I loved me some Ben Casey when I was a kid. I had Ben Casey diaries, wallets, cufflinks, bobble head dolls, anything and everything that had that kind-of-smile-but-not-really brooding look that Vincent Edwards, who played the handsome doctor, knew how to give with amazing regularity. Here he is as a cufflink with the same intent look:

He even had ‘the look’ on the cover of Look:

The only time I ever saw Ben Casey not have ‘the look’ was at The Playboy Mansion where I was lucky enough to be New Year’s Eve,1991, and as everyone was yelling “Happy New Year!” I turned to kiss the person next to me and there he was, Ben Casey, YES, Vincent Edwards in the flesh!  And he was smiling! This was back in the prehistoric days before digital cameras and before I knew enough to carry one, digital or otherwise, with me. So, alas, the only place that smile is is in my memory bank.  I even forgot to ask for an autograph.

But at least I have my pencils to wrap my fingers around when I dream about ‘the look’.

I have no idea how they arrived at 34 cents to sell this for. Seems like Dr. Casey’s winning bedside ‘look’ is worth a lot more than that.

I absolutely loved The Fifth Dimension. I loved Jimmy Webb and I loved Laura Nyro, the songwriters who wrote some of their biggest hits, both of whom were major influences on my songwriting career and the latter of whom was one of the first artists I worked with when I got a job at Columbia and Epic Records fresh outta college. Nyro wrote songs like “Wedding Bell Blues”, “Stone Soul Picnic” and “Save The Country” while Webb wrote The Fifth’s first major hit, “Up Up and Away”, as well as “Carpet Man”and my favorite though slightly more obscure Fifth song, “Paper Cup”.

My 7-Eleven Slurpee cup may not be a paper cup but it’s plastic and lasts forever which seems like it would have been a more appropriate kind of cup for Jimmy Webb to write about crawling into and wanting to live forever.

The likenesses on this plastic Slurpee cup bear little resemblance to the real persons.  For example, here’s Billy Davis, Jr. in plastic next to Billy Davis, Jr. in real life:

They didn’t even get his signature pencil-thin-mustache-that-turns-into-a-goatee and certainly shortchanged him on his Afro. 7-Eleven did a better job on some of the other 1970’s rock star Slurpee cups I’ve collected:

Though neither Smokey Robinson nor Grand Funk seemed the types to merchandise themselves by aligning with a convenience store, especially as this kind of stuff was rare in the 1970’s, but maybe they liked Slurpees as much as I did. The Fifth Dimension seemed a more likely choice because of their sugary and delicious pop sound.

As Thanksgiving week is upon us I will never forget the trauma of being invited to Luther Vandross’s Thanksgiving Day dinner and having to leave before the smothered turkey was ready, only to arrive at my next destination and having a plate of salmon plopped in front of me. NEVER  put a fish in front of a Thanksgiving guest unless you warn them first if you ever want to see them again! In that particular case, I developed a sudden headache and left just as quinoa and tofu were about to hit my plate and headed back across town where the table was flooded with the best holiday soul food fixins my stomach ever had the pleasure of ingesting. I bring up this story not just because I’ve learned to make sure the menu is Thanksgiving appropriate before I accept an invitation but because Luther and I often discussed the fact that Mahalia Jackson had a cookbook and how great it would be to make a total Mahalia Jackson meal.

In 1972, cousin Bennie thought so too.

Unfortunately, the only turkey in Mahalia’s cookbook is for pot pie.  But many other festive recipes abound.

All the photographs are fantastic, none of the actual food itself but, rather, of Mahalia  performing cooking tasks in excellent outfits.

We  even learn how to turn the oven on…

… and open the oven door.

The excellence of Mahalia’s bouffant is clearly evident in the photo above. As such, I wish Mahalia’s head was lit better in this photo so it didn’t look like it was part of the kitchen cabinet:

Mahalia also offers some kitchen tips, though I’m not sure how much I would trust the cook who’s concerned about either of these while cooking:

I have a lot of work to do today. Otherwise I might spend it trying to find the perfect recipe to make for the person who force fed me salmon one Thanksgiving. Maybe this…

I’m so NOT the type to wear a ring with a G-clef on it or have one of those cheesy license plates like GR8T BEAT. My gold records don’t hang in the living room so they’re the first things you see when you walk in and my clothes aren’t Bedazzled with musical notes. But this ring is so stone cold handtooled 1960s my finger had to have it.

I bought the ring about 10 years ago on eBay from someone in Memphis. I can feel a heavy barbecue-grease-guitar-picking vibe every time I slip it on. It also weighs a ton, quite a surprise as it looked like a cheap plastic gum ball machine prize ring in the photo online. So I end up wearing it a lot. Like I did Saturday night when I went out with my friend, Stan Zimmerman, though the hand I’m holding up in this photo unfortunately isn’t the one my fabulous music ring was on.

As unlikely as I am to have musical notes pasted all over my personal accouterments I’m just as unlikely to show up at a party where singers and songwriters take turns singing their own songs. I’m around music and singing all day; I don’t want to be around music and singing all night. Plus, despite my musical proclivities I don’t play an instrument so the possibility of me even being able to plunk the opening note of one of my songs at a party like this is nil. But there were the ring and I and Stan at a party that featured just that, thrown by voice coach to the stars, Eric Vetro, and songwriter/producer to the stars, Desmond Child. So many of my friends were there though that me, Stan and the ring had a great time despite not participating in the main event.

I go wayyyyyyy back with the first folks I saw, from (L-R) Rick Nowels, Maria Vidal, (me), Toni Basil, and Desmond Child.

Soooooo far back that I was practically in diapers when we met. Desmond and Maria were in a group called Desmond Child & Rouge who, in the mid 1970’s, sang at Reno Sweeney, a cabaret in Manhattan where I was the person who walked around the city by day nailing up fliers of upcoming performances. I saw them sing every night because in addition to my $20 a day salary I got to eat at Reno’s for free. Maria married Rick in the late 80’s. Between me, Desmond and Rick we’ve sold somewhere around 500,000,000 records and have had just about as many great times together. What we all had in common was also Bette Midler, the biggest thing to come out of the New York cabaret scene and the biggest jewel in our show biz clique. Even back in the 70’s Toni Basil was Bette’s choreographer. She was also one of my first friends and collaborators when I moved to LA in 1976. Here were are in 1982 at a party I threw for her when “Mickey” went #1.

Here we are Saturday night with singer Sarah Hudson and X-Factor’s Storm Lee thrown in.


Maria and I also spent a lot of time in a corner chatting with Frances Fisher.

Another friend from my 1970’s NY days at the party Saturday night was Allan Rich, who sang at Catch A Rising Star, the big comedy club where I was the hatcheck girl at the time. Allan got his big break when he was a shoe salesman and gave Barry Manilow a tape of his songs when he sold him some shoes.

I spent a lot of time talking to Michael Orland, the Music Director at American Idol and with whom I’m about to start writing tomorrow.

I’m completely sick of not being able to sing my own songs at parties like this so, just like an American Idol, I’m also going to rehearse a little medley of my hits with Michael so when Eric and Desmond throw this party again next year I can get up and sing instead of chatting through everyone’s songs because so many of my friends are there.  Like songwriter extraordinaire, Diane Warren.

But despite how much musical talent was at the party there was clearly one star that shone brighter for me than any other and that was THE BEAVER!!!

Jerry Mathers, The Beaver, who I watched incessantly as  a kid…

The same Beaver whose memorabilia I’ve faithfully collected all these years…

The same Beaver who’s going to come over in a few weeks and autograph all that memorabilia!! If I collected memorabilia from anything as recent as Desperate Housewives I would also invite Marc Cherry, seen here waiting for his car with me, Stan and The Beav.

All in all, it was a great night for me, Stan and my funky l’il music ring!

I wasn’t going to do anything for my birthday this year. Too overworked and no extra coinage to throw around. But word leaked out and spread and all of a sudden these people, most of whom I’ve spent every birthday and momentous occasion with for umpteen years, showed up at my house:

Bottom row (L-R):  Diva Zappa, Lisa Loeb, me, Prudence Fenton and Michael Patrick King.
Middle row (L-R):  Jane Wagner, Lesley Ann Warren, Bob Garrett, Lily Tomlin, Pamela Des Barres, Karen Levitas, Gai Gherardi, Gail Zappa, Nancye Ferguson, Stan Zimmerman and Jim Burns. Top row (L-R): Ben Bove, RuPaul, Tom Trujillo, Roey Herschovitz, Jimmy Quill, Charles Phoenix, Sonny Ruscha Bjornson, Mark Blackwell and Jack Nesbit.

Though all of my friends may not practice kitsch like the religion I do, their lives and occupations are consumed with pop culture and they all bring unique individual style and vision to everything they do. None of us are color-in-the-lines people. Which means that when it comes to birthday presents, it’s fantasyland overload as their sensibilities collide with mine in harmonious gift wrapped chaos! For example, here I am with perennially great gift givers Nancye Ferguson and Jim Burns:

Jim is looking very happy because the video game he stars in, Call Of Duty Black Ops, was released the day before and set the opening day record for ANY type of entertainment,Is he is grossing $320,000,000 by the time he reached my house. Maybe that’s why they got me 14 gifts. Though Nancye and Jim are always reliable for a smorgasbord of age-inappropriate-unless-you-happen-to-be-me offerings like this magnificent 1950’s mother of pearl poodle pocket mirror/pill box:

… and this convenient land line phone ear piece for my iPhone:

They also gave me this wonderfully famous Enid Collins owl box purse…

…and this fantastic 50’s fold up wallet with plastic coin holder inside like the Good Humor ice cream man used to wear on his belt to give people change:

They also threw in this 1960’s Wilma Flintstone bathing cap.

Here I am with Pamela Des Barres, the world’s most famous groupie, and Diva and Gail Zappa, who came straight to my place from the airport after being honored at a Frank Zappa festival in London.

Pamela is a fabulous writer and also travels a lot for her work. Which is lucky for me and the rest of her friends as she hits thrift shops wherever she goes and picks up stuff for us all year round. She makes these finds for pennies and stacks them up so she can arrive like Santa Claus on any given occasion. These “On The Wagon’ coaster and snack trays she gave me are just about my favorite bar accessory ever!

I love when snacks are referred to as ‘Tid Bits’, especially when what is normally a single word is broken up into two separate words as stamped into the belly of the wagon.

This nightshirt could be the heaviest gift of the evening. It’s hard to see all the 1960’s pop culture graphics and slogans in this photo and I’m not sure who the characters on it are but there were more than a few vintage clotheshorses at the party, certainly including myself, and we all agree that Pamela’s $2 purchase would easily go for $500 in the right store.

Then there’s this early 60’s Make-Up Mask that you pull over your bouffant to protect the Max Factor from rubbing off your face when you pull your angora sweater over it:

Pamela graciously modeled it for us throughout the evening.

Her excellent gift giving instincts have definitely rubbed off on the other Des Barres in attendance, Michael, who reliably gives me fantastic African swag.

At one point there was a girl’s conference in the bedroom.  Here I am with (L-R) Lily Tomlin,Prudence Fenton, and Jane Wagner:

Prudence not only cooked an incredible dinner for everyone but made the excellent “Crackerature” portrait of me that’s between our heads in the photo above.

Lily and Jane gave me the most ridiculous-in-the-best-kitsch-sense-of-the-word-ridiculous gift of the night:

He’s only about 3″ high, his little arms are made out of bobby pins and his body is some kind of overcooked Sculpy or baking soda concoction. The card that accompanied him was just as kitschy.

The Diller is Phyllis Diller, which adds a few pounds on the kitsch scale for this gift. The note Jane and Lily wrote me make the cheese wheel even weightier:

Joining Lily and I here is Stan Zimmerman. We all grew up in Detroit.

Stan added a little class to my gifts with this 1950’s signed Sasha Brastoff ashtray.

Here’s Lily and I with RuPaul. Both of them have added greatly to the kitsch cache of my alter-ego, Bubbles the artist, as they are the #1 and #2 collectors of her art, each owning over 20 pieces.

Michael Patrick King, seen here with Pamela Des Barres’ lovely feet, brought me some of my most Americanized presents.

He brought my gifts back from Dubai when he was there filming Sex and the City II. First, this green shopping bag featuring a carefree Michelle Obama:

And then this brain-numbing Muslim Barbie shoulder bag:

I got one more bag, actually a Kitsch Emergency Kit, from Karen Levitas.

It’s nice when your friends give you a healthy snack of sardines to enjoy while you read cheesy poetry from the 70’s:

Here I am with Mark Blackwell, who’s also a November 10th birthday baby, and Sonny Ruscha Bjornson, Lisa Loeb and Roey Hershkovitz:

Lisa and Roey gave me some quality reading material:

Maybe I will learn to make beautiful cakes like this one on page 110:

But when it comes to baking, there’s only one Supreme Master and I’m pictured with him here:

Just a few days before my party Charles Phoenix was featured on the front page of the Wall Street Journal with his signature “Cherpumple” cake, one of which he baked for me.

A Cherpumple is three Sara Lee cherry, pumpkin and apple pies stuffed inside three Betty Crocker cakes and frosted as one happy stack of sugary ecstasy:

Here’s my friend, Lesley Ann Warren, indulging in some. Perennially skinny and always eating healthy, she hit the Cherpumple as an extreme gesture of kitsch on my birthday.

Lesley was my first friend when I moved to Hollywood in 1976. She was also the first person ever to sing one of my songs on TV when she did the third song I ever wrote, “Childstar”, on Johnny Carson.

Some people went back for seconds of Cherpumple. Each plate weighs 2 lbs.

Gai Gherardi and Rhonda Saboff shared their Cherpumple:

They gave me an excellent pair of glasses from LA Eyeworks, which Gai co-owns and where I’ve bought all of my eye coverings for the last three decades.

When RuPaul arrived he brought me another birthday cake.

It was delicious but everyone had already gorged on too much Cherpumple.

Which means that everyone went home in sugar shock, the condition they’ve had much practice existing in as they’ve all been over to my house a trillion times before.

I didn’t have far to go as my bed was only feet away from the remains of the Cherpumple. I went to sleep with my crown on and had sugar sweet dreams anticipating a very good year to come indeed!

More party photos can be seen here.

Revered as much for his marriage to cuchi-cuchi girl, Charo, as for his spreading the gospel of bouncy  Latin music and rhythm, Xavier Cugat led the band at New York’s Waldorf Astoria Hotel and toney resorts around the world with his signature batons, one of which was real and the other of which was his pet Chihuahua. Cugat was a multimedia artist before his time, a musician, painter, cartoonist, movie star, business man and ladies man, husband of five steamy women, including the lead singer of his orchestra at its height, Abbe Lane.

Legendary enough to be mentioned in the third scene of A Streetcar Named Desire, his name frequently sprinkled throughout I Love Lucy, and even a Ben & Jerry’s ice cream flavor named after him in an episode of The Simpsons, “Xavier Nougat”, Cugat  brought such exuberance and flair to a performance that his signature Tango, Rhumba and Merenge rhythms will forever be recognized, as will his self portrait caricatures.

You gotta love a guy who leads a band with a Chihuahua…

… and marries this:

Cugat was a happy man.

And I’m toasting him today.

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I bought this Party Pendant at a thrift shop recently, brought it home, shined it up and glued little rhinestones on it. I’ve only worn it out a couple of times but people have ooh’d and ahh’d as if I’d gotten it at Tiffany’s. So I decided to make it a habit and wear it when I knew I’d be attending a hot party. I did, in fact, know that Nancye Ferguson’s birthday party Sunday night would be hot as all of her parties are at her amazing Atomic house that gives you one of those aerial postcard views over the entire city of LA. But when I got home and dumped my photos I realized that not only had I forgotten to take a photo with Nancye, the Party Pendant along with every other piece of jewelry I meant to wear had been forgotten in a drawer at home, replaced with my Color Purple backstage pass that I still had on from earlier in the day when I went to see the fabulous new cast of my musical at the Performing Arts Center in Thousand Oaks. As proud as I am to have that pass swinging from my neck, I do wish that my ratty ass cheap Party Pendant were also present as it would have been so appropriate hanging in the following photos.

Here I am party pendantless with Michael Patrick King and Prudence Fenton.

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Michael may have written and directed the Sex and the City movies and much of the TV series but this guy wrote The Graduate and created and wrote TV series like Get Smart.

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Not  that I wasn’t excited to see Buck Henry but I almost needed to be hospitalized when I stumbled onto Dr. Kildare in the kitchen.

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I’ve long been a collector of Richard Chamberlain/ Dr. Kildare memorabilia.

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Speaking of doctors on television, here I am with Ian Buchanan, Dr. Greg Madden on All My Children, and Diva Zappa.

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Diva’s father was Frank. Here’s a portrait of Frank carved a few years ago by Diva’s brother, Dweezil.

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Dweezil was missing in action Sunday night but here I am with his mom, Gail Zappa.

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And here I am with Pamela Des Barres. Among other things, Pamela used to babysit for the Zappa kids and was in the all girl band Frank put together in the 60’s called The GTOs.

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It’s ancient history but Lisa Loeb used to go out with Dweezil.

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In 1999, Lisa commissioned my alter ego, Bubbles the artist, who I used to manage, to do a portrait of Dweezil and all the things he loved for his birthday. Lisa is standing outside the window playing golf, Dweezil’s favorite sport.

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I wish I could say that we played golf or did anything other than taking long rides on Sunday and eating in dives and somehow tie it into the rest of the narrative, but here I am with Charles Phoenix and Jack Nesbit.

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Ultimately, I can only tie that photo in by saying that Charles and Jack brought the balloons we’re standing in front of for Nancye’s birthday, the one person I somehow forgot to take a photo with. Here’s one of us for reference, taken at Diva Zappa’s birthday party last year, tying things up nicely.

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I love going to parties when they’re good parties. I have good friends who throw good parties. Now I also have good bling for good parties which I’ll hopefully remember to wear the next time I go to one.

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I don’t usually like mugs with serious faces on them but “The Gertrude Stein” mug made by Fitz & Floyd in 1976 is a rare one featuring legendary and first-outta-the-gate lesbian life partners, Gertrude Stein and Alice B. Toklas. Gertrude actually looks like Gertrude while Alice looks like a mushroom person, the kind of  poisonously sweet little gnome-like being that ceramicists were somehow infatuated with in the late 1960’s and 70s.

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Stein, an American writer living in Paris in the first half of the 20th Century, was ultimately known most for her “a rose is a rose is a rose” saying and for coining the term “Lost Generation”, while Toklas is revered for a brownie recipe with a little something extra she published.  They were also known as spectacular party throwers for the salons they hosted that attracted the “mugs” of great artists and thinkers of the day, including regulars Ernest Hemingway, Thornton Wilder, Picasso and Matisse.

As gay women who are out and throwing parties go, #1 progressive morning radio show host and Larry King regular, Stephanie Miller, threw a spectacular one Saturday night.  After years of being an outspoken supporter of gay rights, especially as regards the repeal of Caifornia’s Prop 8 ban on same-sex marriage, Stephanie announced her gaiety on her radio show last month and then threw this combo Birthday/Coming Out bash to celebrate.

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Stephanie’s “mug” looks an awful lot like this 1964 Republican Vice Presidential candidate’s. That would be because William E. Miller was her father.

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Stephanie being a staunch liberal Democrat, their “mugs” are as far as the resemblance goes. My “mug” doesn’t look anything like Mr. Miller’s but it would have been stupid to have been this close to his in his daughter’s house and not popped off a shot.

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There were a lot of  fantastic “mugs” at the party, the kind that sit on top of your neck and smile as opposed to ceramic ones like Gertrude that you sip something out of. Here I am with three excellent ones, Jane Wagner, Rep. Maxine Waters and Lily Tomlin.

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My compadre, Julie Brown, was also there…

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…along with Prudence Fenton

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…and this “mug” who I was very excited to meet, George Schlatter. His show, “Laugh In” changed my life, not to mention introduced the world to Lily Tomlin.

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I die for Rep. Maxine Waters. She speaks her mind and is right on target. I’ve always loved her for her mojo and spirit. She has an amazing personality for a politician.

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I only saw the “mug” of attorney Gloria Allred from afar.

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Although Stpehanie’s “mug” appears out her cake, it’s her starts-with-j-and-rhymes-with-mugs that are used to best advantage on it.

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A big blow-out Happy Birthday & Coming Out to Stephanie Miller!!

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The concept of this “Foaming  Musical Hand Soap for Kids!” is really crazy. Theoretically kids can “wash & learn” at the same time. But the biggest thing they’re going to learn is that the quality of the speaker in this thing is so poor that the only one who could possibly hear the music clearly is an insect who somehow slipped through one of the speaker holes and got trapped in the goo, forced to listen to the nearly inaudible and annoying little gremlin voice singing something about washing around your face and continuously spelling S-O–A.–P.

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Honestly, you have to hover so close to the bottle to hear anything that all most kids are going to get is a big squirt of soap in their mouths. In this case, it’s berry scented so perhaps there’s some nutritional value to it.

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Not having kids perhaps this isn’t as novel of product as I think it is. What’s really novel these days though is having a hit in the music industry. I have a big fat hit right now, “Jungle Animal” by Pomplamoose and Allee Willis, but we made and released it independently so relatively few coins will accompany the constant viewing of the song on YouTube or listening to it on itunes or playing the game on my site. This is because I “washed my hands” of the music industry long ago.

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I was much happier making music on my own so total creative control stayed with me and whoever I wrote with. The practice of getting songs on the radio often felt too “dirty” for my tastes, not to mention I thought most people in the industry were deaf, dumb and blind to the Internet throughout much of the 90’s, during which time had they not been so arrogant and clueless they would’ve had a chance to help define the medium and figure out how to derive income from it as the public more and more obtained their music for free. No one should ever turn their back on technology.

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This was a big topic of discussion last night as I attended the ASCAP Love Fest, an annual party thrown to celebrate the ASCAP songwriters, of which I’m not one – I’m BMI – but have been lucky enough to be included in on the festivities every year as I write with so many ASCAP writers and love a lot of the people who work there.

I had an incredible time at the party because I go so far back with so many people there. The first person I bumped into was the first singer who ever heard a song of mine. In 1972, Bette Midler came to my apartment in Manhattan to hear the first two songs I ever wrote, “Childstar” and “Ain’t No Man Worth It”. She actually rehearsed both of them for her show but it wasn’t until years later with a song called “One More Round” that I finally got on one of her albums. I totally associate my first baby steps into show business with Bette. She was the first big global star that came out of my first show biz clique and that made it very exciting for all the rest of us as we struggled along to fame.

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I know that photo’s a little blurry but I liked it better than this one:

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Here I am with Allan Rich, Jason Gould and Marsha Malamet.

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I go as far back with Allan and Marsha as I do Bette. By night I was the hat check girl at Catch a Rising Star which, along with the Improv, was the biggest comedy club in NY. By day, I slapped posters on telephone poles for the acts at Reno Sweeney, the most popular cabaret at the time. Allan sang at both clubs and Marsha played piano. When I moved to LA in 1976 I left my hat checking gig to Marsha. A few years later when Allan finally moved to LA he got his big break when he sold a pair of shoes to Barry Manilow, who we all knew from when he played for Bette, and slipped him a cassette with some of his songs on it.

Here I am with Holly Palmer, aka Cheesecake of Bubbles & Cheesecake, and Jon Lind, who I co-wrote “Boogie Wonderland” with.

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I’m very proud of my technique of being able to take a photo with three people in it without having to ask someone I don’t know to take the photo.  It works a little better with two people in it though as I can hold my arms a little lower:

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Stephen Bishop and I both had an excellent run of hits in the 80’s. Every time we went to a big songwriting event they seated us at the same table because we were always the sharpest dressers.

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Having seen so many old friends I’m really glad that before I left the house I smacked the top of my Soap Tunes – not because I got to hear the annoying, barely audible song again but to make sure I was clean and smelling nice.  The part about using the soap is true but the part about smelling nice isn’t. As many people as I hugged last night I was completely aware that I smelled like a car air freshener the whole time. Thank God they all knew me for decades and know that a) I can write a good song and b) I’m capable of not smelling like a fruit orchard.

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I was never into The A-Team when it came out in the 1980’s. But lately, as I flip through channels in the wee hours of the morning trying to find something to fall asleep to, I’ve gotten completely obsessed with the reruns on Centric. I love all the low camera angles as truck tires screech by and slam dirt into the camera and explosions blow up right in your face. The direction has a clear POV and things that hover near the ground get as many close-ups as the actors do. And, of course, there’s always Mr. T, whose memorabilia I’ve slowly but surely collected over the years – banks, gold chain bubblegum, coloring books, puffy stickers, lunchboxes, air fresheners, and this Mr. T radio I recently received as a gift.

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I have no idea what the significance of the shape is but I love that there’s a wrist strap so Mr. T can always swing by my side.

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I’m one of the few songwriter/musician types who actually loves to hear their own music coming out of something as lo fi as this. In the old days, before the mid ’90s, it was imperative to listen to mixes of your songs over really crappy speakers so you could hear them as the average person was going to hear them. Most people, including myself, had little Auratone speakers in their recording studios, all in an effort to hear which instruments and vocals were audible and which weren’t in case someone was still pumping the sound out of one of these little Mr. T-like pocket jobs. Here I am in my studio in 1981 with one of my Auratones.

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To test how a record would sound out of a more expensive radio, I had my first boombox, the heavier-than-a-bowling-ball/ first-of-its-kind stereo Sony cassette player that all the guys in Earth, Wind & Fire had the day I met them and started “September”. I bought myself one the next day, a huge extravaganza as I was broke, but it felt like the musical waters were shifting and I was on the brink of my first hit so the purchase felt justified. So as soon as I’d finish a mix I’d  listen to it coming out of the Aurotones, then I’d pop a cassette of it into the fancy Sony and, last but not least, if I had any way of rigging an input into one of my transistor radios, I’d listen on that.  Just to the other side of the Auratone in the photo was my collection of vintage transistor radios. It’s not a tragedy that they’re out of camera range as Mr. T was not yet among them. These, however, were:

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By comparison, my Mr. T radio is pretty down and dirty basic. It doesn’t have fancy rhinestone eye dials like the owl or a wing that lifts to reveal the speaker like the ladybug.  But it does come with a belt clip, which would be an excellent feature were it not for the fact that by using it the speaker holes would be jammed up against your body muffling what little sound this thing puts out in the first place.

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These days people own Mr. T Flavorwave Turbo Ovens. I’m content with my 1983 A-Team radio and reruns.

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