40,000 in the 1950’s, sits in front of the Coleman A. Young Municipal Center. Turning a gorgeous aqua over the years, it’s right down the block from Joe Louis‘ fist, made very popular most recently in the Eminem Chrysler commercial.

The 24-foot fist, designed by Robert Graham, was a gift to Detroit by Sports illustrated in 1987.

The fist is on Woodward and Jefferson, the last street before you hit before Canada. That’s Windsor across the water.

Mark Blackwell, who was videoing me, and I realized that me positioning myself just right as we drove by the fist could make excellent footage for the documentary we were making of my trip. It took a few times driving around Joe’s hand to get it right. The fist didn’t look right protruding from my head.

And it didn’t look right shooting out of my nose.

I finally just made a fist of my own.

I know my hand position should have echoed Joe’s position more but we were about to get a ticket so we moved on. And now we were running late for the reception.  Which is too bad as we really wanted to eat at the Ellwood, just a few blocks from the fist:

Or here:

Or here:

But we drove straight to the reception, where we were sure there’d be food. There was. Plenty of it, but it was too fancy and I wanted real Detroit, the food I grew up on. So we went back here:

Lafayette Coney Island, home of the crunchiest, most chili-loaded dog in the land.

The dogs aren’t all mine but it made for a better photo. Probably not what Joe ate in his prime years but definitely comfort food for my kitsch brain, and a MUST if you hit Detroit.

You know from the front it’s got to be something. The little 1930’s castle with the 1950’s aluminum awning where you know it couldn’t possibly be, as the sign promises, the “best coffee in town”, but anyplace that still sells it for 45¢ has possibilities. The sign across the parking lot is promising too. The thin little hamburger dripping with one slice of American cheese. That’s the only way to go for me at McDonald’s, the thin original hamburger so the grease and pickle juice soak into the bun just enough for the cheese to co-star in a swirly meatified mix. 4H AMBURGERS for $2.25 is too much to resist.

Besides, my friend and frequent Sunday-afternoon-drivelooking-for-just-such-establishments partner, Charles Phoenix, told me I HAD to go there. I go when Charles issues such recommendations, so thorough is he in his examination and excavation of kitsch anywhere he goes. His first trip to Detroit was only last year. Not only did he hit The Telway but my favorite location in the city.

I’m sure those people who fled Detroit for the suburbs don’t know about The Telway or, if they do, only remember it from their youth. It’s the kind of Detroit neighborhood that scares them and fascinates me. Next trip I’m driving there straight from the airport.

I like a restaurant that tries to put their customers in a good mood, especially when that message is dispersed among the menu items.

The only thing I don’t like in The Telway is that damn clock. Too new and covering the onion rings.

I also love the close-but-no-cigar ‘W’ replacement in ‘Telway’ but I still hate that the onion rings are covered. My onion rings are always covered in ketchup.

The Telway apportions out 75¢ worth of french fries.

Scarce, but actually a perfect number for the number of bites it takes to consume two Telway hamburgers. Speaking of which, the burgers, if you love the little skinny ones like me, are fantastic and the lack of french fries is made up for by the tower of pickles.

The burgers are nice and juicy and the little patch of cheese soaks up into the bun just like you want it to.

The Telway is open 24 hours a day, everyday except Christmas. The waitress told us they serve 6000 burgers a day.

I’m not sure how many donuts they sell a day but they’re big and plump and were staring at me during the entire hamburger consumption.

At these prices, very little tastes bad.

You come to a place like this knowing that the atmosphere as is much a part of the flavor as the ketchup and meaty onion grease.

There are only seven stools in The Telway.

Most of the business is carry out.

The hamburgers are cheaper that way.

I know there must be a place equivalent to The Telway in LA but I don’t know where it is. I’ll definitely be hitting this joint again when I go back to Detroit in a couple of months to do some pickup shots for the “Allee Willis Marches On Detroit!” documentary I’m making. Until then I’ll have to satisfy myself with big juicy burgers in the double digits and pray that the onion rings taste like they’re fried in donut batter.

 

So Monday, April 4, in Detroit starts off with meeting historic architecture preservationist Rebecca Binno Savage downtown in front of the Art Deco masterpiece Guardian Building. Designed by Wirt C. Rowland in the 1920’s for The Union Trust Company banking group, this 40 story skyscraper, towering over the city at the time, fell victim to the 1929 stock market crash before it even had a chance to open. Saved by the Union Guardian Trust Company it’s been a gem in the Detroit skyline ever since. If you’re an Art Deco freak, take sedation before you walk into this magnificently maintained edifice because your eyeballs have rarely been exposed to anything in this genre of this proportion.


Our tour guide was Christopher Roddy, he of eternally beckoning face made famous during this year’s crop of Super Bowl commercials in what many people deemed to be the best, the Eminem Chrysler commercial.

Here are some of the more spectacular architectural details of The Guardian Building:

As a kid I thought it was very special that I was born in a state shaped like a mitten. I still do.

From there we drove to Hamtramck, the once Polish center of Detroit and home of the sausage I grew up with.

There’s also lots of vintage architecture and signage like this:

Nothing, however, outshines this folk art destination, fondly known as “Hamtramck Disneyland”, a giant hobby project built between 1992 and 1999 by retired GM worker Dmytro Szylak in his backyard and on the roof of two garages.

I would’ve preferred to gaze upon Disneyland without rain pouring down but the excellence of the assemblage couldn’t be dampened by a little spit from the sky.

Roofing shingles as sidewalk is another excellent touch.

I love when art inspires art. At least the owner of the house at the end of the block tried to go for it if not entirely successful:

This sign a few blocks away killed me:

The cakes are ‘fancy’, the meat is ‘quality’ but the bread is just ‘good’. BTW, the roofline is REALLY ‘good’.

Right down the block is Burke’s Igloo, famous now for being in the opening titles of HBO’s Hung.

The ice cream here is ‘fancy’ and ‘quality’, way better than ‘good’.

The signage is also excellent:

It’s 4:30. We drop Rebecca off and head over to the northwest side of Detroit where I grew up. I’m going to an alumni meeting at my alma mater, Mumford High School, to discuss plans for my upcoming benefit extravaganza with the marching band playing a medley of my greatest hits with the cast of my musical, The Color Purple, leading a sing-along. We have a little time to kill so we swing by the house I grew up in from 5 to 16 years old that’s just about a mile from Mumford.

Every trip I’ve made to Detroit since leaving there in 1965 I’ve tried to get into this house, with no sucess. My memories of it are great. I loved it because despite trying to fit in with the other traditional brick houses in the neighborhood it had a hit of Moderne, with a rounded exterior wall, glass blocks, Steelcase windows (now replaced) and a round pole supporting the second floor.

I would’ve ditched the drain pipe and left the original windows but otherwise everything was as it was when we left the house after my mom passed away suddenly, my dad remarried suddenly, and I was exiled to the suburbs. To my complete surprise and delight, this time we got in and I spent one of the greatest hours I’ve ever had reliving my past. More of that and Mumford tomorrow…

When I grew up in Detroit I went to the zoo on 10 Mile and Woodward at least a couple times a year. Although I got this particular chapeau on Ebay, I’m certain I had one exactly like it as I never went there without something separating me from the sun. I was quite fond of theme hats as a kid.

I’m not sure exactly what animal is on my zoo hat.

I suppose that’s a bear. Though it looks inbred with a beaver and Golden Retriever. It never made any sense to me that with a baseball team named the Tigers and a football team named the Lions that one of those didn’t get top billing in felt.

At least a tiger made the supporting cast. As did another animal that actually looks more like a bear than the beaver/Golden Retriever or maybe otter mystery animal in the starring role. I’m not going to worry about that though as there’s so much else beautiful that came out of Detroit. Like cars, Vernor’s ginger ale and Sanders hot fudge, the latter two of which remain staples in my refrigerator to this day.

I’m sure I was consuming both the last time I walked around the zoo, which was at least four decades ago.

The Detroit Zoological Park wasn’t the only thing I loved about Detroit. You can read all about my love affair with the city here.

Someone else who was born and grew up in Detroit still feels the love too.

Lily Tomlin and I have been friends since 1984 when we were introduced by Paul Reubens a.k.a.Pee Wee Herman. Lily even used my head to insert her own into for her character, Kate, in her Tony Award Winning Broadway show, Search For Signs Of intelligent Life In The Universe.

Both of us still love Detroit and are looking for something to do together there on a permanent basis.  We don’t know what that is yet but it will most certainly revolve around the arts as coming from the big D had such an enormous impact on what we both do. It also made my once alter-ego, Bubbles the artist, the artist she was, whipping out copy paintings of Lily’s character, Ernestine, like they were on the Ford assembly line, which the star would then autograph so a few more dollars rolled into my coffers.

Now we want a few more dollars rolling into Detroit, where I’ll be heading in April, perhaps with Lily in tow, to figure out what we can do there together. My specific mission is delivering the closing keynote speech at the three day Rust Belt To Arts Belt conference, exploring ways and mental states to turn decaying American cities like Detroit into cities of the future, which I’ve long held my home town can be if it rises from the ashes with both heart and conscience. I’m also going there to conduct my high school marching band playing a medley of my greatest hits in the lobby of the Fox Theatre before a performance of my musical, The Color Purple.

Despite the fact that I can’t read a note of music, including my own, I became obsessed with conducting last October after I was asked to conduct the 350 piece marching band at my college alma mater, the University of Wisconsin, when they played my songs at the Homecoming football game.

You can see the details of the excellent Priority Mail envelope hat I wore then here. Conducting the Mumford band with The Color Purple cast singing along will also give me a chance to wear another excellent hat:

Although I now collect marching band hats –  I’m up to over 30 different color combos though still missing the maroon and blue of the Mumford Mustangs –  my little hat from the Detroit zoo remains one of my favorites. I may not know what kind of animal sits on my head but I know a great city when I see one!

Anyone who knows me knows that I’m not an avid club-goer. It used to be that I wanted to hear every detail of a record under headphones and didn’t want anyone standing up in front of me or humming along next to me when I went to hear someone sing. But now that MP3s and YouTube have become ubiquitous with fidelity crushed down to the size of an ant I don’t care as much about such things. So this weekend I hit one club for two acts. My only regret is that I didn’t bring my vintage noisemaker shakers along to rattle in front of my talented friends who were up on stage.

It would have been most appropriate to bring my Ubangi Club clapper Saturday night when I went to see Alan Paul, member of Manhattan Transfer, all members of which I’ve known for a trillion years and co-wrote “SHAKER SONG” for.

Here’s the other side of the Ubangi Club SHAKER:

There are a zillion versions of “SHAKER SONG” on YouTube but, sadly, none by the Transfer, the group that made it famous. Here’s a version by Jazzanova Band that features a fancy little cha-cha by the lead singer:

But back to the Transfer’s Alan Paul and the excellent SHAKING he did Saturday night upstairs at Vitellos, a restaurant infamous for the Robert Blake shooting extravaganza and now equally as known for the nightclub that sits upstairs above the plates of still-on-the-menu Fusilli Minestra alla Robert Blake and the kitschy murals of Italy that coat the walls below.

Here I am at Vitello’s with Alan and  Bob Garrett, who I’ve known since 1974 when I worked at Reno Sweeney’s, a cabaret in Manhattan where the Transfer often appeared, and who Alan has known since he originated the part of Teen Angel in Grease on Broadway, a role Bob took over after Alan left.

Tim Hauser and Cheryl Bentyne of Manhattan Transfer were also at the show.

I think I’d only seen Tim once since my Borscht Belt Birthday party in 1985 to celebrate my being named one of the most subversive people living in the United States by Pravda, the official newspaper of the Communist party. Here we are at the party with Barry Mann and Cynthia Weil, two of the most prolific songwriters in history.

All four of us have used many SHAKERS in our songs. Here’s another one from my collection:

And the flipside:

Sunday night I was back at Vitello’s to see my friend, Maxine Lapiduss‘s hysterical comedy act, “Mackie’s Back In Town”.

I co-wrote a song for the show, “Scared About Life Without Oprah”, with Max, Mark Waldrop,and Michael Orland, who also led Max’s band. Here we are at the moment of conception:

And here I am with Oprah, though not at Max’s show, but my show, The Color Purple, which Oprah produced.

Here are are Michael and I Sunday night at Max’s show:

As Max is a bongo freak, our Oprah song contains many SHAKERS. I won’t let this one leave Willis Wonderland  but I believe it’s on our demo:

And the flipside:

Also at Max’s gig was my good friend, Tim Bagley.

I actually liked this photo of me and Tim better but can we discuss THE AMOUNT OF LIPSTICK ON MY TEETH?? I don’t remember sucking the tube but something of that magnitude obviously happened:

Also present were perennial Match Game panelists and comedy greats, Mitzi McCall and Charlie Brill.

As you can see, the lipstick is still on my teeth but has disintegrated into a more tasteful stripe. This is the good thing about being me. Even when something as hideously embarrassing as walking around with a tube of lipstick smeared on your front teeth happens people think it’s intentional. At least it matches my glasses well.

Thankfully, by the time I said goodnight to Max along with Prudence Fenton, the lipstick had left the building and my teeth returned to their normal sparkly (yellowish) white selves.

Max is doing her show twice more in March. For tickets go here. And check the mirror before you take any photos. And please bring your SHAKER!!