{"id":374,"date":"2019-07-31T13:26:53","date_gmt":"2019-07-31T13:26:53","guid":{"rendered":"https:\/\/www.alleewillis.com\/bio\/?page_id=374"},"modified":"2021-01-11T13:57:41","modified_gmt":"2021-01-11T13:57:41","slug":"allee-willis-discography","status":"publish","type":"page","link":"https:\/\/alleewillis.com\/bio\/discography\/allee-willis-discography\/","title":{"rendered":"Allee Willis Discography"},"content":{"rendered":"\n

Allee Willis songs <\/h2>\n\n\n\n

I stopped writing songs in 1991 to continue my trek into technology<\/a> and started writing them once again in 2001 for my Broadway musical The Color Purple<\/em><\/a>, that I co-wrote with Brenda Russell, Stephen Bray, and Marsha Norman, currently on national tour. <\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\t\n\t\t\n\t\t \n\t \n\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t \n\t\t
Artist<\/strong><\/td>\n\t\t Year<\/strong><\/td>\n\t\t Title<\/strong><\/td>\n\t\t Label<\/strong><\/td>\n\t\t<\/tr>\n
Herbie Hancock, Queen & Slim<\/td>\n\t 2019<\/td>\n\t “Come Running to Me”<\/td>\n\t E1 Entertainment<\/td>\n <\/tr>\n
Meghan Trainor<\/td>\n\t 2019<\/td>\n\t “I’ll Be There For You”<\/td>\n\t Epic Records<\/td>\n <\/tr>\n\t\t
Taylor Swift<\/td>\n\t\t 2018<\/td>\n\t\t “September”<\/td>\n\t\t Spotify Sessions<\/td>\n\t\t<\/tr>\n\t\t
Traffik<\/td>\n\t\t 2018<\/td>\n\t\t “September”<\/td>\n\t\t Codeblack Films<\/td>\n\t\t<\/tr>\n\t\t
Allee Willis and the People of Detroit<\/td>\n\t\t 2017<\/td>\n\t\t “The D”<\/td>\n\t\t Tarpan Records<\/td>\n\t\t<\/tr>\n\t\t
TLC<\/td>\n\t\t 2017<\/td>\n\t\t “It’s Sunny”<\/td>\n\t\t 852 MUSIQ<\/td>\n\t\t<\/tr>\n\t\t
ShyBoy<\/td>\n\t\t 2017<\/td>\n\t\t “Can’t Stay With The Pay”<\/td>\n\t\t The Spaceman Agency<\/td>\n\t\t<\/tr>\n\t\t
ShyBoy<\/td>\n\t\t 2017<\/td>\n\t\t “He And She”<\/td>\n\t\t The Spaceman Agency<\/td>\n\t\t<\/tr>\n\t\t
ShyBoy ft. Allee Willis<\/td>\n\t\t 2017<\/td>\n\t\t “What Have I Done To Deserve This”<\/td>\n\t\t The Spaceman Agency<\/td>\n\t\t<\/tr>\n\t\t
Original Cast<\/td>\n\t\t 2016<\/td>\n\t\t “The Color Purple” Broadway Cast Recording<\/td>\n\t\t Broadway Records<\/td>\n\t\t<\/tr>\n\t\t
Justin Timberlake<\/td>\n\t\t 2016<\/td>\n\t\t “September”<\/td>\n\t\t From the Dreamworks Animation film “Trolls”<\/td>\n\t\t<\/tr>\n\t\t
ShyBoy<\/td>\n\t\t 2016<\/td>\n\t\t “Neutron Dance”<\/td>\n\t\t The Spaceman Agency<\/td>\n\t\t<\/tr>\n\t\t
Toto<\/td>\n\t\t 2015<\/td>\n\t\t “The Little Things”<\/td>\n\t\t Frontiers Music Srl<\/td>\n\t\t<\/tr>\n\t\t
Kid Ink<\/td>\n\t\t 2014<\/td>\n\t\t “The Movement”<\/td>\n\t\t My Own Lane<\/td>\n\t\t<\/tr>\n\t\t
ShyBoy<\/td>\n\t\t 2013<\/td>\n\t\t “Carousel”<\/td>\n\t\t  <\/td>\n\t\t<\/tr>\n\t\t
The Rembrandts<\/td>\n\t\t 2013<\/td>\n\t\t “I’ll Be There For You”<\/td>\n\t\t From the New line Cinema film “We’re The Millers” <\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 2012<\/td>\n\t\t “Boogie Wonderland”<\/td>\n\t\t From The Weinstein film, “The Intouchables” <\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 2012<\/td>\n\t\t “September”<\/td>\n\t\t From The Weinstein film, “The Intouchables”<\/td>\n\t\t<\/tr>\n\t\t
Maxine Lapiduss<\/td>\n\t\t 2011<\/td>\n\t\t “Scared About Life Without Oprah”<\/td>\n\t\t  <\/td>\n\t\t<\/tr>\n\t\t
DMC<\/td>\n\t\t 2011<\/td>\n\t\t “Rock Solid”<\/td>\n\t\t  <\/td>\n\t\t<\/tr>\n\t\t
Pomplamoose and Allee Willis<\/td>\n\t\t 2010<\/td>\n\t\t “Jungle Animal”<\/td>\n\t\t  <\/td>\n\t\t<\/tr>\n\t\t
Fantasia<\/td>\n\t\t 2010<\/td>\n\t\t “I’m Here”<\/td>\n\t\t J Records<\/td>\n\t\t<\/tr>\n\t\t
Pet Shop Boys, Lady Gaga<\/td>\n\t\t 2009<\/td>\n\t\t \u201cWhat Have I Done To Deserve This\u201d (Pet\n\t\t\tShop Boys Brit Awards medley)<\/td>\n\t\t EMI<\/td>\n\t\t<\/tr>\n\t\t
Perpetuum Jazzile<\/td>\n\t\t 2009<\/td>\n\t\t \u201cAfrica\u201d (Earth Wind & Fire Medley)<\/td>\n\t\t  <\/td>\n\t\t<\/tr>\n\t\t
The Pointer Sisters<\/td>\n\t\t 2009<\/td>\n\t\t \u201cNeutron Dance\u201d<\/td>\n\t\t \u201cWelcome Home, Roscoe Jenkins\u201d,\n\t\t\tUniversal Pictures<\/td>\n\t\t<\/tr>\n\t\t
West End Girls<\/td>\n\t\t 2009<\/td>\n\t\t “What Have I Done To Deserve This”<\/td>\n\t\t Virgin Records<\/td>\n\t\t<\/tr>\n\t\t
Allee Willis with Jerrie\n\t\t\tThill <\/td>\n\t\t 2009<\/td>\n\t\t “Hey Jerrie” <\/td>\n\t\t Happy Entertainment Records <\/td>\n\t\t<\/tr>\n\t\t
Stallionaires<\/td>\n\t\t 2008<\/td>\n\t\t “Does She Love Me?” (theme\n\t\t\tto VH-1\u2019s Real Chance Of Love<\/em>)<\/td>\n\t\t  <\/td>\n\t\t<\/tr>\n\t\t
Royal Jones<\/td>\n\t\t 2008<\/td>\n\t\t “Come What May”<\/td>\n\t\t  <\/td>\n\t\t<\/tr>\n\t\t
Christophe Willem<\/td>\n\t\t 2008<\/td>\n\t\t “September”<\/td>\n\t\t Columbia\/Sony\/BMG Records<\/td>\n\t\t<\/tr>\n\t\t
Bubbles & Cheesecake<\/td>\n\t\t 2008<\/td>\n\t\t “Editing Is Cool”<\/td>\n\t\t Bubbles’ Record Company<\/td>\n\t\t<\/tr>\n\t\t
Bubbles & Cheesecake<\/td>\n\t\t 2008<\/td>\n\t\t “The Hundredth Time”<\/td>\n\t\t Bubbles’ Record Company<\/td>\n\t\t<\/tr>\n\t\t
Bubbles & Cheesecake<\/td>\n\t\t 2007<\/td>\n\t\t “It’s A Woman Thang”<\/td>\n\t\t Bubbles’ Record Company<\/td>\n\t\t<\/tr>\n\t\t
Bubbles & Cheesecake<\/td>\n\t\t 2007<\/td>\n\t\t “I Confess”<\/td>\n\t\t Bubbles’ Record Company<\/td>\n\t\t<\/tr>\n\t\t
Bubbles & Cheesecake<\/td>\n\t\t 2007<\/td>\n\t\t “Girl In Lust”<\/td>\n\t\t Bubbles’ Record Company<\/td>\n\t\t<\/tr>\n\t\t
Bubbles & Cheesecake<\/td>\n\t\t 2007<\/td>\n\t\t “Cryin’ Lovin’ Leavin'”<\/td>\n\t\t Bubbles’ Record Company<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 2007<\/td>\n\t\t “September” from the film Dan In Real Life<\/em><\/td>\n\t\t  <\/td>\n\t\t<\/tr>\n\t\t
Kirk Franklin<\/td>\n\t\t 2007<\/td>\n\t\t “September” from the album Interpretations: Celebrating the Music of Earth Wind & Fire<\/em><\/td>\n\t\t Stax<\/td>\n\t\t<\/tr>\n\t\t
Holly Palmer<\/td>\n\t\t 2007<\/td>\n\t\t “Girl In Lust” <\/td>\n\t\t Bombshell Records<\/td>\n\t\t<\/tr>\n\t\t
Chantay Savage with Full Flava<\/td>\n\t\t 2006<\/td>\n\t\t \u201cSeptember\u201d<\/td>\n\t\t Dome Records Ltd.<\/td>\n\t\t<\/tr>\n\t\t
Original Broadway Cast<\/td>\n\t\t 2006<\/td>\n\t\t The\n\t\t\tColor Purple<\/em> Original Broadway Cast Recording<\/a><\/td>\n\t\t Angel Records<\/td>\n\t\t<\/tr>\n\t\t
Earth Wind & Fire<\/td>\n\t\t 2006<\/td>\n\t\t \u201cSeptember\u201d from the film \u201cNight\n\t\t\tAt The Museum<\/em>\u201d<\/td>\n\t\t Twentieth Century Fox<\/td>\n\t\t<\/tr>\n\t\t
Earth Wind & Fire<\/td>\n\t\t 2006<\/td>\n\t\t \u201cBoogie Wonderland\u201d from the film \u201cHappy\n\t\t\tFeet<\/em>\u201d<\/td>\n\t\t Atlantic\/ WEA<\/td>\n\t\t<\/tr>\n\t\t
Diana Ross<\/td>\n\t\t 2006<\/td>\n\t\t “What About Love”<\/td>\n\t\t Angel<\/td>\n\t\t<\/tr>\n\t\t
Earth Wind & Fire<\/td>\n\t\t 2006<\/td>\n\t\t “September” – from the film “Babel<\/em>“<\/td>\n\t\t Paramount Pictures<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 2005<\/td>\n\t\t “Boogie Wonderland” \n\t\t\tfrom the film Madagascar<\/em><\/a><\/td>\n\t\t Geffen Records<\/td>\n\t\t<\/tr>\n\t\t
So Da Phunk<\/td>\n\t\t 2005<\/td>\n\t\t “Boogie Wonderland”<\/td>\n\t\t Cassagrande Records<\/td>\n\t\t<\/tr>\n\t\t
Holly Palmer<\/td>\n\t\t 2004<\/td>\n\t\t “I Confess”<\/td>\n\t\t Bombshell Records<\/td>\n\t\t<\/tr>\n\t\t
Holly Palmer<\/td>\n\t\t 2004<\/td>\n\t\t “The Hundredth Time”<\/td>\n\t\t Bombshell Records<\/td>\n\t\t<\/tr>\n\t\t
Holly Palmer<\/td>\n\t\t 2004<\/td>\n\t\t “You Help Me”<\/td>\n\t\t Bombshell Records<\/td>\n\t\t<\/tr>\n\t\t
Jason Nevins<\/td>\n\t\t 2004<\/td>\n\t\t “Vision of Love” (sampling) <\/td>\n\t\t Sanctuary Records<\/td>\n\t\t<\/tr>\n\t\t
Joss Stone & Patti Labelle<\/td>\n\t\t 2005<\/td>\n\t\t “Stir It Up” from the film Chicken Little<\/em><\/a><\/td>\n\t\t Disney<\/td>\n\t\t<\/tr>\n\t\t
Groove Society<\/td>\n\t\t 2005<\/td>\n\t\t “September”<\/td>\n\t\t Groove Society Records<\/td>\n\t\t<\/tr>\n\t\t
Al McKay<\/td>\n\t\t 2005<\/td>\n\t\t “September”<\/td>\n\t\t Video Arts Music<\/td>\n\t\t<\/tr>\n\t\t
Hear\u2018Say<\/td>\n\t\t 2001<\/td>\n\t\t “Boogie Wonderland”<\/td>\n\t\t Polydor Records<\/td>\n\t\t<\/tr>\n\t\t
Noise\/Girl<\/td>\n\t\t 2001<\/td>\n\t\t “Boogie Wonderland”<\/td>\n\t\t VM Test Records<\/td>\n\t\t<\/tr>\n\t\t
Sisqo and Vitamin C <\/td>\n\t\t 2001<\/td>\n\t\t “September”<\/td>\n\t\t  <\/td>\n\t\t<\/tr>\n\t\t
Fishbone<\/td>\n\t\t 2000<\/td>\n\t\t “Where’d You Get Those Pants?”<\/a><\/td>\n\t\t Hollywood Records<\/td>\n\t\t<\/tr>\n\t\t
Taylor Dayne<\/td>\n\t\t 2000<\/td>\n\t\t “Planet Love”<\/a><\/td>\n\t\t Jellybean Recordings<\/td>\n\t\t<\/tr>\n\t\t

<\/td>\n\t\t 		2000<\/td>\n\t\t “Sex Bomb” – theme \n\t\t\tsong of the WB series Grosse Pointe<\/em> -based on sample of “All \n\t\t\tAmerican Girls”-Sister Sledge<\/td>\n\t\t WB<\/td>\n\t\t<\/tr>\n\t\t
Caravelli<\/td>\n\t\t 1999<\/td>\n\t\t “Boogie Wonderland”<\/td>\n\t\t CBS Records<\/td>\n\t\t<\/tr>\n\t\t
Stretch \u2018n\u2019 Vern<\/td>\n\t\t 1999<\/td>\n\t\t “Boogie Wonderland”<\/td>\n\t\t Columbia Records<\/td>\n\t\t<\/tr>\n\t\t
DeFunk<\/td>\n\t\t 1999<\/td>\n\t\t “Pleasure Love” (“September” Sampling<\/em>)<\/td>\n\t\t INCredible Records<\/td>\n\t\t<\/tr>\n\t\t
Pops Fernandez<\/td>\n\t\t 1999<\/td>\n\t\t “Come What May”<\/td>\n\t\t Viva Records<\/td>\n\t\t<\/tr>\n\t\t
System3<\/td>\n\t\t 1999<\/td>\n\t\t “The Only Way Is Up” \n\t\t\t(samples of “September<\/em>“)<\/td>\n\t\t Columbia Records<\/td>\n\t\t<\/tr>\n\t\t
Girls Against Boys<\/td>\n\t\t 1999<\/td>\n\t\t “Boogie Wonderland” \n\t\t\tfrom the film 200\n\t\t\tCigarettes<\/em><\/a><\/td>\n\t\t Virgin<\/td>\n\t\t<\/tr>\n\t\t
X-Rated<\/td>\n\t\t 1999<\/td>\n\t\t “Talk About Macho”<\/td>\n\t\t Prodj International<\/td>\n\t\t<\/tr>\n\t\t
Slum Village, Teddy B.<\/td>\n\t\t 1999<\/td>\n\t\t “Get Dis Money”<\/td>\n\t\t Interscope Records<\/td>\n\t\t<\/tr>\n\t\t
Foundation featuring Deskee<\/td>\n\t\t 1998<\/td>\n\t\t “Get Up September”<\/td>\n\t\t Dos or Die Recordings<\/td>\n\t\t<\/tr>\n\t\t
Reni Jusis<\/td>\n\t\t 1998<\/td>\n\t\t “Graj Wiecej” \n\t\t\t(“September” is a b-side on this single)<\/td>\n\t\t 1998 Pomaton Records<\/td>\n\t\t<\/tr>\n\t\t
Girlfriends<\/td>\n\t\t 1998<\/td>\n\t\t “I’ll Be There For You” \n\t\t\t(theme from the television series “Friends<\/em>“)<\/td>\n\t\t Klone Records<\/td>\n\t\t<\/tr>\n\t\t
Rupaul & Jenifer Lewis<\/td>\n\t\t 1998<\/td>\n\t\t “Come What May” \n\t\t\t(from the USA Network film An Unexpected Life<\/em>)<\/td>\n\t\t USA Networks<\/td>\n\t\t<\/tr>\n\t\t
Brian Bromberg<\/a><\/td>\n\t\t 1998<\/td>\n\t\t “September”<\/td>\n\t\t Zebra<\/td>\n\t\t<\/tr>\n\t\t
Cleopatra<\/a><\/td>\n\t\t 1998<\/td>\n\t\t “Don’t Suffer In Silence”<\/td>\n\t\t Warner Bros.<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1997<\/td>\n\t\t “September” (from \n\t\t\tthe film Soul Food<\/em><\/a>)<\/td>\n\t\t LaFace<\/td>\n\t\t<\/tr>\n\t\t
Skelliot’s Revenge<\/td>\n\t\t 1996<\/td>\n\t\t “Boogie Wonderland” \u2013 Sampling<\/td>\n\t\t  <\/td>\n\t\t<\/tr>\n\t\t
Bruce Roberts<\/a><\/td>\n\t\t 1995<\/td>\n\t\t “Real”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Straight Ahead<\/a><\/td>\n\t\t 1995<\/td>\n\t\t “Come Running To Me”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
The John Tesh Project<\/a><\/td>\n\t\t 1995<\/td>\n\t\t “September”<\/td>\n\t\t Private<\/td>\n\t\t<\/tr>\n\t\t
Songrise Orchestra<\/td>\n\t\t 1995<\/td>\n\t\t “What Have I Done To Deserve This”<\/td>\n\t\t Elap Records<\/td>\n\t\t<\/tr>\n\t\t
Patti LaBelle<\/td>\n\t\t 1994<\/td>\n\t\t “Time Will Tell”<\/a><\/td>\n\t\t MCA<\/td>\n\t\t<\/tr>\n\t\t
Jay Williams<\/td>\n\t\t 1994<\/td>\n\t\t “I Wont Be Satisfied”<\/td>\n\t\t Big Beat<\/td>\n\t\t<\/tr>\n\t\t
Open Skies<\/td>\n\t\t 1994<\/td>\n\t\t “Nothing Without You”<\/td>\n\t\t BMG Records<\/td>\n\t\t<\/tr>\n\t\t
Kenny Thomas<\/td>\n\t\t 1994<\/td>\n\t\t “I Won’t Be Satisfied”<\/td>\n\t\t Chysallis<\/td>\n\t\t<\/tr>\n\t\t
The Rembrandts<\/td>\n\t\t 1994<\/td>\n\t\t “I’ll Be there For You” \n\t\t\t(Theme from the NBC series Friends<\/em>)<\/td>\n\t\t Elektra<\/td>\n\t\t<\/tr>\n\t\t

<\/td>\n\t\t 		1994<\/td>\n\t\t Krazy Teens (for the MTV series Liquid Television<\/em>)<\/td>\n\t\t MTV<\/td>\n\t\t<\/tr>\n\t\t

<\/td>\n\t\t 		1994<\/td>\n\t\t Day of the Dead Guy (for the \n\t\t\tMTV series Liquid Television<\/em>)<\/td>\n\t\t MTV<\/td>\n\t\t<\/tr>\n\t\t
Marcello<\/td>\n\t\t 1994<\/td>\n\t\t “Boogie Wonderland”<\/td>\n\t\t Blanco Y Negro Records<\/td>\n\t\t<\/tr>\n\t\t
Cyndi Lauper<\/a><\/td>\n\t\t 1993<\/td>\n\t\t “Lies”<\/td>\n\t\t Sony<\/td>\n\t\t<\/tr>\n\t\t
Cyndi\n\t\t\tLauper<\/a><\/td>\n\t\t 1993<\/td>\n\t\t “Who Let In The Rain”<\/td>\n\t\t Sony<\/td>\n\t\t<\/tr>\n\t\t
Cyndi\n\t\t\tLauper<\/a><\/td>\n\t\t 1993<\/td>\n\t\t “Cold”<\/td>\n\t\t Sony<\/td>\n\t\t<\/tr>\n\t\t
Cyndi\n\t\t\tLauper<\/a><\/td>\n\t\t 1993<\/td>\n\t\t “That’s What I Think”<\/td>\n\t\t Sony<\/td>\n\t\t<\/tr>\n\t\t
Cyndi\n\t\t\tLauper<\/a><\/td>\n\t\t 1993<\/td>\n\t\t “Someone Like Me”<\/td>\n\t\t Sony<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1993<\/td>\n\t\t “The ‘L’ Word”<\/td>\n\t\t Warner Bros.<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1993<\/td>\n\t\t “Sunday Morning”<\/td>\n\t\t Warner Bros.<\/td>\n\t\t<\/tr>\n\t\t
Dave Koz<\/a><\/td>\n\t\t 1993<\/td>\n\t\t “When The Sax Man Plays”<\/td>\n\t\t Capitol<\/td>\n\t\t<\/tr>\n\t\t
Cyndi\n\t\t\tLauper<\/a><\/td>\n\t\t 1993<\/td>\n\t\t “Like I Used To”<\/td>\n\t\t Sony<\/td>\n\t\t<\/tr>\n\t\t
Alexander O’Neal<\/a><\/td>\n\t\t 1993<\/td>\n\t\t “All That Matters To \n\t\t\tMe”<\/td>\n\t\t A & M<\/td>\n\t\t<\/tr>\n\t\t
Debbie Harry<\/a><\/td>\n\t\t 1993<\/td>\n\t\t “Stability”<\/td>\n\t\t Sire<\/td>\n\t\t<\/tr>\n\t\t
Lulu<\/a><\/td>\n\t\t 1993<\/td>\n\t\t “There Has Got To Be A Way”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Eric Marienthal<\/a><\/td>\n\t\t 1993<\/td>\n\t\t “I Walk Through The Fire”<\/td>\n\t\t GRP<\/td>\n\t\t<\/tr>\n\t\t
The Pointer Sisters<\/a><\/td>\n\t\t 1993<\/td>\n\t\t “Tell It To My Heart”<\/td>\n\t\t EMI<\/td>\n\t\t<\/tr>\n\t\t
Coming Of Age<\/a><\/td>\n\t\t 1993<\/td>\n\t\t “Coming Home To Love”<\/td>\n\t\t Zoo Records<\/td>\n\t\t<\/tr>\n\t\t
Victoria Wilson-James<\/td>\n\t\t 1993<\/td>\n\t\t “Boogie Wonderland”<\/td>\n\t\t Fifth World Records<\/td>\n\t\t<\/tr>\n\t\t
Lis Sorensen<\/td>\n\t\t 1993<\/td>\n\t\t “Ingen Glaede Uden Dig”<\/td>\n\t\t EMI Records<\/td>\n\t\t<\/tr>\n\t\t
Randy Crawford<\/a><\/td>\n\t\t 1992<\/td>\n\t\t “Hold On, Be Strong”<\/td>\n\t\t Warner Brothers<\/td>\n\t\t<\/tr>\n\t\t
Tatiana<\/a><\/td>\n\t\t 1992<\/td>\n\t\t “It Really Matters To \n\t\t\tMe”<\/td>\n\t\t Sony Music Mexico<\/td>\n\t\t<\/tr>\n\t\t
Cooly Live<\/a><\/td>\n\t\t 1992<\/td>\n\t\t “Shake Her”<\/td>\n\t\t RCA<\/td>\n\t\t<\/tr>\n\t\t
Undercover<\/td>\n\t\t 1992<\/td>\n\t\t “September”<\/td>\n\t\t PWL International<\/td>\n\t\t<\/tr>\n\t\t
Tour De Force<\/td>\n\t\t 1992<\/td>\n\t\t “September”<\/td>\n\t\t Out Records<\/td>\n\t\t<\/tr>\n\t\t
Cherelle<\/a><\/td>\n\t\t 1991<\/td>\n\t\t “Never In My Life”<\/td>\n\t\t Tabu<\/td>\n\t\t<\/tr>\n\t\t
The Party<\/td>\n\t\t 1991<\/td>\n\t\t “Adult Decision”<\/td>\n\t\t Hollywood Records<\/td>\n\t\t<\/tr>\n\t\t
Jellybean<\/a><\/td>\n\t\t 1991<\/td>\n\t\t “Tightrope”<\/td>\n\t\t Chrysalis<\/td>\n\t\t<\/tr>\n\t\t
101N<\/td>\n\t\t 1991<\/td>\n\t\t “I Wish That Love Would \n\t\t\tLast”<\/td>\n\t\t Capitol<\/td>\n\t\t<\/tr>\n\t\t
Sylvie Vartan<\/td>\n\t\t 1991<\/td>\n\t\t “Outskirts”<\/td>\n\t\t
<\/td>\n\t\t<\/tr>\n\t\t
Sheena Easton<\/a><\/td>\n\t\t 1991<\/td>\n\t\t “Half A Heart”<\/td>\n\t\t MCA<\/td>\n\t\t<\/tr>\n\t\t
Thelma Houston<\/a><\/td>\n\t\t 1990<\/td>\n\t\t “Short Life”<\/td>\n\t\t Warner Bros<\/td>\n\t\t<\/tr>\n\t\t
Dusty Springfield<\/a><\/td>\n\t\t 1990<\/td>\n\t\t “Send It To Me”<\/td>\n\t\t EMI-U.K.<\/td>\n\t\t<\/tr>\n\t\t
Ada Dyer<\/td>\n\t\t 1990<\/td>\n\t\t “Keepin’ The Home Boy \n\t\t\tHome”<\/td>\n\t\t Motown<\/td>\n\t\t<\/tr>\n\t\t
Denise Lopez<\/td>\n\t\t 1990<\/td>\n\t\t “Communicate”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Bette Midler<\/td>\n\t\t 1990<\/td>\n\t\t “One More Round”<\/td>\n\t\t Hollywood Records<\/td>\n\t\t<\/tr>\n\t\t
M\u2018s-Queen<\/td>\n\t\t 1990<\/td>\n\t\t “Boogie Wonderland”<\/td>\n\t\t Polystar Records<\/td>\n\t\t<\/tr>\n\t\t
Julie Brown<\/td>\n\t\t 1990<\/td>\n\t\t “The Art of Being Fabulous” \n\t\t\t(from CBS TV’s The Julie Brown Show<\/em>)<\/td>\n\t\t CBS Television<\/td>\n\t\t<\/tr>\n\t\t
Tata Vega<\/td>\n\t\t 1989<\/td>\n\t\t “Don’t Turn Away”<\/td>\n\t\t World Records<\/td>\n\t\t<\/tr>\n\t\t
Sheena Easton<\/td>\n\t\t 1988<\/td>\n\t\t “If It’s Meant To Last”<\/td>\n\t\t MCA<\/td>\n\t\t<\/tr>\n\t\t
Nona Hendryx<\/td>\n\t\t 1988<\/td>\n\t\t “Transparent” (from \n\t\t\tthe film Coming To America<\/em>)<\/td>\n\t\t MCA<\/td>\n\t\t<\/tr>\n\t\t
Boy George<\/td>\n\t\t 1988<\/td>\n\t\t “Live My Life” <\/td>\n\t\t Virgin<\/td>\n\t\t<\/tr>\n\t\t
Del Rubio Triplets<\/td>\n\t\t 1988<\/td>\n\t\t “Neutron Dance” <\/td>\n\t\t Cabazon Records<\/td>\n\t\t<\/tr>\n\t\t
Pet Shop Boys with Dusty Springfield<\/td>\n\t\t 1988<\/td>\n\t\t “What Have I Done To Deserve This?”<\/a><\/td>\n\t\t EMI<\/td>\n\t\t<\/tr>\n\t\t
Suburban Boys<\/td>\n\t\t 1988<\/td>\n\t\t “What Have I Done To Deserve This?”<\/td>\n\t\t Beat Box Records<\/td>\n\t\t<\/tr>\n\t\t
Ashford & Simpson<\/td>\n\t\t 1988<\/td>\n\t\t “Down To Earth” \n\t\t\t(from the film Mac & Me<\/em>)<\/td>\n\t\t Warner Bros.<\/td>\n\t\t<\/tr>\n\t\t
The Weather Girls<\/td>\n\t\t 1987<\/td>\n\t\t “Love You Like A Train”<\/td>\n\t\t CBS<\/td>\n\t\t<\/tr>\n\t\t
The Pointer Sisters<\/td>\n\t\t 1987<\/td>\n\t\t “Be There” (from \n\t\t\tthe film Beverly Hills Cop II<\/em>)<\/td>\n\t\t RCA<\/td>\n\t\t<\/tr>\n\t\t
The Pointer Sisters<\/td>\n\t\t 1987<\/td>\n\t\t “Set Me Free” (from \n\t\t\tthe film Jumping Jack Flash<\/em>)<\/td>\n\t\t RCA<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1987<\/td>\n\t\t “Money Tight”<\/td>\n\t\t Columbia<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1986<\/td>\n\t\t “Evil Roy”<\/td>\n\t\t Columbia<\/td>\n\t\t<\/tr>\n\t\t
Cherry Bomb<\/td>\n\t\t 1986<\/td>\n\t\t “Don’t Turn Away” \n\t\t\t(from the film Howard The Duck<\/em>)<\/td>\n\t\t Universal\/Lucasfilm<\/td>\n\t\t<\/tr>\n\t\t
Cherry Bomb<\/td>\n\t\t 1986<\/td>\n\t\t “Hunger City” (from \n\t\t\tthe film Howard The Duck<\/em>)<\/td>\n\t\t Universal\/Lucasfilm<\/td>\n\t\t<\/tr>\n\t\t
Thomas Dolby<\/td>\n\t\t 1986<\/td>\n\t\t “Don’t Turn Away” \n\t\t\tfrom the film Howard The Duck<\/em>)<\/td>\n\t\t Universal\/Lucasfilm<\/td>\n\t\t<\/tr>\n\t\t
Thomas Dolby and George Clinton<\/td>\n\t\t 1986<\/td>\n\t\t “Howard The Duck” \n\t\t\t(from the film Howard The Duck<\/em>)<\/td>\n\t\t Universal\/Lucasfilm<\/td>\n\t\t<\/tr>\n\t\t
Dolby’s Cube<\/td>\n\t\t 1986<\/td>\n\t\t “It Don’t Come Cheap” \n\t\t\t(from the film Howard The Duck<\/em>)<\/td>\n\t\t Universal\/Lucasfilm<\/td>\n\t\t<\/tr>\n\t\t
Gladys Knight<\/td>\n\t\t 1986<\/td>\n\t\t “Send It To Me”<\/td>\n\t\t MCA<\/td>\n\t\t<\/tr>\n\t\t
Helen Terry<\/td>\n\t\t 1986<\/td>\n\t\t “Love, Money & Sex”<\/td>\n\t\t Virgin Records<\/td>\n\t\t<\/tr>\n\t\t
Crystal Waters<\/td>\n\t\t 1986<\/td>\n\t\t “Say, If You Feel Alright”<\/td>\n\t\t Zac Records<\/td>\n\t\t<\/tr>\n\t\t
Cool Runners<\/td>\n\t\t 1986<\/td>\n\t\t “I Should Have Loved Ya”<\/td>\n\t\t Satellite Music<\/td>\n\t\t<\/tr>\n\t\t
Fiona<\/td>\n\t\t 1985<\/td>\n\t\t “Casual Thing” (from \n\t\t\tthe film Quicksilver<\/em>)<\/td>\n\t\t Columbia Pictures<\/td>\n\t\t<\/tr>\n\t\t
Street Suite<\/td>\n\t\t 1985<\/td>\n\t\t “Dance Fever” (theme \n\t\t\tfor Dance Fever<\/em> TV Series)<\/td>\n\t\t Syndicated<\/td>\n\t\t<\/tr>\n\t\t
Patti LaBelle<\/td>\n\t\t 1985<\/td>\n\t\t “Stir It Up” (theme \n\t\t\tfor TV series)<\/td>\n\t\t CBS<\/td>\n\t\t<\/tr>\n\t\t
Allee Willis\/Pee Wee Herman<\/td>\n\t\t 1985<\/td>\n\t\t “Big Adventure”<\/td>\n\t\t Warner Bros.<\/td>\n\t\t<\/tr>\n\t\t
Patti LaBelle<\/td>\n\t\t 1985<\/td>\n\t\t “Stir It Up” (from \n\t\t\tthe film Beverly Hills Cop<\/em>)<\/td>\n\t\t MCA<\/td>\n\t\t<\/tr>\n\t\t
The Pointer Sisters<\/td>\n\t\t 1985<\/td>\n\t\t “Neutron Dance” \n\t\t\t(from the film Beverly Hills Cop<\/em>)<\/td>\n\t\t MCA<\/td>\n\t\t<\/tr>\n\t\t
Shalamar<\/td>\n\t\t 1984<\/td>\n\t\t “Deadline USA” (from the film “D.C. Cab”<\/em>)<\/td>\n\t\t MCA Records<\/td>\n\t\t<\/tr>\n\t\t
Steven Stills<\/td>\n\t\t 1984<\/td>\n\t\t “Can’t Let Go”<\/td>\n\t\t Columbia<\/td>\n\t\t<\/tr>\n\t\t
Marcia Hines<\/td>\n\t\t 1984<\/td>\n\t\t “Heart Like A Radio”<\/td>\n\t\t Hammard\/Midnight Records<\/td>\n\t\t<\/tr>\n\t\t
Joe Esposito<\/td>\n\t\t 1984<\/td>\n\t\t “You’re The Best”(from \n\t\t\tthe film Karate Kid<\/em>)<\/td>\n\t\t Casablance<\/td>\n\t\t<\/tr>\n\t\t
Sunrize<\/td>\n\t\t 1984<\/td>\n\t\t “September”<\/td>\n\t\t Salisbury Labratories<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1983<\/td>\n\t\t “Living On Our Time”<\/td>\n\t\t Columbia<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1983<\/td>\n\t\t “Could It Be Right”<\/td>\n\t\t Columbia<\/td>\n\t\t<\/tr>\n\t\t
Level 42<\/td>\n\t\t 1983<\/td>\n\t\t “Micro Kid”<\/td>\n\t\t Polygram<\/td>\n\t\t<\/tr>\n\t\t
Phyllis Hyman<\/td>\n\t\t 1983<\/td>\n\t\t “Why Did You Turn Me \n\t\t\tOn?”<\/td>\n\t\t Arista<\/td>\n\t\t<\/tr>\n\t\t
Jennifer Holiday<\/td>\n\t\t 1983<\/td>\n\t\t “Heartstrings”<\/td>\n\t\t Geffen<\/td>\n\t\t<\/tr>\n\t\t
Jennifer Holiday<\/td>\n\t\t 1983<\/td>\n\t\t “I Am Love”<\/td>\n\t\t Geffen<\/td>\n\t\t<\/tr>\n\t\t
Natalie Cole<\/td>\n\t\t 1983<\/td>\n\t\t “Where’s Your Angel”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Lisa Boray<\/td>\n\t\t 1983<\/td>\n\t\t “Something About You”<\/td>\n\t\t Phillips label<\/td>\n\t\t<\/tr>\n\t\t
France Joli<\/td>\n\t\t 1983<\/td>\n\t\t “Now”<\/td>\n\t\t Prelude<\/td>\n\t\t<\/tr>\n\t\t
Toni Basil<\/td>\n\t\t 1983<\/td>\n\t\t “Go For The Burn”<\/td>\n\t\t Chrysalis<\/td>\n\t\t<\/tr>\n\t\t
Toni Basil<\/td>\n\t\t 1983<\/td>\n\t\t “Best Performance”<\/td>\n\t\t Chrysalis<\/td>\n\t\t<\/tr>\n\t\t
Linda Lewis<\/td>\n\t\t 1983<\/td>\n\t\t “(Close The Door) \u201cTake Your Heart\u201d “<\/td>\n\t\t Epic Records<\/td>\n\t\t<\/tr>\n\t\t
Toni Basil<\/td>\n\t\t 1983<\/td>\n\t\t “Street Beat”<\/td>\n\t\t Chrysalis<\/td>\n\t\t<\/tr>\n\t\t
Michael Stevens<\/td>\n\t\t 1983<\/td>\n\t\t “September”<\/td>\n\t\t French Line Music<\/td>\n\t\t<\/tr>\n\t\t
Toni Basil<\/td>\n\t\t 1982<\/td>\n\t\t “Shoppin’ A to Z”<\/td>\n\t\t Chrysalis<\/td>\n\t\t<\/tr>\n\t\t
Leo Sayer<\/td>\n\t\t 1982<\/td>\n\t\t “Til You Let Your Heart In”<\/td>\n\t\t Chrysalis<\/td>\n\t\t<\/tr>\n\t\t
Scott Baio<\/td>\n\t\t 1982<\/td>\n\t\t “When You Find Someone \n\t\t\tWho Loves You”<\/td>\n\t\t RCA<\/td>\n\t\t<\/tr>\n\t\t
Leon Ware<\/td>\n\t\t 1982<\/td>\n\t\t “Shelter”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Bette Midler<\/td>\n\t\t 1982<\/td>\n\t\t “No Jinx” (theme \n\t\t\tfrom the film Jinxed<\/em>)<\/td>\n\t\t United Artists<\/td>\n\t\t<\/tr>\n\t\t
Narada Michael Walden<\/td>\n\t\t 1982<\/td>\n\t\t “You Ought To Love Me”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Narada Michael Walden<\/td>\n\t\t 1982<\/td>\n\t\t “I’m Ready”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Narada Michael Walden<\/td>\n\t\t 1982<\/td>\n\t\t “Holiday”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Narada Michael Walden<\/td>\n\t\t 1982<\/td>\n\t\t “You’re Number 1”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
High Inergy<\/td>\n\t\t 1982<\/td>\n\t\t “Show Me How”<\/td>\n\t\t Motown<\/td>\n\t\t<\/tr>\n\t\t
Richard Simmons<\/td>\n\t\t 1982<\/td>\n\t\t “Don’t Tell me”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Richard Simmons<\/td>\n\t\t 1982<\/td>\n\t\t “This Time”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Richard Simmons<\/td>\n\t\t 1982<\/td>\n\t\t “Live It”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Richard Simmons<\/td>\n\t\t 1982<\/td>\n\t\t “Reach”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Richard Simmons<\/td>\n\t\t 1982<\/td>\n\t\t “Stop And Start”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Richard Simmons<\/td>\n\t\t 1982<\/td>\n\t\t “What Are You Waiting \n\t\t\tFor”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Richard Simmons<\/td>\n\t\t 1982<\/td>\n\t\t “You Can Do It”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Richard Simmons<\/td>\n\t\t 1982<\/td>\n\t\t “Laugh”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Richard Simmons<\/td>\n\t\t 1982<\/td>\n\t\t “Lift It Up”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Richard Simmons<\/td>\n\t\t 1982<\/td>\n\t\t “Wake Up”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Tanya Tucker<\/td>\n\t\t 1982<\/td>\n\t\t “I Don’t Want You To \n\t\t\tGo”<\/td>\n\t\t Arista<\/td>\n\t\t<\/tr>\n\t\t
Melissa Manchester<\/td>\n\t\t 1982<\/td>\n\t\t “Your Place Or Mine” \n\t\t\t(from the film A Little Sex<\/em>)<\/td>\n\t\t Arista<\/td>\n\t\t<\/tr>\n\t\t
Kiimiko<\/td>\n\t\t 1982<\/td>\n\t\t “I Wish That Love Would Last”<\/td>\n\t\t Sony<\/td>\n\t\t<\/tr>\n\t\t
England Dan Seals<\/td>\n\t\t 1982<\/td>\n\t\t “It Will Be Alright”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Nicolette Larson<\/td>\n\t\t 1982<\/td>\n\t\t “Talk To Me”<\/td>\n\t\t Warner Bros.<\/td>\n\t\t<\/tr>\n\t\t
Amil Stewart<\/td>\n\t\t 1981<\/td>\n\t\t “Digital Love”<\/td>\n\t\t Handshake<\/td>\n\t\t<\/tr>\n\t\t
Rufus with Chaka Khan<\/td>\n\t\t 1981<\/td>\n\t\t “Secret Friend”<\/td>\n\t\t MCA<\/td>\n\t\t<\/tr>\n\t\t
Rufus with Chaka Khan<\/td>\n\t\t 1981<\/td>\n\t\t “Lilah”<\/td>\n\t\t MCA<\/td>\n\t\t<\/tr>\n\t\t
Atlantic Starr<\/td>\n\t\t 1981<\/td>\n\t\t “Perfect Love”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Angela Bofill<\/td>\n\t\t 1981<\/td>\n\t\t “Something About You”<\/td>\n\t\t Arista<\/td>\n\t\t<\/tr>\n\t\t
Ronnie Dyson<\/td>\n\t\t 1981<\/td>\n\t\t “Now”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
The Nolans<\/td>\n\t\t 1981<\/td>\n\t\t “Lead Me On”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
The Nolans<\/td>\n\t\t 1981<\/td>\n\t\t “God Knows”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
The Emotions<\/td>\n\t\t 1981<\/td>\n\t\t “What’s The Name Of Your \n\t\t\tLove”<\/td>\n\t\t Arc<\/td>\n\t\t<\/tr>\n\t\t
The Emotions<\/td>\n\t\t 1981<\/td>\n\t\t “There’ll Never Be Another \n\t\t\tMoment”<\/td>\n\t\t Arc<\/td>\n\t\t<\/tr>\n\t\t
Peter Noone and The Tremblers<\/td>\n\t\t 1981<\/td>\n\t\t “God Knows”<\/td>\n\t\t Warner Bros.<\/td>\n\t\t<\/tr>\n\t\t
LaToya Jackson<\/td>\n\t\t 1981<\/td>\n\t\t “I Don’t Want You To \n\t\t\tGo”<\/td>\n\t\t Motown<\/td>\n\t\t<\/tr>\n\t\t
LTD<\/td>\n\t\t 1981<\/td>\n\t\t “Now”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Angela Bofill<\/td>\n\t\t 1981<\/td>\n\t\t “I Do Love You”<\/td>\n\t\t Arista<\/td>\n\t\t<\/tr>\n\t\t
Dionne Warwick<\/td>\n\t\t 1981<\/td>\n\t\t “In The Stone”<\/td>\n\t\t Arista<\/td>\n\t\t<\/tr>\n\t\t
Billy Preston and Syretta<\/td>\n\t\t 1981<\/td>\n\t\t “One More Try”<\/td>\n\t\t Motown<\/td>\n\t\t<\/tr>\n\t\t
Diana Ross<\/td>\n\t\t 1981<\/td>\n\t\t “Crying My Heart Out \n\t\t\tFor You”<\/td>\n\t\t Motown<\/td>\n\t\t<\/tr>\n\t\t
Tycoon<\/td>\n\t\t 1981<\/td>\n\t\t “One More Try”<\/td>\n\t\t Arista<\/td>\n\t\t<\/tr>\n\t\t
Stacy Lattisaw<\/td>\n\t\t 1981<\/td>\n\t\t “Feel My Love”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Stacy Lattisaw<\/td>\n\t\t 1981<\/td>\n\t\t “Baby, I Love You”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Crystal Gayle<\/td>\n\t\t 1981<\/td>\n\t\t “The Blue Side” \n\t\t\t(from the film Fort Apache, The Bronx<\/em>)<\/td>\n\t\t 20th Century<\/td>\n\t\t<\/tr>\n\t\t
Julie Budd<\/td>\n\t\t 1981<\/td>\n\t\t “Any Fool Could See” \n\t\t\t(from the film The Devil and Max Devlin<\/em>)<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Donna Washington<\/td>\n\t\t 1981<\/td>\n\t\t “I Want You Tonight”<\/td>\n\t\t Capitol<\/td>\n\t\t<\/tr>\n\t\t
Aretha Franklin<\/td>\n\t\t 1981<\/td>\n\t\t “There’s A Star For Everyone”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Sister Sledge<\/td>\n\t\t 1981<\/td>\n\t\t “Don’t You Let Me Lose \n\t\t\tIt”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Sister Sledge<\/td>\n\t\t 1981<\/td>\n\t\t “Next Time You’ll Know”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Sister Sledge<\/td>\n\t\t 1981<\/td>\n\t\t “He’s Just A Runaway”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Sister Sledge<\/td>\n\t\t 1981<\/td>\n\t\t “All American Girls”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Sister Sledge<\/td>\n\t\t 1981<\/td>\n\t\t “Ooh You Caught My Heart”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Narada Michael Walden<\/td>\n\t\t 1981<\/td>\n\t\t “Confidence”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Wanda Walden and Narada Michael \n\t\t\tWalden<\/td>\n\t\t 1981<\/td>\n\t\t “Take Your Heart”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Wanda Walden<\/td>\n\t\t 1981<\/td>\n\t\t “Searching For Love”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Wanda Walden and Narada Michael \n\t\t\tWalden<\/td>\n\t\t 1981<\/td>\n\t\t “Lost And Found”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
George Duke and Stanley Clarke<\/td>\n\t\t 1981<\/td>\n\t\t “Touch And Go”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Maynard Ferguson<\/td>\n\t\t 1981<\/td>\n\t\t “Touch And Go”<\/td>\n\t\t CBS\/Canada<\/td>\n\t\t<\/tr>\n\t\t
Phyllis Hyman<\/td>\n\t\t 1981<\/td>\n\t\t “Why Did You Turn Me \n\t\t\tOn?”<\/td>\n\t\t
<\/td>\n\t\t<\/tr>\n\t\t
Gladys Knight & The Pips<\/td>\n\t\t 1981<\/td>\n\t\t “Love Me Again”<\/td>\n\t\t Koala<\/td>\n\t\t<\/tr>\n\t\t
Greg Phillinganes<\/td>\n\t\t 1981<\/td>\n\t\t “Baby, I Do Love You”<\/td>\n\t\t Planet<\/td>\n\t\t<\/tr>\n\t\t
Greg Phillinganes<\/td>\n\t\t 1981<\/td>\n\t\t “Forever Now”<\/td>\n\t\t Planet<\/td>\n\t\t<\/tr>\n\t\t
Karen Silver<\/td>\n\t\t 1981<\/td>\n\t\t “Crazy For Ya”<\/td>\n\t\t Unidisc Label<\/td>\n\t\t<\/tr>\n\t\t
Katie Kissoon<\/td>\n\t\t 1981<\/td>\n\t\t “God Knows”<\/td>\n\t\t A&M Records<\/td>\n\t\t<\/tr>\n\t\t
Dusty Springfield<\/td>\n\t\t 1981<\/td>\n\t\t “I Wish That Love Would \n\t\t\tLast”<\/td>\n\t\t 20th Century<\/td>\n\t\t<\/tr>\n\t\t
Lauren Wood<\/td>\n\t\t 1981<\/td>\n\t\t “Ain’t Got Nothing For \n\t\t\tMe”<\/td>\n\t\t RCA<\/td>\n\t\t<\/tr>\n\t\t
Lauren Wood<\/td>\n\t\t 1981<\/td>\n\t\t “In The Dark”<\/td>\n\t\t Warner Bros.<\/td>\n\t\t<\/tr>\n\t\t
Lani Hall and Herb Alpert<\/td>\n\t\t 1981<\/td>\n\t\t “Come What May”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Odyssey<\/td>\n\t\t 1981<\/td>\n\t\t “It Will Be Alright”<\/td>\n\t\t RCA<\/td>\n\t\t<\/tr>\n\t\t
Lani Hall<\/td>\n\t\t 1981<\/td>\n\t\t “In The Dark”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Lani Hall<\/td>\n\t\t 1981<\/td>\n\t\t “Ain’t Got Nothin’ For \n\t\t\tMe”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Lani Hall<\/td>\n\t\t 1981<\/td>\n\t\t “Where’s Your Angel”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Lani Hall<\/td>\n\t\t 1981<\/td>\n\t\t “Wish I Would’ve Stayed”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Lani Hall<\/td>\n\t\t 1981<\/td>\n\t\t “Love Me Again”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Lani Hall<\/td>\n\t\t 1981<\/td>\n\t\t “No Strings”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Sharon Redd<\/td>\n\t\t 1981<\/td>\n\t\t “It’s A Lie”<\/td>\n\t\t Prelude<\/td>\n\t\t<\/tr>\n\t\t
Sharon Redd<\/td>\n\t\t 1981<\/td>\n\t\t “Love Is Gonna Get Ya”<\/td>\n\t\t Prelude<\/td>\n\t\t<\/tr>\n\t\t
Ray Charles<\/td>\n\t\t 1981<\/td>\n\t\t Perfect Love<\/td>\n\t\t Capitol<\/td>\n\t\t<\/tr>\n\t\t
Ray Charles<\/td>\n\t\t 1980<\/td>\n\t\t “Perfect Love”<\/td>\n\t\t  <\/td>\n\t\t<\/tr>\n\t\t
Patti Austin<\/td>\n\t\t 1980<\/td>\n\t\t “I Want You Tonight”<\/td>\n\t\t CTI<\/td>\n\t\t<\/tr>\n\t\t
Patti Austin<\/td>\n\t\t 1980<\/td>\n\t\t “Love Me Again”<\/td>\n\t\t CTI<\/td>\n\t\t<\/tr>\n\t\t
Al Jarreau<\/td>\n\t\t 1980<\/td>\n\t\t “If I Could Only Change \n\t\t\tYour Mind”<\/td>\n\t\t Warner Bros.<\/td>\n\t\t<\/tr>\n\t\t
Maxine Nightingale<\/td>\n\t\t 1980<\/td>\n\t\t “Take Your Heart”<\/td>\n\t\t Windsong<\/td>\n\t\t<\/tr>\n\t\t
Maxine Nightingale<\/td>\n\t\t 1980<\/td>\n\t\t “Why Did You Turn Me \n\t\t\tOn?”<\/td>\n\t\t Windsong<\/td>\n\t\t<\/tr>\n\t\t
Maxine Nightingale<\/td>\n\t\t 1980<\/td>\n\t\t “Never Enough”<\/td>\n\t\t Windsong<\/td>\n\t\t<\/tr>\n\t\t
Cher\/Black Rose<\/td>\n\t\t 1980<\/td>\n\t\t “Young & Pretty”<\/td>\n\t\t Casablanca<\/td>\n\t\t<\/tr>\n\t\t
Frank Pourcel<\/td>\n\t\t 1980<\/td>\n\t\t “Boogie Wonderland”<\/td>\n\t\t Pathe\u2019 Marconi Records<\/td>\n\t\t<\/tr>\n\t\t
Dee Edwards<\/td>\n\t\t 1980<\/td>\n\t\t “Selflessly”<\/td>\n\t\t Planet<\/td>\n\t\t<\/tr>\n\t\t
Rudy Martin<\/td>\n\t\t 1980<\/td>\n\t\t “Lead Me On”<\/td>\n\t\t QSR Music Rolls, Inc.<\/td>\n\t\t<\/tr>\n\t\t
Karen Silver<\/td>\n\t\t 1980<\/td>\n\t\t “Crazy For Ya”<\/td>\n\t\t Quality<\/td>\n\t\t<\/tr>\n\t\t
Rocky Robbins<\/td>\n\t\t 1980<\/td>\n\t\t “Lost In Love Again”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Bryan Adams<\/td>\n\t\t 1980<\/td>\n\t\t “Wait And See”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Lani Hall<\/td>\n\t\t 1980<\/td>\n\t\t “I Don’t Want You To \n\t\t\tGo”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Lani Hall<\/td>\n\t\t 1980<\/td>\n\t\t “Only You”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Bobbi Walker<\/td>\n\t\t 1980<\/td>\n\t\t “Something About You”<\/td>\n\t\t Casablanca<\/td>\n\t\t<\/tr>\n\t\t
Dionne Warwick<\/td>\n\t\t 1980<\/td>\n\t\t “How You Once Loved Me”<\/td>\n\t\t Arista<\/td>\n\t\t<\/tr>\n\t\t
D.J. Rodgers<\/td>\n\t\t 1980<\/td>\n\t\t “Country Song In My Heart”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Melissa Manchester<\/td>\n\t\t 1980<\/td>\n\t\t “Talk”<\/td>\n\t\t Arista<\/td>\n\t\t<\/tr>\n\t\t
Donna Washington<\/td>\n\t\t 1980<\/td>\n\t\t “Much More Than Friends”<\/td>\n\t\t Capitol<\/td>\n\t\t<\/tr>\n\t\t
Donna Washington<\/td>\n\t\t 1980<\/td>\n\t\t “I See Home”<\/td>\n\t\t Capitol<\/td>\n\t\t<\/tr>\n\t\t
Tim Weisberg<\/td>\n\t\t 1980<\/td>\n\t\t “I’m The Lucky One”<\/td>\n\t\t MCA<\/td>\n\t\t<\/tr>\n\t\t
Tina Turner<\/td>\n\t\t 1980<\/td>\n\t\t “I See Home”<\/td>\n\t\t UA<\/td>\n\t\t<\/tr>\n\t\t
Airplay<\/td>\n\t\t 1980<\/td>\n\t\t “Leave Me Alone”<\/td>\n\t\t RCA<\/td>\n\t\t<\/tr>\n\t\t
Airplay<\/td>\n\t\t 1980<\/td>\n\t\t “It Will Be Alright”<\/td>\n\t\t RCA<\/td>\n\t\t<\/tr>\n\t\t
Black Russian<\/td>\n\t\t 1980<\/td>\n\t\t “Leave Me Now”<\/td>\n\t\t Motown<\/td>\n\t\t<\/tr>\n\t\t
Larson-Feiten Band<\/td>\n\t\t 1980<\/td>\n\t\t “Over”<\/td>\n\t\t Warner Bros<\/td>\n\t\t<\/tr>\n\t\t
Larson-Feiten Band<\/td>\n\t\t 1980<\/td>\n\t\t “Make It”<\/td>\n\t\t Warner Bros.<\/td>\n\t\t<\/tr>\n\t\t
Maynard Ferguson<\/td>\n\t\t 1980<\/td>\n\t\t “Star”<\/td>\n\t\t CBS Canada<\/td>\n\t\t<\/tr>\n\t\t
Josipa Lisa<\/td>\n\t\t 1979<\/td>\n\t\t “When You Find Someone Who Loves You”<\/td>\n\t\t Jugoton Records<\/td>\n\t\t<\/tr>\n\t\t
Central Line<\/td>\n\t\t 1979<\/td>\n\t\t “Sticks and Stones”<\/td>\n\t\t Mercury Records<\/td>\n\t\t<\/tr>\n\t\t
Amii Stewart<\/td>\n\t\t 1979<\/td>\n\t\t “Has The World Run Out”<\/td>\n\t\t Hansa Records<\/td>\n\t\t<\/tr>\n\t\t
The Emotions<\/td>\n\t\t 1979<\/td>\n\t\t “The Movie”<\/td>\n\t\t CBS<\/td>\n\t\t<\/tr>\n\t\t
Richard T. Bear<\/td>\n\t\t 1979<\/td>\n\t\t “American Dream”<\/td>\n\t\t RCA<\/td>\n\t\t<\/tr>\n\t\t
Jimmy Cliff<\/td>\n\t\t 1979<\/td>\n\t\t “The Beginning Of An \n\t\t\tEnd”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Jimmy Cliff<\/td>\n\t\t 1979<\/td>\n\t\t “I’m The Living”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Narada Michael Walden<\/td>\n\t\t 1979<\/td>\n\t\t “Why Did You Turn Me \n\t\t\tOn?”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Narada Michael Walden<\/td>\n\t\t 1979<\/td>\n\t\t “I Shoulda Loved Ya”<\/td>\n\t\t Atlantic<\/td>\n\t\t<\/tr>\n\t\t
Freelife<\/td>\n\t\t 1979<\/td>\n\t\t “I Wish That Love Would \n\t\t\tlast”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Bruce Roberts<\/td>\n\t\t 1979<\/td>\n\t\t “With All Of My Love, \n\t\t\tWith All Of My Heart”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Bruce Roberts<\/td>\n\t\t 1979<\/td>\n\t\t “Cool Fool”<\/td>\n\t\t Elektra\/Asylum<\/td>\n\t\t<\/tr>\n\t\t
Leon Ware<\/td>\n\t\t 1979<\/td>\n\t\t “Try It Out”<\/td>\n\t\t 20th Century<\/td>\n\t\t<\/tr>\n\t\t
Rick Moses<\/td>\n\t\t 1979<\/td>\n\t\t “Susannah ’73”<\/td>\n\t\t 20th Century<\/td>\n\t\t<\/tr>\n\t\t
Christopher John Orchestra<\/td>\n\t\t 1979<\/td>\n\t\t “September”<\/td>\n\t\t Music For Pleasure Records<\/td>\n\t\t<\/tr>\n\t\t
The Midnight Strings Orchestra<\/td>\n\t\t 1979<\/td>\n\t\t “Lead Me On”<\/td>\n\t\t Keel\/Canada<\/td>\n\t\t<\/tr>\n\t\t
The Realistics<\/td>\n\t\t 1979<\/td>\n\t\t “Lead Me On”<\/td>\n\t\t CBS<\/td>\n\t\t<\/tr>\n\t\t
Pablo Cruise<\/td>\n\t\t 1979<\/td>\n\t\t “Lonely Nights”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Pablo Cruise<\/td>\n\t\t 1979<\/td>\n\t\t “I Want You Tonight”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Pablo Cruise<\/td>\n\t\t 1979<\/td>\n\t\t “Tell Me That You Love \n\t\t\tMe”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Pablo Cruise<\/td>\n\t\t 1979<\/td>\n\t\t “How Many Tears”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Pablo Cruise<\/td>\n\t\t 1979<\/td>\n\t\t “Part Of The Game”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Pablo Cruise<\/td>\n\t\t 1979<\/td>\n\t\t “For Another Town”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Pablo Cruise<\/td>\n\t\t 1979<\/td>\n\t\t “Lonely Nights”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Pablo Cruise<\/td>\n\t\t 1979<\/td>\n\t\t “Giving It Away”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Pablo Cruise<\/td>\n\t\t 1979<\/td>\n\t\t “When Love Is At The \n\t\t\tDoor”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
The Emotions<\/td>\n\t\t 1979<\/td>\n\t\t “The Movie”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Webster Lewis<\/td>\n\t\t 1979<\/td>\n\t\t “The Love You Give To \n\t\t\tMe”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Webster Lewis<\/td>\n\t\t 1979<\/td>\n\t\t “I Want To Blow (My Horn)”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Ren Woods<\/td>\n\t\t 1979<\/td>\n\t\t “Sticks & Stones”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Ren Woods<\/td>\n\t\t 1979<\/td>\n\t\t “I Need Someone To Touch<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Manhattan Transfer<\/td>\n\t\t 1979<\/td>\n\t\t “The Shaker Song”<\/td>\n\t\t UA<\/td>\n\t\t<\/tr>\n\t\t
Airplay<\/td>\n\t\t 1979<\/td>\n\t\t “It Will be Alright”<\/td>\n\t\t RCA<\/td>\n\t\t<\/tr>\n\t\t
Airplay<\/td>\n\t\t 1979<\/td>\n\t\t “Leave Me Alone”<\/td>\n\t\t RCA<\/td>\n\t\t<\/tr>\n\t\t
Marlena Shaw<\/td>\n\t\t 1979<\/td>\n\t\t “Suddenly It’s How I \n\t\t\tLike To Feel”<\/td>\n\t\t Columbia<\/td>\n\t\t<\/tr>\n\t\t
Night<\/td>\n\t\t 1979<\/td>\n\t\t “You Ain’t Pretty Enough”<\/td>\n\t\t Planet<\/td>\n\t\t<\/tr>\n\t\t
Melissa Manchester<\/td>\n\t\t 1979<\/td>\n\t\t “Holding On To The Loving”<\/td>\n\t\t Arista<\/td>\n\t\t<\/tr>\n\t\t
Lani Hall<\/td>\n\t\t 1979<\/td>\n\t\t “Double Or Nothing”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Pockets<\/td>\n\t\t 1979<\/td>\n\t\t “Why’d Ya Do Dat?”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Pockets<\/td>\n\t\t 1979<\/td>\n\t\t “Baby Are You Coming \n\t\t\tHome With Me?”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Pockets<\/td>\n\t\t 1979<\/td>\n\t\t “How Do You Think It \n\t\t\tFeels”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Debby Boone<\/td>\n\t\t 1979<\/td>\n\t\t “With All My Love, With \n\t\t\tAll Of My Heart”<\/td>\n\t\t Warner\/Curb<\/td>\n\t\t<\/tr>\n\t\t
Crystal Gayle<\/td>\n\t\t 1979<\/td>\n\t\t “The Blue Side”<\/td>\n\t\t Warner Bros.<\/td>\n\t\t<\/tr>\n\t\t
Maxine Nightingale<\/td>\n\t\t 1979<\/td>\n\t\t “Lead Me On”<\/td>\n\t\t Windsong<\/td>\n\t\t<\/tr>\n\t\t
Herbie Hancock<\/td>\n\t\t 1979<\/td>\n\t\t “You Bet Your Love”<\/td>\n\t\t Columbia<\/td>\n\t\t<\/tr>\n\t\t
Herbie Hancock<\/td>\n\t\t 1979<\/td>\n\t\t “Trust Me”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Deneice Williams<\/td>\n\t\t 1979<\/td>\n\t\t “God Knows”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Patti LaBelle<\/td>\n\t\t 1979<\/td>\n\t\t “You And Me”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Patti LaBelle<\/td>\n\t\t 1979<\/td>\n\t\t “Come What May”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire and \n\t\t\tThe Emotions<\/td>\n\t\t 1979<\/td>\n\t\t “Boogie Wonderland”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1979<\/td>\n\t\t “Can’t Let Go”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1979<\/td>\n\t\t “Star”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1979<\/td>\n\t\t “You And I”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1979<\/td>\n\t\t “Wait”<\/td>\n\t\t  <\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1979<\/td>\n\t\t “Let Your Feelings Show”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1979<\/td>\n\t\t “In The Stone”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
James Last<\/td>\n\t\t 1979<\/td>\n\t\t “Lead Me On”<\/td>\n\t\t Polydor Records<\/td>\n\t\t<\/tr>\n\t\t
Studio ’79<\/td>\n\t\t 1979<\/td>\n\t\t “September”<\/td>\n\t\t Springboard International<\/td>\n\t\t<\/tr>\n\t\t
With The Cannonbal<\/td>\n\t\t 1979<\/td>\n\t\t “Boogie Wonderland”<\/td>\n\t\t Durium Records<\/td>\n\t\t<\/tr>\n\t\t
Earth, Wind & Fire<\/td>\n\t\t 1978<\/td>\n\t\t “September”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Valerie Carter<\/td>\n\t\t 1978<\/td>\n\t\t “The Blue Side”<\/td>\n\t\t Arc\/Columbia<\/td>\n\t\t<\/tr>\n\t\t
Richard T. Bear<\/td>\n\t\t 1978<\/td>\n\t\t “Suzannah”<\/td>\n\t\t RCA<\/td>\n\t\t<\/tr>\n\t\t
Pockets<\/td>\n\t\t 1978<\/td>\n\t\t “Lay Your Head On My \n\t\t\tShoulder”<\/td>\n\t\t  <\/td>\n\t\t<\/tr>\n\t\t
Debby Boone<\/td>\n\t\t 1978<\/td>\n\t\t “God Knows”<\/td>\n\t\t Warner\/Curb<\/td>\n\t\t<\/tr>\n\t\t
Herbie Hancock<\/td>\n\t\t 1978<\/td>\n\t\t “Just Come Running To \n\t\t\tMe”<\/td>\n\t\t Columbia<\/td>\n\t\t<\/tr>\n\t\t
Rita Coolidge<\/td>\n\t\t 1978<\/td>\n\t\t “Love Me Again”<\/td>\n\t\t A&M<\/td>\n\t\t<\/tr>\n\t\t
Patti LaBelle<\/td>\n\t\t 1978<\/td>\n\t\t “I See Home”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Patti LaBelle<\/td>\n\t\t 1978<\/td>\n\t\t “Little Girls”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Formerly The Harlettes<\/td>\n\t\t 1978<\/td>\n\t\t “Ain’t No Man Worth It”<\/td>\n\t\t Columbia<\/td>\n\t\t<\/tr>\n\t\t
Rosie<\/td>\n\t\t 1977<\/td>\n\t\t “I See Home”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Brenda & The Tabulations<\/td>\n\t\t 1977<\/td>\n\t\t “Everybody’s Fool<\/td>\n\t\t Chocolate City<\/td>\n\t\t<\/tr>\n\t\t
Carol Douglas<\/td>\n\t\t 1977<\/td>\n\t\t “Got You On My Mind”<\/td>\n\t\t Midland Int’l<\/td>\n\t\t<\/tr>\n\t\t
The Brecker Brothers<\/td>\n\t\t 1976<\/td>\n\t\t “I Love Wasting Time \n\t\t\tWith You”<\/td>\n\t\t Arista<\/td>\n\t\t<\/tr>\n\t\t
The Brecker Brothers<\/td>\n\t\t 1976<\/td>\n\t\t “Lovely Lady”<\/td>\n\t\t Arista<\/td>\n\t\t<\/tr>\n\t\t
Bonnie Raitt<\/td>\n\t\t 1974<\/td>\n\t\t “Got You On My Mind”<\/td>\n\t\t Warner Bros.<\/td>\n\t\t<\/tr>\n\t\t
Allee Willis<\/td>\n\t\t 1974<\/td>\n\t\t “Childstar” <\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Allee Willis<\/td>\n\t\t 1974<\/td>\n\t\t “Ain’t No Man Worth It”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Allee Willis<\/td>\n\t\t 1974<\/td>\n\t\t “I Have”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Allee Willis<\/td>\n\t\t 1974<\/td>\n\t\t “If You Were Only Robert \n\t\t\tYoung”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Allee Willis<\/td>\n\t\t 1974<\/td>\n\t\t “Missing Something Special”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Allee Willis<\/td>\n\t\t 1974<\/td>\n\t\t “I Don’t Know How”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Allee Willis<\/td>\n\t\t 1974<\/td>\n\t\t “What Kind of Shoes Does \n\t\t\tSeptember Wear”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Allee Willis<\/td>\n\t\t 1974<\/td>\n\t\t “Into Feeling Lonely”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Allee Willis<\/td>\n\t\t 1974<\/td>\n\t\t “Who You Gonna Be”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t\t
Allee Willis<\/td>\n\t\t 1974<\/td>\n\t\t “Children’s Day Parade”<\/td>\n\t\t Epic<\/td>\n\t\t<\/tr>\n\t \n\t <\/tbody><\/table>\n<\/div>\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

Allee Willis songs I stopped writing songs in 1991 to continue my trek into technology and started writing them once again in 2001 for my Broadway musical The Color Purple, that I co-wrote with Brenda Russell, Stephen Bray, and Marsha Norman, currently on national tour. Artist Year Title Label Herbie Hancock, Queen & Slim 2019 …<\/p>\n

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